Após um roubo bem-sucedido, Porter é deixado para morrer. Uma vez recuperado, ele busca vingança e quer sua parte do dinheiro.Após um roubo bem-sucedido, Porter é deixado para morrer. Uma vez recuperado, ele busca vingança e quer sua parte do dinheiro.Após um roubo bem-sucedido, Porter é deixado para morrer. Uma vez recuperado, ele busca vingança e quer sua parte do dinheiro.
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- CuriosidadesFor release in Australia, the U.S. tagline "Get ready to root for the bad guy" was changed to "Get ready to cheer for the bad guy" because, as Mel Gibson himself pointed out, in Australia "to root" is slang for "to have sexual intercourse".
- Erros de gravaçãoPorter fires about 40 rounds out of a 6-shot revolver without reloading once.
- Cenas durante ou pós-créditosIn the international prints, the 75th anniversary wordings in the Warner Bros. logo is removed. Meanwhile, the new fanfare did not appeared until the release of Uma Carta de Amor (1999) on February 12, 1999.
- Versões alternativasThe UK cinema version and all subsequent video and DVD releases were cut by 5 seconds to remove the use of a butterfly knife. The Blu-ray reinstates the previously cut footage.
- ConexõesEdited into Payback: Straight Up (2006)
- Trilhas sonorasAnniversary Song
Music by Iosif Ivanovici
Arranged by Saul Chaplin
Lyrics by Al Jolson and Saul Chaplin
Performed by Chris Boardman
Avaliação em destaque
Yes - Payback & Point Blank (1967) are very similar. But there is a very good reason for that. Both films are based on the novel 'The Hunter' by Richard Stark, a pseudonym for Donald E Westlake.
The films share several character names such as Brewster, Carter, Stegman and Fairfax and similar plots. In both cases the anti-hero Porter (or Walker) is trying to recover a sum of money after being double-crossed.
Now, I am a huge fan of Point Blank. It takes a relatively simple plot and makes a bit of cinematic poetry out of it. And if I was forced to compare Lee Marvin and Mel Gibson's performances, then I'm sorry but Gibson would lose big time. However, Payback is a much better film than I thought it would be. There are sufficient differences to make the story interesting and though it is told in a much more straightforward and, dare I say, 'safe' way than Point Blank, it is a very well made film and tells a compelling story well. And it's nice to see Gibson return to a somewhat morally ambiguous character a la Mad Max.
The films share several character names such as Brewster, Carter, Stegman and Fairfax and similar plots. In both cases the anti-hero Porter (or Walker) is trying to recover a sum of money after being double-crossed.
Now, I am a huge fan of Point Blank. It takes a relatively simple plot and makes a bit of cinematic poetry out of it. And if I was forced to compare Lee Marvin and Mel Gibson's performances, then I'm sorry but Gibson would lose big time. However, Payback is a much better film than I thought it would be. There are sufficient differences to make the story interesting and though it is told in a much more straightforward and, dare I say, 'safe' way than Point Blank, it is a very well made film and tells a compelling story well. And it's nice to see Gibson return to a somewhat morally ambiguous character a la Mad Max.
- smudged68
- 15 de set. de 2004
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- Empresas de produção
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Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 81.526.121
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.221.526
- 7 de fev. de 1999
- Faturamento bruto mundial
- US$ 161.626.121
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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