Dois anos após o massacre de Woodsboro, Sidney e Randy estão a refazer as suas vidas numa nova cidade. Mas uma nova onda de assassinatos mostra que o psicopata voltou na véspera do lançament... Ler tudoDois anos após o massacre de Woodsboro, Sidney e Randy estão a refazer as suas vidas numa nova cidade. Mas uma nova onda de assassinatos mostra que o psicopata voltou na véspera do lançamento de um filme baseado nos seus crimes.Dois anos após o massacre de Woodsboro, Sidney e Randy estão a refazer as suas vidas numa nova cidade. Mas uma nova onda de assassinatos mostra que o psicopata voltou na véspera do lançamento de um filme baseado nos seus crimes.
- Prêmios
- 8 vitórias e 13 indicações no total
- Maureen
- (as Jada Pinkett)
- The Voice
- (narração)
- (as Roger L. Jackson)
- Girl in Dorm Hallway
- (as Sandy Heddings-Katulka)
Avaliações em destaque
The prologue is arguably a masterclass in self-irony: an African-American couple (Omar Epps and Jada Pinkett Smith) go to a movie theater where a new horror film, called Stab, is screening. This flick is based on Gale Weathers' (Courtney Cox) book The Woodsboro Murders, which recounts the events of the first Scream. As the movie begins, Smith's character complains about Stab being a film "with no black people in it" (just like Scream was), and, predictably, this leads to the two African-Americans being brutally murdered as the film-within-a-film's prologue (with Heather Graham replacing Drew Barrymore) is shown on the screen, so that the fictional and real deaths occur almost simultaneously. From there on, things take the usual turn: the media go crazy about the killings and once again Sidney Prescott (Neve Campbell) is in the spotlight, as she and her friend Randy (Jamie Kennedy) must protect themselves from the new foe, who is apparently mimicking what happened in the past (an obvious reference to the first film's "Movies don't create psychos" line).
The main charm of the original Scream was its ability to almost seamlessly combine clever in-jokes and a believable plot. This time around, the in-jokes are the best thing in the movie, while the story, particularly in the overblown conclusion, suffers from merely repeating key scenes from the first film. Now, this might be a satire on the lack of originality in most horror sequels, and it would work if the characters were developed correctly. Sadly, such a thing doesn't happen, with Sidney being reduced to the usual girl who keeps running and screaming (fitting, huh?) and everyone else (including Liev Schreiber, who gets more screen-time in the sequel) playing stereotypes, with the exception of David Arquette, very likable as the nice cop again trying to solve the case, and Kennedy, who has a great time stating the rules to follow in a sequel.
Ironically, the movie's funniest scene has a bunch of film students discussing follow-ups that are better than the originals. And while few could have anything bad to say about Aliens, Terminator 2 or The Godfather: Part II, it must be said that Scream 2, while fun and watchable, most certainly doesn't have the same sharpness that made its predecessor an above-average horror film.
Sidney Prescott has moved on from the horrendous murders in Woodsboro and is at college getting on with her life, but the peace and hope for a bright future is quickly shattered because the Scream killer is back for more carnage...
The film's opening perfectly sets out the tone for the entire picture, we see a cinema full of fake knife wielding youths dressed as the Scream killer, the film they are watching is Stab, the story of the Woodsboro murders. It's a wry commentary moment from Wes Craven, but in truth it's just one of many he makes in the film, the in jokes about sequels never gets tired, and the boo jump scare moments are all there to enjoy. Red Herrings come and go, and all the great characters who survived the first film are back again. Dewey & Gale get fleshed out a bit more, and one time caged innocent (and chief suspect) Cotton Weary is now a major character just begging us to find out if he's hero or villain.
This is a sharply scripted piece of work, it knows its aims and delivers what it sets out to do, it benefits from a brilliant sound mix to emphasise the mayhem, and Craven is something of a master in racking up the tension. To laugh and be scared is the order of the day, so sit back and enjoy a film that to me proves that not all sequels suck. Oh the ending does not disappoint at all either I have to say.
Scream 2 is a very worthy and enjoyable companion piece to the first film, very much so. 8/10
Você sabia?
- CuriosidadesOne scene in Kevin Williamson's screenplay was described simply as "Wes Craven will make it scary."
- Erros de gravação(at around 16 mins) Randy corrects Film Class Guy #1's quotation of Ripley's famous exclamation in Aliens: O Resgate (1986) ("Get away from her, you bitch!"), but Randy is wrong; Film Class Guy #1 was correct. Film Class Guy #1 was supposed to misquote Aliens: O Resgate (1986), but Joshua Jackson spoke Jamie Kennedy's line. Thinking fast, and to keep the scene going, Kennedy spoke the quote intended for Film Class Guy #1, "Stay away from her, you bitch."
- Citações
Randy: [from the trailer] The way I see it, someone's out to make a sequel. You know, cash in on all the movie murder hoopla. So, it's our job to observe the rules of the sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate. Carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead.
- Cenas durante ou pós-créditosThere are no opening credits.
- Versões alternativasThe DVD omits Robert Rodriguez's directors credit during the opening titles for "Stab".
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Scream 2: Grita y vuelve a gritar
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 24.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 101.363.301
- Fim de semana de estreia nos EUA e Canadá
- US$ 32.926.342
- 14 de dez. de 1997
- Faturamento bruto mundial
- US$ 172.363.301
- Tempo de duração
- 2 h(120 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1