Em Terreno Selvagem

I tend to actively avoid Steven Seagal films like the plague, and realize intermittently that I do in fact enjoy certain ones from back in the day. He's made a ton of trash, no doubt, but the clouds part every now and again, for select occasions like Under Siege, The Glimmer Man, Above The Law, Fire Down Below and the snowbound On Deadly Ground. The main marvel in this one is an incredibly hammy Michael Caine as the mustache twirling villain, a Big Oil maniac who has his amoral sights set on sacred land belonging to Inuit tribesman. Seagal plays yet another martial arts trained badass who takes it upon himself to bring down Caine, his nefarious capitalist plans and the violent mercenaries he has hired to wipe the land of indigenous natives. It's as silly as silly can be, right down to him falling in love with a beautiful Inuit girl (Joan Chen, actually Chinese), but enjoyable on its own terms when you look at the solid choreography, stunts and impressive location work. Also, the roster of villains is too good to pass up, starting with Caine's outright, wanton psychopath. We're also treated to the Sergeant himself, R. Lee Ermey as a merc with a particularly salty attitude, John C. McGinley over-playing one of his patented schoolyard bullies, and even Billy Bob Thornton shows up, adding to the sleaze factor. Watch for cameos from Mike Starr, Michael Jai White and an unbilled Louise Fletcher as well. Seagal directed this himself, so it's essentially one big vanity piece where he gets to play Dances With Wolves for a couple hours, but the trick is to see the unintentional comedy in that and enjoy it. Seagal is one of those goofs who I am not a ashamed to say I am laughing at, not with. Caine is the real prize here, and his merry band of assholes. An action flick is only as good as it's antagonist, and this guy is bad to the bone in hilariously over the top ways. A big dumb flick, nothing more, nothing le- well maybe a little less in places, but fun in other spots nonetheless.

Well, as the IMdB reviews show, not everyone is a fan of this film. It's true that the philosophising and Eskimo mystique in the mid-section of the film do slow it down. It is also true that the closing environmental speech may be a tad heavy-handed. Yet I find it refreshing to see a large-budget action movie that actually tries to be about something. To his credit, Seagal's films have generally struck an anti-Establishment tone, in contrast to the complacent Republicanism of Schwarzenegger. Of course, having said all this, the tactics of Seagal's hero Forrest Taft, in blowing up large quantities of Alaska, are not perhaps what Greenpeace would recommend! As to the qualities of the film, there are some strong, savage action scenes, a stylish if over-the-top villain in Michael Caine, and wonderful photography. After all those "Die Hard"/"Under Siege" efforts, with characters running around claustrophobic buildings in semi-darkness, the panoramic views of Alaska make a nice change. Another good score by Basil Poledouris.

At the height of his fame Seagal was allowed to direct this monstrosity about evil Texas oil Aegis company polluting Alaska. With no prior experience in directing Steve stampeded his way into this movie with as much subtlety as a brick in the face. Originally called 'Spirit Warrior' and hoping to cast loads of English baddies (among them Anthony Hopkins and Jeremy Irons) the film is a horrid example of far too much creative control given to one man too blinkered by his own agenda to bother giving us anything resembling decent storytelling.

There is nothing significant or exceptional about Seagal's direction. Nor is the action very well done. It's cut too lazily and not shot for maximum viewing clarity. But what reeks about the story is that some big oil magnate called Michael Jennings (a completely hammy Michael Caine) wants to build a really shoddy oil rig in Alaska made out of dodgy parts because the rights to the land are about to revert back to the Eskimos after 30 years of non-use. So why wait 30 years to build the bloody thing?

Seagal plays Forrest Taft, an oil rig fireman who suddenly develops a conscience and is promptly eliminated from the payroll by way of being blown up. Only he is rescue by the Eskimos and, this is where the film just goes insane, goes on a spiritual journey in which he wrestles bears and turns into eagles and stuff. I mean, what the hell is all that about??? Don't even get me started on the scene where he makes a fully-grown hard-ass redneck cry in a bar full of similar stereotypes when the philosophy touches his soul. Then he gets his old self back together and sets about righting all the wrongs of Aegis Oil and saving the environment by littering it with dead bad guys.

