Um matador profissional se recusa a cumprir uma ordem. Irritado, o chefão do crime ordena sua morte. Enquanto tenta escapar, se envolve com uma excelente falsificadora de documentos que pode... Ler tudoUm matador profissional se recusa a cumprir uma ordem. Irritado, o chefão do crime ordena sua morte. Enquanto tenta escapar, se envolve com uma excelente falsificadora de documentos que pode ajudá-lo com um passaporte.Um matador profissional se recusa a cumprir uma ordem. Irritado, o chefão do crime ordena sua morte. Enquanto tenta escapar, se envolve com uma excelente falsificadora de documentos que pode ajudá-lo com um passaporte.
- Prêmios
- 1 indicação no total
- Michael Kogan
- (as Jurgen Prochnow)
- Loco
- (as Clifton Gonzalez Gonzalez)
- Hunt
- (as Carlos Gomez)
Avaliações em destaque
Very good Hong Kong stylised action movie Excellent
Although its too Americanised and also the influence of a music video director as main director takes away a small bit.
Chow Yun Fat chews up Hollywood perfectly!
But with other HK stars transfers to Hollywood - where the big wigs all claim that they know what is best - I was quite concerned for his debut.
Replacement Killers actually plays quite well!
Still carrying that 90's look, we are treated to 85 minutes of stylish Hong Kong wanna-be shoot outs and angles that sometimes overdoes the John Woo homages - some of which are pretty good, some that just ended up quite slow.
Regardless, it was a great introduction to the US audience for HK's coolest actor, and an enjoyable film nonetheless!
papa sorvino is right to be proud
i just bought the DVD in a bargain bin and i can't stop watching it. OK it's a bit of a TV movie script. but it's a year ahead of the matrix, and i dare you to watch it without making production comparisons. in fact, i can't watch the matrix any more. so much for movies with great scripts.
so much of the goodness of this movie relies on Mira Sorvino's screen presence that it plays a bit like a bit music video -- it's just plain fun to see her on screen. Chow Yun Fat is good, and this American Chinese boy (me) likes seeing a hybrid movie like this... well, it's fun to see the Chinese guy wear nice suits and kick some a$$ too. i can't watch any of the crappy hong kong stuff that the other users seem to think is superior to this. i can see how HK martial arts lovers wouldn't like this -- it's a very different, very American movie. personally, i'd rather see more clones of this movie than more jackie chan.
hey, did i mention Mira Sorvino is hot? i even like the relationship chemistry that develops here -- sort of like the David Carradine character wandering the desert in the Kung Fu TV shows -- he never even gets to kiss the pretty girl who falls for his decency, but the mutual respect is better that way. more movies need to take this route.
i'm not a Mira watcher -- i've only seen her aphrodite and some awful film school $hit i'm sure she wishes she never made, and her happy day on the Oscar alumni stage. as a Harvard guy, i'm not sure i want to see her in romy and michelle. this was simply a great role for a very underutilized actress at the right time in her life during the era of east-west action fusion. if i were producing movies, i'd kick myself for not watching this movie sooner and taking advantage of Mira Sorvino in her prime. it's not too late -- check our her recent IMDb pics. papa sorvino was right -- his daughter is great, and anyone who says otherwise should get a cap in his knee. this movie is the proof.
Hits the center of the bulls-eye with hair-raising accuracy.
It's a brilliant debut for Yun-Fat and director Antoine Fuqua ("Bait", "Training Day"), both of whom show their skills with such respect. Some of the shoot-outs that take place in some areas that you wouldn't even think of (car wash, alley, movie theater, etc.). Plus, the cinematographer Peter Lyons Collister and composer Harry Gregson-Williams excell in making the movie even more entertaining. The scenery has a very colorful and artistic look to it and the music doesn't get too loud. I think of the movie as "Lethal Weapon" made like in the style of John Woo, who is one of the film's producers.
"The Replacement Killers" certainly hits the center of the bulls-eye with hair-raising accuracy.
Guns, Guns, Everywhere!
Você sabia?
- CuriosidadesThis movie set the record for the most bullets fired in an American film.
- Erros de gravaçãoAfter John and Meg escape from Wei's gang, they return to John's hideout, where he treats her dislocated patella - which looks amazingly like the real thing, makeup or no. John pops the kneecap back into place with no difficulty. However, anyone who has ever suffered that particular injury knows that it would be impossible to immediately stand, walk, run and jump as Meg does when the evil-doers subsequently chase them from the apartment. The tissue damage involved takes weeks, if not months, to heal enough to allow that kind of activity.
- Citações
John Lee: You're safer with me.
Meg Coburn: Is it my perfume or something? Because you are the second guy today to assume I need, want or will accept help. I won't.
John Lee: [drawing his pistol] It's not an option.
Meg Coburn: And what happens when I tell you to go fuck yourself?
[John cocks his pistol]
Meg Coburn: O.K. If that's the way you want to play it. But when the gun is in my hand, we're gonna have this conversation again.
- Versões alternativasAvailable in an extended version on DVD and Blu-ray.
- Trilhas sonorasKeep Hope Alive
Written by Ken Jordan and Scott Kirkland
Performed by The Crystal Method
Courtesy of Outpost Recordings
Under license from Universal Music Special Markets
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Replacement Killers
- Locações de filme
- Union Station - 800 N. Alameda Street, Downtown, Los Angeles, Califórnia, EUA(airport terminal: Replacement killers arrival, John's departure)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.204.929
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.046.553
- 8 de fev. de 1998
- Faturamento bruto mundial
- US$ 19.204.929
- Tempo de duração
- 1 h 27 min(87 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1








