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IMDbPro

Violento e Profano

Título original: Nil by Mouth
  • 1997
  • R
  • 2 h 8 min
AVALIAÇÃO DA IMDb
7,3/10
11 mil
SUA AVALIAÇÃO
Ray Winstone in Violento e Profano (1997)
A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.
Reproduzir trailer1:57
1 vídeo
99+ fotos
DramaDrama psicológicoTragédia

Um patriarca rude e temperamental de uma família da classe trabalhadora vê sua vida e os relacionamentos ao seu redor se desfazerem lentamente.Um patriarca rude e temperamental de uma família da classe trabalhadora vê sua vida e os relacionamentos ao seu redor se desfazerem lentamente.Um patriarca rude e temperamental de uma família da classe trabalhadora vê sua vida e os relacionamentos ao seu redor se desfazerem lentamente.

  • Direção
    • Gary Oldman
  • Roteirista
    • Gary Oldman
  • Artistas
    • Ray Winstone
    • Kathy Burke
    • Charlie Creed-Miles
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    11 mil
    SUA AVALIAÇÃO
    • Direção
      • Gary Oldman
    • Roteirista
      • Gary Oldman
    • Artistas
      • Ray Winstone
      • Kathy Burke
      • Charlie Creed-Miles
    • 103Avaliações de usuários
    • 44Avaliações da crítica
    • 76Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 2 prêmios BAFTA
      • 9 vitórias e 9 indicações no total

    Vídeos1

    Trailer
    Trailer 1:57
    Trailer

    Fotos113

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    Elenco principal29

    Editar
    Ray Winstone
    Ray Winstone
    • Raymond
    Kathy Burke
    Kathy Burke
    • Valerie
    Charlie Creed-Miles
    Charlie Creed-Miles
    • Billy
    Laila Morse
    • Janet
    Edna Doré
    • Kath
    Chrissie Cotterill
    • Paula
    Jon Morrison
    • Angus
    Jamie Foreman
    Jamie Foreman
    • Mark
    Steve Sweeney
    Steve Sweeney
    • Danny
    Terry Rowley
    • M.C. in Club
    Sam Miller
    Sam Miller
    • Club Comic
    Leah Fitzgerald
    • Michelle
    Gerry Bromfield
    • Drug Dealer
    Neil Maskell
    Neil Maskell
    • Schmuddie
    Sid Golder
    Sid Golder
    • Old Guy in Window
    John Blundell
    John Blundell
    • Man with Knife
    Kenan Hudaverdi
    • Laundrette Owner
    Everton Nelson
    Everton Nelson
    • Street Violinist
    • Direção
      • Gary Oldman
    • Roteirista
      • Gary Oldman
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários103

    7,310.6K
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    Avaliações em destaque

    9kylde-1

    piercingly precise

    I WAS (allegorically) the Lil girl on the stairs watching it all, this film had me in tears literally, if you have been lucky enough NOT to have lived through this kind of abuse, rock on, but for those of us who have been there this is a shockingly accurate depiction, I cried all the way through (I used to have every Monday off school to get a new set of false teeth for my mother). This film is so close to the heart it is unbelievable, and I am only padding this out to make the minimum review length why should i need 10 lines of text why should i need 10 lines of textwhy should i need 10 lines of textwhy should i need 10 lines of textwhy should i need 10 lines of textwhy should i need 10 lines of text
    9bulkmail1

    A must see movie-an Oldman masterpiece.

    What a well made and stunning movie of life on a British council estate of a family with a violent father and poor cow mother , one of the types of women that gets a regular beating from the old man and yet still go back to him. the performances by Ray Winstone and Kathy Burke should have got them award after award. with more cursing than I've heard in a movie, although its typical for a low class family in those types of situations, with a drug using , stealing relative and strong acting from Laila Morse (garys sister) a must see movie, but make sure the kids are in bed !! the movie also has a great soundtrack which I cant find anywhere !
    8JohnBoyRoy

    Sobering and shocking, although hope remains...

    This is a piece of debutant film making at its best.

    Oldman set about to create a gritty and colourful portrayal of the rough end of life in Saafff Lhaandan and in that respect he was f**kin sucessfull you bunch ah chaaaants!

    The camera work is disjointed and initially appears clumsy, but the expertly chosen angles and focuses soon become enthralling. It is nicely gritty and rough around the edges. Take a special note of the excellent sound design - it really adds to the overall atmosphere of the cityscape Olman so expertly creates.

    The narrative progression is pretty much non-existent. Like all realist films its not really about what is happening, but the broader issues exposed by smaller events within the film. These include some brutal moments from Winstone and also some heavy drinking/clubbing binges.

    The acting is so good and so believable that I forgot I was watching a film - it is almost a documentary and those not familiar with the actors within the film may be fooled into thinking that is what they were watching.

    Olman also introduces some subtle symbolism (the moment with the red balloon for example) but is never heavy handed or distracting.

    Winstone and Burke really are stunning in this film, and the ending is a brilliant piece of ambiguity and hope. CHeck out Winstone's subtle touching moments with his daughter - it brings a tear to the eye.

