AVALIAÇÃO DA IMDb
6,3/10
15 mil
SUA AVALIAÇÃO
Freddy Gale é um joalheiro surrado que jurou matar o motorista bêbado que matou sua filha.Freddy Gale é um joalheiro surrado que jurou matar o motorista bêbado que matou sua filha.Freddy Gale é um joalheiro surrado que jurou matar o motorista bêbado que matou sua filha.
- Direção
- Roteirista
- Artistas
- Prêmios
- 4 indicações no total
Richard C. Sarafian
- Sunny Ventura
- (as Richard Sarafian)
Edward L. Katz
- Eddie
- (as Dr. Edward L. Katz)
Avaliações em destaque
This movie about a man revenge story. For six agonizing years, Freddy Gale(Jack) has waited for John Booth (David Morse), The man jailed for a crime that smashed Freddy's life. Now, Booth is out of prison and Freddy's giving him three days before he returns to even the score !
It was a good film. Sean Penn did a great movie since dead man walking ! I cannot take my eyes off Jack Nicholson !David Morse (The Rock , The good son & The Green mile) is a very underrated actor. I shall recommend this for everyone who is a fan of Jack Nicholson. At least watch it once :-)
It was a good film. Sean Penn did a great movie since dead man walking ! I cannot take my eyes off Jack Nicholson !David Morse (The Rock , The good son & The Green mile) is a very underrated actor. I shall recommend this for everyone who is a fan of Jack Nicholson. At least watch it once :-)
This film should have been good. It has a potentially great plot, and the first few scenes are very good. Then, it simply falls apart, and the main plot is basically ignored for much of the remainder of the movie. I also found the ending to be somewhat disappointing, although it was nice to see the focus back on the central storyline. The acting was certainly good, as you would expect in a Jack Nicholson movie, but the real tragedy is that David Morse was absolutely wasted. He was outstanding, but he rarely had anything to work with. What a disappointment.
A powerful and compelling story, filmed well and with some great performances.
Sean Penn seems to have managed to level the actors here, with David Morse, Anjelica Huston and Jack Nicholson putting in great performances and none of them stealing the scenes from the other. I found this very surprising as I expected Nicholson to flood the screen, as he so often does with such little difficulty.
However, the emotion between Huston and Nicholson in the latter half of the film during the coffee shop scene is so powerful to watch. Huston is such a wonderful actress, and Nicholson shows some emotional depth that I haven't seen before, or rather, not felt with his performance before.
The story is written and planned extremely well, with tension rising slowly and almost imperceptibly, until the final day. I found myself caught from the opening scenes of the counselling session cut with the drunken, partying Nicholson, right through to the pivotal moments of the main characters lives.
It is a fantastic way to address this subject. To examine it from both sides, and keep each side with its own sympathies and understandings. Cleverly your sympathies and hatred are swapped throughout the story.
I hope there's more to come like this.
Sean Penn seems to have managed to level the actors here, with David Morse, Anjelica Huston and Jack Nicholson putting in great performances and none of them stealing the scenes from the other. I found this very surprising as I expected Nicholson to flood the screen, as he so often does with such little difficulty.
However, the emotion between Huston and Nicholson in the latter half of the film during the coffee shop scene is so powerful to watch. Huston is such a wonderful actress, and Nicholson shows some emotional depth that I haven't seen before, or rather, not felt with his performance before.
The story is written and planned extremely well, with tension rising slowly and almost imperceptibly, until the final day. I found myself caught from the opening scenes of the counselling session cut with the drunken, partying Nicholson, right through to the pivotal moments of the main characters lives.
It is a fantastic way to address this subject. To examine it from both sides, and keep each side with its own sympathies and understandings. Cleverly your sympathies and hatred are swapped throughout the story.
I hope there's more to come like this.
I puzzle at those reviewers criticizing this film, which to my mind is a tour de force. Of course, I do volunteer work with dying folks and help train aspiring grief counselors to deal with the traumas that life all too often brings us. I can only assume that those who so quickly dismiss this powerful meditation on grief and remorse have yet to experience these real life emotions. Something by Schwarzenegger may be more to their taste, or one of the ubiquitous comic book recreations we encounter most summers with cardboard characters and pseudo emotions.
Sean Penn is plumbing much deeper regions of the human psyche, and doing so with actors of rare talent, fully capable of sharing with us their heart rending vulnerabilities. Few actors have the courage to go to the places these actors visit as they face suffering almost too great to bear. I'm reminded of the more recent Mystic River for which Sean Penn received an Academy award for best actor, a movie that explores equally traumatizing events. It was heartening to watch the joy with which this award was greeted by his fellow professionals who have long acknowledged this man's genius both in front of and behind the camera. This movie deserves a much wider audience of discriminating movie viewers.
Sean Penn is plumbing much deeper regions of the human psyche, and doing so with actors of rare talent, fully capable of sharing with us their heart rending vulnerabilities. Few actors have the courage to go to the places these actors visit as they face suffering almost too great to bear. I'm reminded of the more recent Mystic River for which Sean Penn received an Academy award for best actor, a movie that explores equally traumatizing events. It was heartening to watch the joy with which this award was greeted by his fellow professionals who have long acknowledged this man's genius both in front of and behind the camera. This movie deserves a much wider audience of discriminating movie viewers.
I guess I've been on a bit of a Jack Nicholson trip lately. I suddenly realised every movie I had seen him in I liked. On that basis, this little flick caught my eye in last week's teleguide.
But Jack can't save it. This movie is weak. The message is important, but Penn uses so many devices around such thin material that the whole thing seems artifically manufactured to generate a moral response. I always hate movies that try to tell you what to think, and this movie is a railway track for the mind.
The characters are wrong. They react wrongly. And the ending is the height of wrongness. I can't believe I kept watching for that- it lost me after half-an-hour.
But Jack can't save it. This movie is weak. The message is important, but Penn uses so many devices around such thin material that the whole thing seems artifically manufactured to generate a moral response. I always hate movies that try to tell you what to think, and this movie is a railway track for the mind.
The characters are wrong. They react wrongly. And the ending is the height of wrongness. I can't believe I kept watching for that- it lost me after half-an-hour.
Você sabia?
- CuriosidadesAccording to editor Jay Cassidy, Sean Penn allowed Jack Nicholson to make editing choices for two weeks without Penn's involvement, trusting Nicholson's eye for filmmaking, being a director himself.
- Erros de gravaçãoWhen Freddy gives John Booth three more days he marks it on the calendar in red and the square he draws is not even, later when he crosses the day in the calendar the square drawn is perfect.
- Citações
Freddy Gale: Now you pity me. You pity me. You know, this is funny...
Mary: Whatever you are doing Freddy, stop it.
Freddy Gale: "Whatever you are doing Freddy, stop it". I hope you die. I hope you FUCKING die.
- Cenas durante ou pós-créditosClyde is Hungry Watchdog - Dr Edward Katz
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Vidas cruzadas
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 9.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 868.979
- Fim de semana de estreia nos EUA e Canadá
- US$ 71.804
- 19 de nov. de 1995
- Faturamento bruto mundial
- US$ 868.979
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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