Adicionar um enredo no seu idiomaAfter a car accident, Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors. Lizzie feels sure that during th... Ler tudoAfter a car accident, Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors. Lizzie feels sure that during the 184 seconds that she lay dead, something latched on to her and came back into her world.... Ler tudoAfter a car accident, Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors. Lizzie feels sure that during the 184 seconds that she lay dead, something latched on to her and came back into her world. The nightmares and visions that follow only crystallize her belief that she should have d... Ler tudo
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 2 indicações no total
- Social Worker
- (as Siri O'Neal)
- Coroner
- (as Stephen MacDonald)
- Smart
- (as Nicolas Van Schlippe)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Jason Connery is also not bad looking, even funny German scientist dude was kinda cute. The movie was also quite good, well worth the £4.99 I paid that's for damn sure. Take a couple of characters from Trainspotting and stick them into a mix of Sixth Sense and Poltergeist. Now ramp down your expectations to British ITV movie level and you're there. A lot better than I would have expected.
Generally, I don't go in for these kind of movies and it was curiosity of Billy's previous work that got my attention. But it was the story that kept me watching.
The initial concept appealed to me anyway, so without the knowledge of the strong reviews I would have eventually watched this film.
The story? A young girl dies for approx 3 minutes in a car crash with her best male friend. He dies, but she lives. She is brought back from death with an evil spirit and survivor's guilt. Set in Scotland, I saw this as a nice departure from the over-glamourised Hollywood supernatural movies.
The first 15/20 minutes are used to create an unsettling atmosphere, and I did jump a few times. From then on, it's all downhill.
We are treated to many, many flashbacks that deal with the actual car crash, and these do get tiresome after a while. Jason Connery, not a patch on his Dad, is very annoying and I did feel the need to switch off when he came close to being on screen.
If the film does have a good point, it's in the performance of Heather Ann Foster who plays the enigmatic and traumatised Lizzie. She IS the film, and she seems to carry this burden very well, for a girl of such a young age, she seemed very confident.
Of course, people will try and compare this film to "Poltergeist", which, in plain English Should not be done - they are both totally separate films!!!
This film wanted, and could have been so much more than it is. It is a shame that I didn't enjoy it, but I hope someone out there does.
I just didn't connect to this film at all
A half way decent mix of supernatural goings on and a close examination of a family torn apart by a tragic accident. Like the spirit, this film doesn't know where it is. It's basically lost.
5/10
It turned out however to be a very effective piece of film making which works just as well as social realism as it does as a genre film. The central performance, given by a young non-actor, possesses a raw, natural quality which helps to ground the film's supernatural aspects in a very well observed reality. Stephanie Buttle as the girl's mother is a real find as well, having to work hard against her natural beauty to make her portrayal of a dirt poor single mother convincing. Less impressive are the star turns. Billy Boyd is an ineffectual, stuttering gangster and Jason Connery (a questionable piece of stunt casting) does little with his role as a shady tabloid journalist. The film works hard though to create a believable locale, a Glasgow tower block, and succeeds totally. The film makers have clearly taken the Robert Wise 'Haunting' approach to depicting the ghostly activity and for the most part it works. These scenes could have done with being a little scarier perhaps but a bizarre seance scene does unnerve. Most impressive of all though is the fact that Urban Ghost Story was made for a reported £250,000. For that money they have created an atmospheric film which feels cinematic, complete with a jaw dropping explosion and stunt work. If only more British low budget film making was this adventurous. I am surprised to see that the director has not made a film in the six years since release whereas Merchant Ivory (whose films have gone largely unwatched since Remains of the Day) get money thrown at them. I only wish that more film makers like Ms Joliffe would emerge to shake up the British film industry.
The content and atmosphere of the film does not adhere to the title whatsoever. You would be expecting Snoop Dog and Dr Dre driving around in cadillacs killing vampires. But no, instead a gritty Ken Loach style drama set in lovely Glasgow! I was very impressed overall by this effort, although the spiritualist and paranormal team from the university seemed a bit over the top with the more realistic view elsewhere. Otherwise it was neatly paced with a few creepy moments and a very moving score. I would recommend this film to any film watcher and not just paranormal junkies!
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- Citações
Loan Shark: Throw that wee bitch over the fuckin' balcony!
- Trilhas sonorasVesti La Giubba
from "I Pagliacci"
Composed by Ruggero Leoncavallo
Licensed from Electrosound - Selected Sound Carrier
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Inkräktaren
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 500.000 (estimativa)
- Tempo de duração1 hora 22 minutos
- Proporção
- 1.66 : 1