AVALIAÇÃO DA IMDb
5,6/10
72 mil
SUA AVALIAÇÃO
Uma mulher convence um especialista em bombas com quem está envolvida a destruir a máfia que matou a família dela.Uma mulher convence um especialista em bombas com quem está envolvida a destruir a máfia que matou a família dela.Uma mulher convence um especialista em bombas com quem está envolvida a destruir a máfia que matou a família dela.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 7 indicações no total
Ramón González Cuevas
- Priest at Cemetery
- (as Ramon Gonzalez-Cuevas)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Although I'm not really a Sly-fan I found this movie highly entertaining and it made me laugh quite a lot. I totally agree with the comment of bensonl who, in my opinion understands the value of entertainment. Right you are, mate! I think it's silly to look for a good plot (is there one?) in an action flick like this. Anyway, who cares? If you're in for a plot go see 'Usual Suspects', I'd say.
By the way, if you're being led by all the negative comments, you'll miss the chance of (yet again) seeing Sharon without clothes.....mmmm! 8 out of 10 to push up the score.
By the way, if you're being led by all the negative comments, you'll miss the chance of (yet again) seeing Sharon without clothes.....mmmm! 8 out of 10 to push up the score.
Hey, I enjoy a good revenge movie as well as the next guy, even though I know forgiveness is the better way. Revenge films satisfy base urges in all of us. But, holy smokes, this crosses the line a little bit with the glorification of such....at least with the ending (which I won't give away but involves Sharon Stone's character).
Along the way is a fun ride as the revenge-obsessed Stone hires Sylvester Stallon (The Specialist, a term for his bomb-making talents) to kill all the people responsible for her parents' murder years earlier.
The villains are over-the-top, to say the least. One almost has to laugh out loud at one of them: James Woods. Few people in his era (70s and 80s mainly) were better at playing despicable villains than Woods, and in this film he plays that role to the hilt. He also rattles off the best line in the movie when he tells some tourist to "get a new shirt, too."
The other villains are played by Eric Roberts and Rod Steiger. Roberts is nasty and arrogant all the way and Steiger - as he has so often since the 1970s - appears cartoonish in his over-acting.
The film moves quickly which means it's very entertaining and some of the bombing scenes are quite memorable, such as a chunk of a condo building falling into the ocean.
Even though the villains are really nasty, there are no "good guys" here, either. Everyone is seriously flawed, as is the message of the film. I guess this is one of those "guilty pleasure" movies they talk about, because I still enjoy watching it every five or so years.
Along the way is a fun ride as the revenge-obsessed Stone hires Sylvester Stallon (The Specialist, a term for his bomb-making talents) to kill all the people responsible for her parents' murder years earlier.
The villains are over-the-top, to say the least. One almost has to laugh out loud at one of them: James Woods. Few people in his era (70s and 80s mainly) were better at playing despicable villains than Woods, and in this film he plays that role to the hilt. He also rattles off the best line in the movie when he tells some tourist to "get a new shirt, too."
The other villains are played by Eric Roberts and Rod Steiger. Roberts is nasty and arrogant all the way and Steiger - as he has so often since the 1970s - appears cartoonish in his over-acting.
The film moves quickly which means it's very entertaining and some of the bombing scenes are quite memorable, such as a chunk of a condo building falling into the ocean.
Even though the villains are really nasty, there are no "good guys" here, either. Everyone is seriously flawed, as is the message of the film. I guess this is one of those "guilty pleasure" movies they talk about, because I still enjoy watching it every five or so years.
Continuing my plan to watch every Sly Stallone movie in order, I come to 1994's The Specialist.
Plot In A Paragraph: Sylvester Stallone is Ray Quick, a freelance bomb expert who lives off the grid. (Don't worry he is a good guy underneath, it is Stallone after all, he won't kill innocent people, takes in stray cats and gives up his seat to pregnant women on buses) May Munro (Sharon Stone) contacts him and wants him to kill the three men who killed her family years ago, who work for the Leon crime family, headed by Joe (Rod Steiger) and his son Tomas (a fun Eric Roberts) Their head of security Ned (A brilliant scene stealing turn by James Woods) Just happens to be Ray's former partner.
Ray Quick has to be the blandest and dullest character had played at this point. I'm not sure if he was bored in the role, but he sleep walks his way through the movie. Like with 'Cobra' we get shots of Sly looking mean and moody behind his shades, or intense and moody as he works on a bomb. Lots of posing as he listens to Stones voice over and over as he stalks her. Lots of posing not much actual acting.
Sharon Stone does, what Sharon Stone did at that point of her career, look good and take her clothes off. Eric Roberts (how did this man not have a bigger career?? I'd much rather watch him on screen than his sister) is a lot of fun, and actually under used. Steiger is surprisingly under whelming, which is a shame. But it's James Woods who this movie belongs too!! He is simply fantastic, and the movie is s lot poorer when he is not on screen.
So once again, for the second movie in a row, Stallone is completely overshadowed by his costar. Like Wesley Snipes in 'Demolition Man', James Woods not only steals every scene he is in, he walks away with the full movie!! You could argue three with John Lithgow in Cliffhanger
As with Nighthawks and Demolition Man, Stallone had scenes cut featuring the villain (This time Woods) and more shot with himself (the scene with the thugs on the bus, and the one where Roberts threatens Sly with a knife) at the last minute. It made no difference, Woods still stole the movie.
