Ilusões perigosas

This movie must not have gotten much attention when it was released because I had never even heard of it when I happened to catch it on a cable movie channel. As somebody who likes spooky (but not conventional horror/ gross-out) films, I found it to be a real sleeper.

The story is about a psychologist who specializes in debunking the supernatural and his becoming a house-guest in an old mansion that one resident claims is haunted. For a while, the plot remains pretty conventional, with a lot of strange and unexplained events that may or may not be practical jokes, dreams, psychological delusions, or a real ghost. But before it is over, there are several twists that I did not expect and had not seen before. Give yourself a treat. This one has been largely overlooked.

Rating: ** out of ****

Haunted is probably a slightly better movie than I'm giving it credit for, but after having seen so many similarly themed supernatural dramas the past few years, this one just didn't have the impact on me it could have had if I'd seen it back in '95. So take that into account for both my rating and my review.

Set mostly in the English countryside in the early 1900s, Aidan Quinn stars as David Ash, a professor who spends his time debunking the supernatural. His latest investigation takes him to a country manor occupied by three siblings (two brothers and a sister played by the gorgeous Kate Beckinsale) and their housekeeper, who claims the estate is haunted.

Initially, the strangest oddities Ash notices is the pseudo-incestuous way the siblings act around each other; the older brother paints the sister, Christina, in the nude, and she and the younger brother often go skinny-dipping in the lake together. Still, Ash finds himself falling for the lovely Christina, even as he ponders the history of the manor, its occupants, and the secret behind this haunting.

By most standards, Haunted is not a bad movie. In fact, it's got plenty of merit. The cinematography and locations are beautiful, the pacing is rather brisk despite the fact very little actually happens on-screen, and Kate Beckinsale is so breathtakingly gorgeous it's hard to believe a person could be so naturally luminous. I would wager anyone new to the genre would probably enjoy the movie quite a bit.

But as someone expecting something innovative or original, the film just didn't do it for me. From the beginning, the climactic twist is blatantly obvious, and unlike the later films this twist inspired, it's not structured in such a manner that you'd gain a new appreciation of the film by re-observing the hints.

While I gather that the film is partly a romantic drama, the tone and atmosphere are a little too light, such that when the film does attempt its scares they never fully work (this is the kind of horror movie that'd work well for those who generally don't like horror). It surely doesn't help that few of the characters even seem concerned the manor might be haunted.

But as a romantic drama, the film is a moderate success. Aidan Quinn makes a likable enough protagonist and Kate Beckinsale is not only a physically wondrous presence (I would have been inclined to bump the rating up if her nude scenes had been genuine), she's immensely charming and appealing as well. There's enough solid chemistry between the two to sustain a large portion of the film.

But even this story stumbles pretty badly once it intersects with the haunted manor plot, both leading to an unsatisfying ending. Come to think of it, even if I had seen the film in its initial release, the twist might have worked as a genuine surprise, but it really harms the film more than it helps, so perhaps it makes little difference the twist is so obvious.

I have little regret of the time and money I spent to watch the film; it's still going to be required viewing for Beckinsale fans (like myself) who'll watch her in just about anything. But with so many superior entries in the genre, the film otherwise wouldn't be worth mentioning without her.

Haunted is directed by Lewis Gilbert, who co-adapts the screenplay with Bob Kellett and Timothy Prager from the novel written by James Herbert. It stars Aidan Quinn, Kate Beckinsale, Anthony Andrews, Alex Lowe, John Gielgud and Anna Massey. Music is by Debbie Wiseman and cinematography by Tony Pierce-Roberts.

Following the accidental death of his twin sister when they were just kids, David Ash (Quinn) has grown up to be a parapsychologist determined to debunk the existence of ghosts. Receiving an invitation from the Mariell family to investigate supernatural activity at their family home, Edbrook House, David accepts and quickly finds his life flipped upside down…

It's from the old fashioned school of horror, a period piece of some worth, but not one for anyone looking to be scared out of their wits. Actually the novel by the late great James Herbert was becalmed when judged by his superb standards, so it really will help any potential first time viewer to go into this expecting a more ethereal chiller than anything else.

There's an air of romanticism constantly hanging in the air, and with Gilbert nodding towards the likes of The Haunting for his scares and Don't Look Now for the meditation on grief angle, it's a film of mixed blessings. Also nice to see very good period design for the 1920s setting, while Roberts' photography skilfully brings beauty to the English countryside and murkier tones for the inner workings of Edbrook House.

Cast are fine, with Quinn and a perky Beckinsale creating good sensual chemistry, and Andrews and Lowe are suitably odd as the clearly off- kilter Mariell brothers. Massey, however, is not challenged by her role and Gilegud is only really filing in for an easy money cameo.

It gets away from itself a little in the final stretch, where it's not helped by some shoddy effects work, but there's good value to be had in the picture. With grief, guilt, redemption and incest bubbling away thematically, and the spectral visage of David's dead sister haunting the edges of the frame, film never lacks for literate effort or a sense of unease. The book is much better, mind. 7/10

I first saw this a couple of years ago, when it was released on video, and since then i must have watched about two or three times more. Surprisingly for a mistery movie, this doesn´t loose it´s appeal even when we are watching it for the second time. Even when we already know how it´s going to end.

The first time we see it, it´s great and we spend the whole movie trying to guess what is going to happen next, even if the ending might be a bit easy to guess from a certain point in the movie, if we pay atention to some details.

Anyway, this is an excelent movie, the atmosphere is perfect. Very intriguing and misterious, but at the same time set in very normal locations. Normaly ghost movies are associated to lots of scenes in the dark, but this movie is a very bright movie with most of its story set in very iluminated places, contrary to the classic ghost storytelling. But at the same time even during normal scenes whe can feel that there is something wrong in the air, and this is what makes this movie so atmospheric. It realy feels like the whole movie is haunted. We can watch it again, and again and keep finding new small details, that we missed the first time.

But what ghost story would be without scares and chills. Well there are a couple of scary moments in here also and some very good chilling sequences. Most of them is actualy in our minds, because ther aren´t many special effects in, but that´s the way a good ghost story should be presented. The atmosphere in this is so good, that if the few flashy special effects that are present were removed, it wouldn´t make a diference. But fear not, this is not a Spielberg effects film, the atmosphere is what counts here. And it has loads of it.

Overall this is at least a very diferent ghost story, and originaly presented. Don´t skip this movie if you like ghost stories.

Excelent.

A couple of years old this now but still worth a mention. Originally A very spooky James Herbert book the film doesn't quite hit the mark in the same way but it's still worth a look especially if you haven't read the book. Dashing surrogate Yank Psychologist Quinn returns to native England in the thirties with two aims: to pursue an academic career and the expose all who make others believe in a spirit world. He investigates the case of a mad old woman, whose house is supposedly haunted by her daughter and husband. Her three adult grandchildren are also in tow, including the alluring Christina (Kate Beckinsdale) - alluring enough to tempt at least one of her brothers and the new visitor. However, the ghosts of his own past - either real or imagined - start him doubting his own ability to rationally explore what is going on. Personally Kate Beckinsdale saves the film for me as it's very difficult to judge it in it's own right if you have already read the book and constantly find yourself noticing huge differences. To bring it down to a more basic level, for me Kate Beckinsdale puts her more famous English namesake far into the shade as a top example of what English actresses have to offer.