Adicionar um enredo no seu idiomaWhile on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality of... Ler tudoWhile on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality of memory while creating a heartfelt portrait of a boy's life in a rural 1940s Southern town... Ler tudoWhile on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality of memory while creating a heartfelt portrait of a boy's life in a rural 1940s Southern town.
- Prêmios
- 1 vitória e 2 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesIn an interview with "Time Out Film", Terence Davies said about this film, "[It] doesn't work, and that's entirely my fault. The only thing I can say is that it's a transition work. And I couldn't have done A Essência da Paixão (2000) without it."
- Citações
David, aged 15: If you were different from anybody else in town, you had to get out. They used to say in school, "you have to think for yourself," but you couldn't do that in town. You have to think what your father thought and that was what everybody thought.
- ConexõesFeatured in Fandor: Cannes You Dig It? | Fandor Spotlight (2022)
- Trilhas sonorasOh Lord, How Long?
Traditional
The movie has an odd filming style that didn't make it feel like a movie from 1995, instead it felt like it had been filmed in the 60s or 70s. Long, awkward shots, sets that were very clearly sets. I think the director was often going for something that felt ethereal and nearly dreamlike, which I guess makes sense since the movie is told as a memory. I didn't like the style of the movie at all but I'm sure there are some people out there who would enjoy it just because it isn't your standard film experience.
The main character is such a vacuum of personality. I only saw this a day or two ago and I can remember next to nothing about him. He's a soft child, deliberately so, so much so I was waiting for a reveal that he was gay but at least at the part of the movie I got to, that hadn't happened. It just seemed to fit with the rest of the narrative covering religious con-men, racism and the general sexism of the 1930s-50s in the deep south.
The father was a non-character for how little screentime he had in it except to be a bully who very quickly was disposed off in quite and unceremonious way. The mother as well was very much a non-character, going from pretty bland to 'insane' seemingly at the drop of the hat when the father left the movie. I thought they were really going to hammer in the point that he was the main bread winner and now they were alone, but their living situation never seemed to change except the mother now awkwardly stared at the camera for minutes at a time singing.
The Aunt is the main driving force of the movie as the boy's only friend. A city woman apparently slumming it in the south once her mediocre career as a bar singer ended. It's weird how they display her though, early on she's hated by the father because she dresses 'slutty' to a party and humiliates them in front of the town, allegedly but then for the rest of the movie, no one ever brings that up again and everyone seems rather content with her being around and she seems to become quite a major part of the town of heavily religious people who go to rallies calling out women who sing in bands... which would be her specifically, but no one seems to acknowledge that. They do make the point that because of this 'low standing' she has in society, she is used by men, they don't respect her at all and use her for a bit of fun before dropping her.
I had a problem with timescales in this movie. The boy starts as a child and an amount of time passes before a transition where he suddenly is a teenager and then an amount of time passes before I gave up. The timescale is all over the place which means that the story crawls along at times and then suddenly speeds by. World War 2 is covered in the space of about 2 minutes which is crucial to several characters and probably covers months of time. The 'racism' element shown was a 5 second cut away of the boy being taken to a lynching by his father, and it seriously is gone in seconds. The sexism and religious fear is covered more in depth with a rally but even then the movie is so blunt and heavy handed they make sure to show the religious preacher standing there going "Hahahah, so many suckers, I am going to milk them for so much money, hahahahaha." before going into the sermon. So, WW2 which has massive implications on the entire family is covered with basically one voice over narration but the religious conman scene is a solid 10 minute rally that seemingly has no long lasting effect on the plot.
This isn't the usual type of movie I would go for but I like to try new things occasionally. This was just quite a disappointment. Most movies I drop before finishing get an automatic 1 but I felt bad doing it for this movie because there were some odd elements in it that kept me vaguely interested since I had been originally thinking of dropping it 30 minutes in but the religious conman scene kept my interest for about another 20 or so minutes.
- ThatDarnIrishMan01
- 29 de ago. de 2022
- Link permanente
Principais escolhas
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 78.072
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.045
- 3 de mar. de 1996
- Faturamento bruto mundial
- US$ 78.072
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1