Despite a relatively short running time, it actually feels a lot longer than it is.
An interesting note on this is David Fincher was set to direct this at one stage. Stallone liked Fincher, and wanted him, but he was overruled by the producers, because of the failure of Alien 3. Instead they went with Luis Llosa, who had directed the straight to video 'Fire On The Amazon' with a Sandra Bullock and Sniper with Tom Berenger in 1993. Whilst Llosa's career went nowhere (he only directed 2 more movies after this) whilst Fincher made the mega hit Se7en a year later.
Plot In A Paragraph: Sylvester Stallone is Ray Quick, a freelance bomb expert who lives off the grid. (Don't worry he is a good guy underneath, it is Stallone after all, he won't kill innocent people, takes in stray cats and gives up his seat to pregnant women on buses) May Munro (Sharon Stone) contacts him and wants him to kill the three men who killed her family years ago, who work for the Leon crime family, headed by Joe (Rod Steiger) and his son Tomas (a fun Eric Roberts) Their head of security Ned (A brilliant scene stealing turn by James Woods) Just happens to be Ray's former partner.
Ray Quick has to be the blandest and dullest character had played at this point. I'm not sure if he was bored in the role, but he sleep walks his way through the movie. Like with 'Cobra' we get shots of Sly looking mean and moody behind his shades, or intense and moody as he works on a bomb. Lots of posing as he listens to Stones voice over and over as he stalks her. Lots of posing not much actual acting.
Sharon Stone does, what Sharon Stone did at that point of her career, look good and take her clothes off. Eric Roberts (how did this man not have a bigger career?? I'd much rather watch him on screen than his sister) is a lot of fun, and actually under used. Steiger is surprisingly under whelming, which is a shame. But it's James Woods who this movie belongs too!! He is simply fantastic, and the movie is s lot poorer when he is not on screen.
So once again, for the second movie in a row, Stallone is completely overshadowed by his costar. Like Wesley Snipes in 'Demolition Man', James Woods not only steals every scene he is in, he walks away with the full movie!! You could argue three with John Lithgow in Cliffhanger
As with Nighthawks and Demolition Man, Stallone had scenes cut featuring the villain (This time Woods) and more shot with himself (the scene with the thugs on the bus, and the one where Roberts threatens Sly with a knife) at the last minute. It made no difference, Woods still stole the movie.
Despite a relatively short running time, it actually feels a lot longer than it is.
An interesting note on this is David Fincher was set to direct this at one stage. Stallone liked Fincher, and wanted him, but he was overruled by the producers, because of the failure of Alien 3. Instead they went with Luis Llosa, who had directed the straight to video 'Fire On The Amazon' with a Sandra Bullock and Sniper with Tom Berenger in 1993. Whilst Llosa's career went nowhere (he only directed 2 more movies after this) whilst Fincher made the mega hit Se7en a year later.
This seems like a film tailor-made so Sly & Sharon can 'strut their stuff' in the coupling dept. Sharon vamps, Sly warbles thru his lines. Yea, he's got a deep & sexy voice but you can only pick up on what he's saying to her on the phone if you got close-caption on your set! Anyway, they both look VERY fine in this film. James Woods is the pest you'll love to hate being the back-stabber that he is. "Slime" is the only word to use for Eric Roberts role & Rod Steiger's Hispanic accent is fun! See the edited version of this one. It's got a slick color to it that's quite appealing being that it was shot in Miami where everything's bright pink & green.
This movie makes very little sense, with it's brainless script. The revenge plot has been seen a thousand times and then some. The big difference is instead of guns to bring down the bad guys, here we have cartoon like explosions. If it weren't for James Woods, Eric Roberts, and Rod Steiger, "The Specialist" would be complete refuse. Woods especially, carries the film, as the smarmy evil enemy of Stallone. Speaking of Stallone, both he and Sharon Stone have a believability factor deficiency of monumental proportions. In fact the entire movie has a believability factor of less than zero. I've seen cartoons that made me think more than this does. Push button, blow it up, push button, blow it up. That's all there is to this "bomb". - MERK
Você sabia?
- CuriosidadesSharon Stone was 36 when this movie was filmed, although her character was supposed to be in her early twenties.
- Erros de gravaçãoThe scene in which Ray sets a trap in his high rise balcony hotel room overlooking the water was spectacular, but from a construction or physics perspective it was preposterous. No amount of explosives placed on the surface of the floor, walls and ceiling could have caused the balcony to break off cleanly as depicted. Ray would have had to have hired crews to use heavy equipment to drill into the concrete and then place explosives inside the concrete. Obviously the hotel would not have cooperated with Ray's remodeling.
- Versões alternativasThe Blu-ray features the 2003 Warner Bros. Pictures logo plastering the opening 1992 variant.
- ConexõesFeatured in Gloria Estefan: Turn the Beat Around (1994)
- Trilhas sonorasSlip Away
Written by Lawrence Dermer (as Lawrence P. Dermer)
Produced by Emilio Estefan Jr. and Lawrence Dermer (as Lawrence P. Dermer)
Performed by LaGantia Frazier
Courtesy of Crescent Moon Records, Inc.
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- How long is The Specialist?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- El Especialista
- Locações de filme
- Great Falls Dam, Rock Island, Tennessee, EUA(truck explosion scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 45.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 57.362.582
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.317.765
- 9 de out. de 1994
- Faturamento bruto mundial
- US$ 170.362.582
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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