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Duro Aprendizado

Título original: Higher Learning
  • 1995
  • 14
  • 2 h 8 min
AVALIAÇÃO DA IMDb
6,5/10
23 mil
SUA AVALIAÇÃO
Duro Aprendizado (1995)
Trailer
Reproduzir trailer1:54
1 vídeo
99+ fotos
AmadurecimentoTragédiaCrimeDramaSuspense

Pessoas de todas as esferas da vida enfrentam tensão racial, estupro, responsabilidade e o significado de estudar em um campus universitário.Pessoas de todas as esferas da vida enfrentam tensão racial, estupro, responsabilidade e o significado de estudar em um campus universitário.Pessoas de todas as esferas da vida enfrentam tensão racial, estupro, responsabilidade e o significado de estudar em um campus universitário.

  • Direção
    • John Singleton
  • Roteirista
    • John Singleton
  • Artistas
    • Omar Epps
    • Kristy Swanson
    • Michael Rapaport
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    23 mil
    SUA AVALIAÇÃO
    • Direção
      • John Singleton
    • Roteirista
      • John Singleton
    • Artistas
      • Omar Epps
      • Kristy Swanson
      • Michael Rapaport
    • 145Avaliações de usuários
    • 31Avaliações da crítica
    • 54Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos1

    Higher Learning
    Trailer 1:54
    Higher Learning

    Fotos154

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    Elenco principal70

    Editar
    Omar Epps
    Omar Epps
    • Malik Williams
    Kristy Swanson
    Kristy Swanson
    • Kristen Connor
    Michael Rapaport
    Michael Rapaport
    • Remy
    Jennifer Connelly
    Jennifer Connelly
    • Taryn
    Ice Cube
    Ice Cube
    • Fudge
    Jason Wiles
    Jason Wiles
    • Wayne
    Tyra Banks
    Tyra Banks
    • Deja
    Cole Hauser
    Cole Hauser
    • Scott Moss
    Laurence Fishburne
    Laurence Fishburne
    • Professor Maurice Phipps
    Bradford English
    • Officer Bradley
    Regina King
    Regina King
    • Monet
    Busta Rhymes
    Busta Rhymes
    • Dreads
    • (as Busta Rhymez)
    Jay R. Ferguson
    Jay R. Ferguson
    • Billy
    • (as Jay Ferguson)
    Andrew Bryniarski
    Andrew Bryniarski
    • Knocko
    Trevor St. John
    Trevor St. John
    • James
    Talbert Morton
    • Erik
    Adam Goldberg
    Adam Goldberg
    • David Isaacs
    J. Trevor Edmond
    J. Trevor Edmond
    • Eddie
    • Direção
      • John Singleton
    • Roteirista
      • John Singleton
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários145

    6,522.5K
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    10

    Avaliações em destaque

    guha007

    disappointing

    I found this film to be heavily laden with stereotypes - everything from the depiction of fraternity members being sexist, skirt-chasing rapists, to the african-american male doing the 'hood walk, to the white male hick who just has to end up becoming a neo-Nazi. The ending was uncalled for and decidedly cheesy. Makes you wonder if the writers/director ever went to college, and if so which ones, cause the one I went to was not nearly as exciting. I realize that Mr. Singleton was attempting to deal with multiple issues in a limited timespan, which accounts for the film having very little by way of realism, but that doesn't excuse many of the situations being as over the top as they were, nor does it warrant such heavy usage of stereotypes.

    And the near lack of non-black and non-white (I don't count Jewish people as not being white) characters only served to lessen my respect for this piece of work. I am South Asian myself (that's the Indian subcontinent for those who feel geographically challenged) and, in general, find our lack of presence in any mainstream production about higher education just a little bit annoying, especially given the large numbers of such people on any college campus. And by presence, I don't mean "boy at fountain" or "girl in classroom" cardboard characters. I mean real, live people with relevant parts.

    The cinematography, on the other hand, was great. His crowd scenes in particular were shot beautifully.

    After being blown away by Boyz n' the 'hood, I was very disappointed by Higher Learning. I give it a 4 out of 10.
    momma-3

    Trite, we've seen it all a zillion times

    good acting, bad script...this film attempted to cover every issue of a controversial nature that one might experience in college...problem is the film's too short to effectively and realistically explore and resolve these issues (if he had his heart set on making a film about racism, lesbianism, rape, and interracial conformity then perhaps Singleton might have wanted to invest in a cable mini-series) and for this what we got was a mix of stereotypes/cliches that made this too predictable and, at times, ridiculous to watch. Nevertheless, great acting from Epps, Rappaport and Fishburne.
    Basilisk-6

    Must have seen a different movie

    I must have been watching a different movie to most of the people adding comments. I didn't see it as a film portraying African Americans as good and whites as bad but as a film in which all the factions were shown to have good and bad sides. Even the guy who becomes the Nazi skinhead was portrayed sympathetically in as much as he is clearly out of his depth in a social situation and becomes a recruit because only the skinheads will accept him when no-one else will. Overall, the African Americans come out as the most sympathetic but not by much.

    I agree there are some fairly silly stereotypes, especially Fishburne's character, but they work in the context of the movie. Most refreshing was the fact that an American college is portrayed as a place with real issues like racism and date rape and drunken behaviour. It's refreshing because colleges are usually shown as places where nice middle-class kids never have any problem bigger than being dumped by their boyfriends before everything is resolved in the last reel.

