Assassinos da Estrada

From the ridiculous IMDb rating of less than 5.0, I had zero expectations for "The Road Killers". This movie is definitely one of the most underrated films I have reviewed. Craig Sheffer's psycho, Charles Manson-like performance, rivals some of the best bad guy actors out there, and instantly brings to mind several of Don Stroud's villainous characters. Christopher Lambert fans will no doubt be disappointed, as Sheffer completely dominates film. There are moments of dark humor throughout, some unexpected developments, and a bang up conclusion on the train tracks. The supporting cast is a real mixed bag, with the late Adrienne Shelly most memorable. I am definitely pounding the table for this unknown gem. - MERK

This one reminds me of the outer limits ultra-DIY stuff that Miramax was experimenting with in the '80s before they went "legit" with "respectable" art-house fare around 1989.

"The Road Killers" is from a few years after that but you can still see the yearning to be on the cool, cutting edge of the alternafence. It's also extremely interesting (at first, at least) because you get to see sneak peeks at very young versions of some of today's biggest actors (Josh Brolin, David Arquette, Chris MacDonald, a 7 or 8-year old Joseph Gordon-Levitt).

This film doesn't take itself seriously in the least, and that could very well have been intentional as it seems to deliberately ape the sadistic-teen-hoods-go-on-a-rampage genre ala "Hot Rods to Hell." The lead thug, Craig Sheffer (never a very good actor, unfortunately, and a very ham-fisted villain in many flicks) does and says all the hateful things at all the right times, but can't get beyond his ridiculous Motley Crue wig (I really hope it is a wig, for his sake). Brolin and Arquette have scant little to do, and the "good guys," with the exception of MacDonald, never get us very revved up to root for them in the first place.

The script is a complete disaster with long, intermittent stretches where there is no action whatsoever, and the characters are too shallow and boring to expound upon. This is supposed to be an action picture, but it ends up as more of an overlong parody of one.

A huge, wasted opportunity, as nobody had the guts to make deliberately different mainstream films back in the day, except Miramax. Now, they wouldn't touch this kind of stuff with a ten foot pole, unless it was to be helmed by Rodrigeuz or Tarantino.

Every now and again when I am drunk I stumble upon this film again. It is pretty fun. I like it. It is not great by any means but it is fun. A good Saturday afternoon movie.

The other reviews are correct that this movie bears some resemblance to 'The Hitcher' or other movies that take place on the highway and involve brutality and murder. But I think what a lot of the reviews fail to acknowledge is the humor, dark comedy, and other virtues this film has to offer. I think it's a movie that improves with time because stylistically it now feels classically dated and rugged in an early 1990's sort of way that is mostly lost in modern films, although 'No Country for Old Men' touches on a similar style, as do Robert Rodriguez films. It's a satisfying movie because the pacing is good, the acting is good with at times excellent characterization, and there is a fair amount of drama that is actually quite compelling. It leads to a certain amount of excitement that isn't ever boring, and it makes for a good "guy" movie; the sort of film that if you don't take it too seriously, offers a certain likability of the joking villains and a general lightness, recklessness, and irreverence. Overall it can be a quite enjoyable experience to watch.

After a young boy is almost run over by a maniac on a highway, a re-encounter and confrontation by the boy's father with the driver sets off conflicts with a car full of maniacs.

Okay, so the opening credits are just a tad too long. And the Netflix version is full screen, despite the fact it is known the film was shot in widescreen (like most films). But let us look past these nitpicks.

What we get is a fun film with a solid cast: Christopher Lambert, Joseph Gordon-Levitt, David Arquette, Josh Brolin, Christopher McDonald. Some (like Arquette) part of the 90s zeitgeist, and some (like Brolin and Gordon-Levitt) who had yet to fully bloom. In retrospect, from 2015, this not only exemplifies the sort of videos that were fun to rent in the 90s, but provides a nice glimpse of some talented folks early in their careers.