Jennings hires a bunch of mercenaries (including R. Lee Ermey and Billy Bob Thornton) to take out Taft but of course they all prove to be useless since Taft is revealed to be an ex-CIA Agent (oh dear God..)Nothing much really happens apart from shooting and dying and Seagal beating up nameless extras. We've seen all of this before and it's no different this time round.

I do appreciate his environmentally friendly attitude but it could have made it a little less obvious and campy. Seagal's tacked on speech at the end originally ran for 30 minutes (Jeezuz sufferin') but Warner finally stepped in and said a big no-no.

We could have had an Oliver Stone or Insider amount of paranoia and conspiracy but this just ends up as the worst of Seagal's Hollywood movies.

Continuing my plan to watch every Steven Seagal movie in order I come to

On Deadly Ground (1994)

Following on from Under Siege, Seagal was at the height of his popularity and had the pick of projects. He made a deal with Warner Bros, if they financed this movie, he would make a more commercial movie for them, namely Under Siege 2.

I actually didn't hate this movie. It's preachy, silly and more than a tad ridiculous, but it was a perfectly fine action flick. It's a bit of a love letter to Seagal's own ego, as everyone constantly talks about how great he is, it happened that often it became a joke with me and me son.

Michael Cain (with a bad dye job) is in full pantomime villain mode, John C McGinley is always great and Billy Bob Thornton has a small role too.

It actually felt considerably longer than it's 100 minute run time.

When Danish actor Sven-Ole Thorsen (frequent Arnold co star) met Seagal on the set, Seagal asked Thorsen to kick him, to show what Thorsen was capable of. Thorsen hesitantly kicked Seagal, who caught his leg and threw him to the ground. Seagal asked Thorsen to kick him again, giving it his best shot. Thorsen kicked Seagal as fast and hard as he could, and Seagal fell to the ground. When shooting a scene together a day later, Seagal hit Thorsen in the throat, leaving Thorsen unconscious for three or four seconds. Seagal decided that Thorsen's character had died, and his remaining scenes were cut from this movie.

Seagal filmed almost forty minutes of footage for the environmental message at the end of this movie, and planned to use it all in the final cut. After pressure from Warner Brothers, and a disastrous preview screening, he cut it to eleven minutes, after more pressure, Seagal are edited the final scene down to about seven minutes.

On Deadly Ground opened at number 1 at the domestic Box Office (his 6th in a row) and grossed $38 million (on a $50 million budget) to end 1994 as the 37th highest grossing movie of the year. This was the first time a Seagal movie did not recoup its budget at the domestic box office. It was also the first time a Van Damme movie (Timecop) outgrossed a Seagal one.

In this Alaskan film, Joan Chen plays what is quite probably the last word in Sino-Eskimo snow bunnies.

Eskimo Joan represents the same sort of Hollywood confusion about racial boundary lines which saw Larry Fishburne play the Moor of Venice, and Jackie Chan cast to play the King of Pop in an upcoming TV movie. (I'm kidding about one of these.) Not to mention generations of Italian and Jewish Indians, and more white actors in blackface than there are seeds in a watermelon.

Joan is teamed here with Steven Seagal, quite probably the last word in inarticulate and extremely violent tree-hugging Buddhists. Sort of the Billy Jack of the Barents Sea. His jacket has more fringe on it than you'd see at a reunion concert by the Buffalo Springfield.

Together, they try to build a world where an interracial couple can be happy in an oomiak built for two.

A number of years ago, I spent nearly 8 seconds at a book-signing in the presence of Michael Caine. For each of those seconds, he was extremely personable. So it's a bit of a revelation for me seeing him playing his two-faced vicious Hun of a smooth oil company CEO. Old favourite John C. McGinley also appears against type as one of Caine's nastier henchthugs.

Finally, there's Seagal's direction which takes his film on this ecological walk through the woods which makes it all seem a little like Oliver Stone after too many days trapped in a sweatlodge.

It's so ridiculous I actually found myself enjoying the whole thing quite a bit.