A Walk on the Moon

The sixties were a time of great transition. At their beginning was the Peace Corps: a way to help those in need of a better life. At their end it was the me generation: how high can I get or how can I satiate my senses to the fullest. This movie is one of the best "encapsulations" of those events that I've seen.

The moral overtones of the movie are overwhelming. Wrongs occur. Do we run away from them? Do we trash our lives because of them? This movie attempts to address these questions. It does it well.

Finally, what brings it all together? In two words: Diane Lane. She possesses a deep but quiet beauty that makes it work. Her character asks, "I'm approaching middle age. I have children and a good but somewhat boring husband. Is this all there is?"

All ask this question as youth begins to fade. The answer this movie purports makes it exceptional and even classic. A hundred years from our descendants will look at this movie and appreciate its incite in human existence.

A Walk on the Moon was Tony Goldwyn's directorial debut,

and all I can say is MORE! This is an excellently constructed film. The script was written by Pamela Gray is

fantastic. If you like a film with characters who could easily be real in believable situations that you come to care about, then you will love this film. Set in upstate New York in the summer of '69 the movie focuses on the choices and the resulting consequences made by a young woman who feels trapped in her role as wife and mother. That setting with the Vietnam War, social unrest, Woodstock, and the manned moon landing is arguably one of the most interesting times of the 20th Century and woven seamlessly into the film. The soundtrack with songs from the era fits perfectly and is great. The casting and performances were flawless. After seeing the film, I can't imagine anyone else in the roles. This was the first time I had seen Liev Schreiber who plays Marty, the husband, and Viggo Mortensen, the carefree lover. Both were terrific. Tovah Feldshuh, the perceptive earthy mother-in-law, and Anna Paquin, the rebellious daughter, were perfectly cast as well. And Diana Lane as Pearl, the lead, plays her multifaceted role well. I believe this film to be worthy of Academy consideration. The category that comes to mind (and there are others) is best supporting actor for Liev Schreiber. This film is a must see for the baby boom generation. Four stars!!!!

A touching look at life, human weaknesses, missed dreams, and opportunities.

Having read all of the posted reviews, what I find most interesting is the overall male consensus that the film portrays the husband as the guilty party for his wife's dissatisfaction. Being male, I find it hard to believe that so many of my gender feel so weak and betrayed.

Pearl, doesn't blame her husband and only learns to value and understand him better as also having missed out on some of life's potential. Also, I find it hard to accept the moralizing in the reviews. The film is not condoning the illicit relationship, the idyllic couplings and temporary `escape', are photographed as what we dream we've missed. Are acted out fantasies, to be moralized? Pearl knows, the fantasy can't last and a price will be paid.

Haven't we all missed out from time to time? How many men have fantasized (and acted out) Pearl's actions and expected to be forgiven. Why because they're men??? A well acted, beautifully filmed, and nicely scored remembrance, of the period of self exploration and human frailty.

I really enjoyed this movie. I think the soundtrack is amazing and appropriate although "Helplessly Hoping" is a cover of the CSNY classic. Still, we have Jefferson Airplane, Jesse Colin Young, Joni Mitchell, Judy Collins, and Richie Havens to drop a few names. Listen to the lyrics in this movie...apply them to how Pearl, Diane Lane's character is feeling... Diane Lane does a wonderful job of portraying a 60's housewife who, like so many other women of the time, found herself in a life she fell into. She meets a man who reminds her of who she wanted to be...of feelings she forgot she had. Movies aren't obligated to be lessons on morality, rather they are slices of the lives we all lead or dream of leading or hope to never lead. Some of the scenes in this movie are so powerful-they really rattle the soul. The love scene at the waterfall is wonderfully scored with the amazing "Cactus Tree" by Joni Mitchell. One can feel Pearl's guilt and confusion coupled with an excitement and verve for life she truly deserves. We see Pearl come of age metaphorically as she searches her heart to find out who she truly is. I recommend checking this one out and watching with an open heart and an open mind...the music alone is worth it.

I was 16 years old in 1969. This movie caused a lot of memories to come rushing back. I want to thank the director Tony Goldwyn and writer Pamela Gray for recreating some of the vibrations of the time so beautifully. The movie is really about the cultural clash when a young couple trying to live out the 1950's ideal realize that time has passed and they adopt to the new world of personal growth, peace, Moon landings and Woodstock Festivals.

Some people are complaining that the lead character, Pearl, was a bad role model, being unfaithful or indecisive, not knowing what to do; however, that was the way things were back then. To me the film was incredibly believable and faithful to the times and setting.

My only complaint is the scene where Ross rejects Alison's request to "go all the way." Being 16 at the time, I had only one desire, to "go all the way" with every teenage girl who would let me. I spent nearly every moment I could trying to convince them and I did find three or four who said yes. If anyone who looked like Anna Paquin had said to me when I was 16, that she wanted to go all the way, I would have been out of my clothes in 10 seconds flat.

The only other thing perhaps that the movie missed were all the crazy, repulsive, hateful, violent conservatives who were around then threatening and terrorizing progressive, loving, peaceful people. That actually hasn't changed much since 1969. They're still doing the same thing.

This movie also has a terrific soundtrack and uses popular music from the time better than any movie since "Easy Rider." For those who grew up in the 60's, see it to remember, for those who grew up after the 60's, see it to learn.