    An overly maligned movie. Not perfect but better than a million other college movies. Loved the ending too.
    8jrfranklin01

    Well-Rounded View of Extreme Points of View

    The film's design seems to be the alpha and omega of some of the major issues in this country (U.S.). We see relationships all over at the university setting for the film. Befittingly, the obvious of student v.s. teacher is present. But what the film adds to its value is its other relationships: male v.s. female, white v.s. black, and the individual v.s. society. But most important of all and in direct relation to all of the other relationships is the individual v.s. himself.

    I was amazed at how bilateral a point of view the director gave to showing the race relations on campus. Most films typically show the injustices of one side while showing the suffering of the other. This film showed the injustices and suffering of both sides. It did not attempt to show how either was right, although I would say the skin heads were shown a much crueler and vindictive (quite obvious towards the end). The film also discusses sex and rape. It is ironically this injustice that in some ways brings the two races together, for a time. Lawrence Fishburne does an over-the-top performance as the sagacious Profesor Phipps. He crumbles the idea of race favortism and instead shows the parallelism of the lazy and down-trodden with the industrious and positive. Other stars that make this film are Omar Epps, Ice Cube, and Jennifer Connelly. Michael Rapaport gives an excellent portrayal of a confused youth with misplaced anger who is looking for acceptance. Tyra Banks make her film debut and proves supermodels can act.

    Higher Learning gets its name in showing college as more than going to class and getting a piece of paper. In fact, I would say the film is almost a satire in showing students interactions with each other, rather than some dry book, as the real education at a university. It is a life-learning process, not a textual one. I think you'll find "Higher Learning" is apropos to the important issues at many universities and even life in general. 8/10
    8beeohbeecrow

    Forces you to form your own opinions

    I have read a lot of reviews for this movie where people accuse the film of promoting stereotypes, and that it portrays whites in a negative light. I really think that those who wrote those reviews missed the point.

    1) There ARE stereotypes in this movie. It's intentional. Not every white character in this movie is portrayed as a skinhead, as some reviewers may have lead you to believe. Not every black character in this movie is portrayed as a victim either. In order for people to overcome racial stereotypes, we have to at least take a good look at what other races see when they look at us, and this movie does a good job of that. There are also characters (both black and white) who try to persuade Omar Epps' character to not use his race as an excuse to "play the victim," so I really don't see this movie as "one sided".

    2) The rape scene, where some reviewers complain that Kristy Swanson's character gave consent, wasn't supposed to be a clear cut, "awful drunk bad-guy" rape. In order for people to understand the causes and effects of date rape, we need to take a closer look at where the line is between right and wrong, and this movie does a good job of asking the viewer where that line is.

    There are other situations where characters choose violence and revenge rather than thinking of a better solution. But - some of these situations seem justified, and others do not. Once again, you as the viewer have to decide if what you're seeing is right or wrong.

    I must admit that I was troubled by the portrayal of the campus security as being overly suspicious of blacks, and overly sympathetic towards whites. But this movie is meant to ask questions; not suggest that ALL white security guards are this way. The fact that I am troubled by this portrayal means that I was forced to think about what suspicions are justified, and which are not. This movie is full of things that make you take a stand one way or another. It's not meant to make you feel comfortable, or to decide for you...

    If you like movies that overtly tell you what you're supposed to think, you may misinterpret this movie. But if you want to see thought-provoking film that will make you ask yourself a lot of questions on where you stand, I recommend seeing this film. Great performances by Epps, Swanson, and Michael Rappaport. I was even pleasantly surprised by Tyra Banks performance. 8 out of 10 stars.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Originally, writer, producer, and director John Singleton wanted Leonardo DiCaprio to play Remy, while Michael Rapaport was originally going to play Scott Moss. DiCaprio was cast, but unable to be in this movie because of a scheduling conflict with Rápida e Mortal (1995). So Singleton had Rappaport play Remy once Cole Hauser was cast.
    • Erros de gravação
      Remy says he is from Idaho, but he speaks with a thick New York accent.
    • Citações

      [after Malik referred to him as a "sell-out"]

      Professor Phipps: So, Mr. Williams thinks I am an Uncle Tom, hmmm? Well, well, well. What does that have to do with your ability to place a comma in its proper place or put a period at the end of a sentence, hmmm?

    • Cenas durante ou pós-créditos
      Unlearn [appears in movie's closing shot, instead of "The End"]
    • Conexões
      Featured in Siskel & Ebert & the Movies: Bad Company/Far from Home: The Adventures of Yellow Dog/Murder in the First/Higher Learning/S.F.W./Strawberry and Chocolate (1995)
    • Trilhas sonoras
      Higher
      Written by Ice Cube (as O'Shea Jackson) and Sir Jinx (Anthony Wheaton)

      Produced by Sir Jinx

      Performed by Ice Cube

      Courtesy of Priority Records

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    Perguntas frequentes18

    • How long is Higher Learning?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 8 de setembro de 1995 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Higher Learning
    • Locações de filme
      • Los Angeles, Califórnia, EUA
    • Empresas de produção
      • Columbia Pictures
      • New Deal Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 38.290.723
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 13.276.662
      • 16 de jan. de 1995
    • Faturamento bruto mundial
      • US$ 38.290.723
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 8 min(128 min)
    • Mixagem de som
      • Dolby SR
      • SDDS
    • Proporção
      • 1.85 : 1

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