Os Imortais

This is a memorable movie full of those actors that even a casual movie watcher will recognize. You'll love the hook of the plot. I thought it was another crappy "Made for Video" movie, but as it had Chris Rock I decided to give it a try. Was I surprised. Very good stuff with lots of action and sweet cameo's and it let's actors that normally steal the show anyway, be showcased. Worth a rent.

.... Well that`s what I thought THE IMMORTALS was going to be like in the opening scene with Eric Roberts character telling his cohorts that he wants them to take part in a heist . Roberts is certainly cool enough to have easily fitted into the recent remake of the rat pack movie , but unfortunately he`s best known for cable and straight to video movies and the problem with THE IMMORTALS is that it has all the production values of a straight to video movie , especially the script which feels like it was written by screenwriters who`ve been watching Tarantino movies a bit too often . The plot twists and turns as you`d expect from Tarantino but the plot does so in an underdeveloped silly way instead of being smart and funny which I take was the original intention

Enter Eric Roberts (American Strays, Purgatory, The Grave) a manager of a mobster owned (Curtis) high-rise hotel and eloquent casino. He arranges eight individuals, all unknown to each other to rob the other four casinos that also belonging to Curtis. Pairing them off, he sends them out with similar masks at the precise time of casino collections. Thus begins ninety minutes bloody shoot outs, humor and an interesting plot that catches the viewer off guard at the end. Chris Rock and Tia Carrere make an interesting team. Forsythe is superb as he lies shot and bleeding profusely and decides, `This is as good as time as any to take that last hit of acid I was saving.' As the plot thickens, they all realize they have more in common than just being robbers. To say anymore would give it away as that movie dude did with `The Crying Game.' And we don't want that, do we? On a scale of One to Five, I would give it three and half stars purely on the fact I think Roberts and Forsythe are great actors. But as the critic I'm not (laugh Barb) I'd probably give it four.

Surprisingly, Quentin Tarantino is not the only man that can create a criminal movie, with an interesting plot. With good casting, and meaning, The Immortals tell a story of a series of robberies set up by Jack(Eric Roberts), to bring together a group of small time thugs, with nothing to live for. In short, Chris Rock is hilarious, the action is stunning, and although the script isn't "Reservoir Dog"-ish, The Immortals can challenge it for best Mexican Stand Off in a movie.

"Time doesn't matter when you're talking about eternity." At one point in the film: One of the eight one-time convicts (who were hired to steal suitcased loot in pairs) says this to a fellow thug (who, in turn, points a gun on the declarist's forehead). Every character in this flick has a reason to be on-edge, and we discover those reasons at the end of the film, which is blessed with a magnificent cast. Eric Roberts leads the pack with style, Chris Rock plays a goon who boasts, and Kevin Bernhardt is a tough guy that delivers extremely-timely lines. The hostage "Cleopatra" adds plenty of sex appeal, sporting some fine threads and some fine cleavage, almost distracting the viewer. There's a certain '95 film that may seem cousin-bound, but to compare this film to "The Usual Suspects" is blasphemous. 'Suspects' doesn't have the action, humor, or the Cleopatra that this film has. TUS simply has an unusually inferior cast and script to this action-comedy. This crowd-pleaser also stars Bill Forsythe, known for his villainous role in 'Out for Justice'. In this one, he seems to play a homophobe who bickers at Kerry, and early in the film they visit a titty bar. In this one, however, he doesn't battle Steven Seagal at the end. But gay or straight, they all slowly but surely realize they have more in common than they initially thought. And whether you're an Eric Roberts fan or not, this has to be considered (along with 'Nature of the Beast') a 1995 timeless masterpiece.