Uma Adolescente de Verdade

No, I couldn't hate this movie but on the other hand it also clearly wasn't made for me. It's perhaps a movie some females can still recognize themselves in, till some extend at least. For me it was just hard to identify with the characters and all of her weird, sexual orientated, fantasies.

It's a movie about a young 14 year old girl (played by an 21 year old by the way) who has obviously started to hit puberty and is about to discover her sexuality. She starts experimenting a bit and we get to see all of her fantasies, that are being put very straight-forward to the screen. It means that the movie features plenty of full frontal female and male nudity but also some really disgusting scenes, as the little girl is really having some dirty thoughts and fantasies. Pissing, puking, worms...should I say more? But then again it's not supposed to be a movie obviously that is supposed to turn you on. It's merely a look into the thoughts and fantasies of a girl who is about to discover her sexual identity for the first time. I really don't think this movie could had been made by a male director. It takes a woman to be able to get into a young girls mind and translate and brings to the screen all of the thoughts and feelings she might be having at that certain period in her life. I admire the movie for what it does and attempts to do but as a male, it just wasn't all that appealing or throughout interesting to me.

As you wouldn't had guessed it already, this movie is being an art-house type of movie. Nothing too heavy, although some of the sequences might still be shocking to some people, since it has some explicit nudity and some gross out moments in it. But it's at least not a movie that is full of itself and tries too desperately to be an arty and creative one, by putting in lots of symbolism and sequences that run overlong.

Still you feel that the movie could had done way more with its subject. It could at least had made it a bit more interesting to watch. At times now I was really thinking 'why am I even watching this'. Not that it's boring though, the movie was also too short for that but it's also really a movie I could easily had done without.

If you are female you might still get something out of this movie and recognize yourself in some parts of the movie or its main character, though I still somewhat doubt this. Else females are way more dirty than males if this is the case.

6/10

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Catherine Breillat has gained, over the years, a reputation as a particularly provocative female writer - director, and she certainly lives up to that description right from this 1976 film, her directorial debut. Although there is nothing really new here thematically, what makes "Une Vraie Jeune Fille" unlike probably any other coming-of-age film up to that time is Breillat's almost microbiological obsession with touchable things and bodily fluids, including flies, eggs, trees, wax, blood, vomit....and others you can imagine. Charlotte Alexandra is voluptuous and sensual in the title role, but after a while the lack of script becomes painfully evident. ** out of 4.

The film is very unusual at times and its sheer sexuality often gets too heavy. However it is certainly worth seeing, simply for its madness. And for the smoking hot Charlotte Alexandra. She alone is worth the price of admission. Shocking that the film's release was held up until 2000 (25 years later!) due to budgetary problems.

The first film from Catherine Breillat, the director of "Romance" ('99), that had, upon it's completion in 1975, caused a ratings scandal in France and, beyond being censored, was banned outright. Tellingly, this year (2000) it finally arrived, with little fanfare, on a screen in Paris as, literally across the street at the MK2 Odeon, another controversial film "Baise-Moi" (2000) was causing riots that led to the film being pulled from cinemas.

"Une Vraie Jeune Fille" showcases all of the obsessions that mark Breillat's work through to "Romance" and in a way it is almost more interesting to see the film in retrospect, in light of the films that she made after it, as the lietmotifs present in all were not only prefigured in the first film, but this first film also comments on them.

A girl returns to her parents house from boarding school for the summer. The situation is stifiling and her father's incestuous desires are more than just suggested, though the girl does little to disuade them. She becomes obsessed with a blue collar employee of her father's and his indifference toward her only increases his presence in her numerous sexual fantasies.

The film is visceral and, while the camera is often highly subjective, it maintains, via a cool facade deliberately imitating that of 70's soft porn, that lends it a level of objectivity often entirely absent in American cinema (This film will, incidentally, never reach American screens).

In the same way that "Romance" operates, this film, while exploring detailed fantasies, uses its objectivity to resist any psychoanalyzation of its protagonist. It presents only the events, real events merge with fantasy to lend the pornographic journey/discovery a somewhat hallucinatory aspect

Breillat has found a niche as a filmmaker her films are cool to the touch without being deconstructive, placing her somwhere between Godard and pornography and as a result her films lack a certain element of humanity that prevent them from transcending this niche.

This film is rather difficult to review because it doesn't really have a plot to speak of, and it's clear that director Catherine Breillat was more keen on focusing on the art elements and detailing the sexual developments of a young girl than telling a story. This is the first film I've seen from Catherine Breillat, but given what I've read about her; it would seem that she enjoys directing films that focus on sexuality, and that would seem to be the case if this film is anything to go by. A Real Young Girl focuses on Alice Bonnard, a 'well developed' teenager who attends a boarding school and is spending the summer at her parents' house. She enjoys experimenting, and has a particular fascination with fluids, as she experiments with all sorts including urine and ear wax, as well as egg yolk and tanning cream. She becomes fixated on a man employed by her father, as well as a couple of other local men and her father, and the film basically follows her summer as things happen to her parents and she develops sexually.

Unlike most exploitation films, this one takes place from the woman's point of view, although the idea that all men are sex-obsessed perverts certainly shines through, and I wouldn't be surprised to find out that Catherine Breillat is a devout feminist, as there isn't one single decent male character in the whole film. The film rests a lot on its star Charlotte Alexandra, and she doesn't disappoint. Her performance is thoroughly realistic, and she also looks rather tasty, which is sure to delight the male viewers. I have to admit that I was expecting to be shocked going into the film, and while A Real Young Girl is liable to offend less well versed viewers; it would seem I've seen too much of this stuff as nothing in the film seemed too over the top to me. Catherine Breillat clearly isn't afraid to shock the viewers, however, as the film features plenty of nudity and other perverse scenes. The film features no suspense and the plot really just plods along, but it's well paced and while you know that the ending isn't going to provide much intrigue, it doesn't matter as anyone looking for a sexually charged film is likely to be satisfied.