    Classic in the modern sense of the word.
    Stig-4

    Oldman cuts to the bone

    In Sturges' classic "Sullivan's Travels," a swank film director announces to his butler: "I'm going out on the road to find out what it's like to be poor and needy, and then I'm going to make a film about it." The butler snorts: "It you permit me to say Sir, the subject is not an interesting one. The poor know all about poverty, and only the morbid rich would find the topic glamorous." Love it or hate it, Nil by Mouth digs deep inside and never lets you go. Unlike Sullivan, Oldman had only to look inside himself to find his subject. He does an honest and remarkable job. Of course a film of this type is not going to win any Oscars - Oldman didn't make it to please anyone. Most will find this nihilistic and depressing, and they're right. Suffice to say, Oldman is a natural craftsman. If he continues to follow his heart and gut, who knows what else he might accomplish. A remarkable debut.
    7Embley

    like a punch in the stomach

    this film is incredibly harsh. it took a while for me to get into it - accent barrier and a little too close to reality make it a tough one to watch. but it really is a great film - horrifying and depressing. i don't think i could ever watch it again, it is too hard.

    kathy burke is great as is her terrifying husband. cheers to gary oldman for doing good quality work.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The song the grandmother sings in the pub at the end of the film was dubbed; the actual singer was Gary Oldman's mother.
    • Erros de gravação
      A boom mic is visible in the supermarket parking lot.
    • Citações

      Ray: She took his dinner in to him once, me mum, in the pub, and plonked it in front of him on a tray. Knife and fork, salt and pepper. He said, "What's that?" She said, "It's your dinner. I thought you might be hungry. You ain't eaten for three fucking days. You live in here, you might as well fucking eat in here." It's funny. He didn't like that, did he? Mugged him up in front of his mates. Thought more of them cunts than he did us. Lovely. Yeah. She got a clump over that. Well, she would, wouldn't she? He was always pissed in there, weren't he? You know? We go in the pub to get our living, you know? That's where we do our business. He'd be there spunking out while we're sitting at home without a dinar, you know, thank you. And he'd promise things. You know? Promise to take us places, you know? Never did. Never took us anywhere. And when he did bother to come home he'd sit in that fucking chair, doss off with his tray in his lap. And I'd just stand there looking at him. I'd look in his face, and my mother'd go upstairs, and I'd say, "Say, Mum, ain't Daddy coming to bed?" And she'd say, "No. No, he's all right, son. He'll come up when he wakes up." He's gotta wake up to go to bed! Now, I'd stand there looking at this fucking old man, you know, my dad, you know, in that chair, that horrible fucking chair with the shiny, worn-out arms. I should've burnt the fucking thing. By the end he was hemorrhaging from both ends, you know? I used to hear him in the morning hanging on to the khazi. It was lovely. Never stopped him going to the pub, though. No, he was well enough to do that. Now, one day, right, he's staggering across the pub pissed from the night before. He's gone over, crunch, right on his mooey, like a fucking ironing board. His hooter's around here, his railings all over the fucking place. Me and me mum had to go the hospital to see him. We walked in. He's laying in bed. He's got tubes up his arms, fucking up his nose, down the back of his Gregory. He didn't look well. Fucking vodka was keeping him alive. Well, I ain't that interested, so I'm having a little mooch about, you know. I looked above his bed, and there's this sign, right, with some weird writing on it. I couldn't read too well at the time. I said to my mum, "Mum, what's that say? You know, that sign above Daddy's head. All right?" She said, "Nil by mouth." "What's that, a football score? 'One-nil, three-nil, two-nil, a geezer called fucking Nil.'" Yeah. I said, "Well, what's it mean?" She said, "It means... "

      Mark: It means nothing to eat.

      Ray: Yeah, nothing down the...

      [points into his mouth]

      Mark: Nothing down the... Yeah.

      Ray: Yeah, all right. I remembered that day, because I could've put that on his fucking tombstone, you know? Because I don't remember one kiss, you know, one cuddle. Nothing. I mean, plenty went down, not a lot came out, you know, nothing that was any fucking good. And I'd look at this man that I call Dad, you know? My father, I knew him as Dad. He was my fucking dad but he weren't like other kids' dads, you know? It was as if the word itself were enough, and it ain't.

      Mark: That ain't when he died though, is it?

      Ray: No. He lived another ten years, slippery old cunt. He died one afternoon in that fucking armchair. About right. I went round to see him, you know, when he was plotted up at me mother's.

      Mark: Hatcham Road?

      Ray: Yeah, Hatcham Road. He was upstairs in that front bedroom. Laid out.

      Mark: Free.

      Ray: Yeah. Yeah. I've gone up there, gone in. I'm sitting on the bed looking at him. He's laying there like... Mullered. And it was like he'd shrunk, you know? He was a big man.

      Mark: He was a lump.

      Ray: Yeah. You should know. You got enough clumps off the cunt.

      [sighs]

      Ray: And I just touched him, you know? He was fucking freezing cold. It frightened the life out of me. I was looking at him, you know? For the first time in my life, I talked to him. I said, "Why didn't you ever love me?"

    • Conexões
      Featured in Especial Cannes: 50 Anos de Festival (1997)
    • Trilhas sonoras
      Las Vegas
      Written by Mitch Murray and Peter Callander

      Performed by Tony Christie

      Courtesy of MCA Records

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    • How long is Nil by Mouth?
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    Detalhes

    Editar
    • Data de lançamento
      • 10 de outubro de 1997 (Reino Unido)
    • Países de origem
      • Reino Unido
      • França
    • Central de atendimento oficial
      • Sony Pictures Classics
    • Idioma
      • Inglês
    • Também conhecido como
      • Nil by Mouth
    • Locações de filme
      • Piccadilly Circus, Piccadilly, Londres, Inglaterra, Reino Unido
    • Empresas de produção
      • SE8 Group
      • EuropaCorp
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 9.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 266.130
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 28.367
      • 8 de fev. de 1998
    • Faturamento bruto mundial
      • US$ 284.477
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 8 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • SDDS
    • Proporção
      • 1.85 : 1

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