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- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
Avaliações em destaque
With a cast like this you gotta have high hopes. With a director and a writer to match you deserve something fantastic! And for the most part this delivers. The build up is dark, mysterious and exciting. However once the sphere is found it goes downhill. It still has some really good moments the jellyfish bit is scary and other actions bits are cool. But it gets all muddled up in what the sphere is and who is doing what on the base. It almost manages to hold together until the final half hour then it all just collapses like a flan in a cupboard! It's a shame because for the most part it felt like it was building to something much better, but no.
The cast promised much but didn't deliver. Jackson was great, but I don't think he can be bad even in a bad movie. Hoffman stutters around like he doesn't know what he's doing. I know he's meant to be playing a character that isn't used to heroics, but he doesn't bring anything. Stone is OK but at times looks like she reading her lines off a board. Coyote is OK and Schreiber is understated by his own hammy standards. It's also cool to see Queen Latifah in a role.
Overall this is worth watching as for the majority it's real good. However you notice that the film has got 30 minutes left to go make your excuses and leave, by then you've seen the best it has to offer.
Definitely the giant squid thrills are insufficient (note that Crichton devoted a good part of his novel describing encounters with 'the monster'). I guess animation artists were short budgeted...though the film as a whole still is a visual treat...and the atmosphere is rightly captured, with nice music.
Overall, I think the movie is worth watching and is definitely of a much higher caliber than 'The Lost World'. It follows a psychological-cum-sci-fi thriller theme and i feel is better than the similar flick 'Abyss'. As from the novel's point-of-view...it could have been done better though. 8/10 stars!
Rotten Tomatoes gives the film a score of 12% based on 50 reviews, with the critical consensus that "Sphere features an A-level cast working with B-grade material, with a story seen previously in superior science-fiction films." Indeed, one wonders what Sharon Stone and Dustin Hoffman were doing in this. Hoffman, of course, was brought on by the director, his friend Barry Levinson. But Stone should have had better projects.
Some aspects of this are interesting, and even though it was a flop at the time, I could see people today (2015) going back and really giving it a second chance. It has not become a better film with age, but it has something to say about science fiction films of the 1990s. (Most, it seems, were dystopian, so this is something of a fresh change.)
As a kid, I vaguely remembered glimpsing Sphere (1998), but for some reason I hadn't (re)watched it until now. I'm convinced that if I had watched the whole thing back then, I'd felt far more nostalgia for it.
The book laid out a quasi 'foolproof' formula for a hit movie: gather a small group of intellectuels, isolate 'em from the outside world, add some mystery and the unknown, and voilá! Sound familiar? Despite this, the filmmakers couldn't quite crack the code for this one.
While the first act showed some promise, later acts felt rushed and ultimately fell apart, failing to capture the impact of the book, especially the end. Perhaps those story changes were as helpful as a screen door on a submarine.
Regarding the casting: Hoffman was a great choice for Norman, and Schreiber was fine as Ted. Well, Jackson is like the 'wildcard' of actors, he can work with anyone and anything, so that's that.
However, whenever Stone was on screen, I couldn't help but wonder who could portray Beth instead of her. In my mind, I envisioned actress like Amy Brenneman from Heat, or rather Kim Dickens from Mercury Rising, or even Radha Mitchell from Pitch Black --someone with a bit of edge, yet still lively and likable. Unlike Stone, who seemed devious from the get-go. While she really excelled in Basic Instinct with such mannerisms, here she seemed miscast.
Visually, some aspects still hold up. Though initially disappointed by certain missing elements, maybe it's for the best.
As for recommendations, it's probably a once-in-a-lifetime watch (even as a devoted Crichton fan, once in total is enough for now).
I rate it a weak 6/10.
PS: I'd recommend opting for the book instead, or for the audiobook (with a sample by Scott Brick, sounds nice).
Você sabia?
- CuriosidadesMany scenes, like Harry (Samuel L. Jackson) and Norman's (Dustin Hoffman's) conversation about making up the ULF report and dealing with Ted (Liev Schreiber), were completely improvised.
- Erros de gravaçãoWhen Jerry first makes contact, he transmits in code : "MY NAME IS JERRY". Later, the code is revealed to have been mistranslated and the message reads: "MY NAME IS HARRY" If the letters H, E, J, and A in the simple letter/number substitution code were wrong, the first message would have read: "MY NEMA IS JERRY". Also, the entire series of conversations they had would have exhibited the same error, yet none did so. (HAPPY would have been JEPPY, ALL = ELL, etc.)
- Citações
Dr. Harry Adams: We're all gonna die down here.
Norman Goodman: What?
Dr. Harry Adams: You see? It's curious. Ted did figure it out - time travel. And when we get back, we gonna tell everyone. How it's possible, how it's done, what the dangers are. But then why fifty years in the future when the spacecraft encounters a black hole does the computer call it an 'unknown entry event'? Why don't they know? If they don't know, that means we never told anyone. And if we never told anyone it means we never made it back. Hence we die down here. Just as a matter of deductive logic.
- Cenas durante ou pós-créditosThe opening credits are cast over an invisible sphere.
- Versões alternativasSPOILER ALERT: An alternate television edit has been shown with a simplified and more ambiguous ending that follows the shooting script; Harry warns them that the authorities are on their way to debrief them, and they will demand answers. The three survivors ready themselves to forget about their mission and the power they possess. Outside, a helicopter sets down. Subsequently, we see the three survivors being interviewed in a debriefing room after decompression, each shot individually against the same background. They react as if they're oblivious to anything going wrong in the Habitat, unaware of anything that happened to Ted, Barnes or the Sphere. The helicopter leaves, and the camera pans down to the ocean, where the Sphere supposedly still remains.
- Trilhas sonorasHorn Concerto No. 3 in E Flat Major, K.447
Written by Wolfgang Amadeus Mozart
Performed by Vienna Mozart Ensemble; Herbert Kraus, Conductor
Courtesy of LaserLight Digital
By arrangement with Source/Q
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 37.020.277
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.433.957
- 15 de fev. de 1998
- Faturamento bruto mundial
- US$ 37.020.277
- Tempo de duração
- 2 h 14 min(134 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1