A Maldição dos Brinquedos

Dr. Magrew (George Peck) strives to give human attributes to expertly crafted wooden puppets. Emily Harrison who plays Jane Magrew is the bright spot of the movie. But the puppets themselves are the real stars. The killer puppets do away with the bad guys. The action scenes are good, but there are too few to get excited about. Even with the finale slamming the door on you; this mild horror movie is still fun to watch.

Peck is less animated than the puppets. Also starring are Michael Guerin, Josh Green and Jason Dean Booher.

Despite the film's logline, his intentions are not clear until the very end. The entire film we see the scientist (George Peck) have Robert (Josh Green) cut and carve little wood blocks, but we actually never see the end result.

This is the film that rebooted the franchise, which still continues to this day. This installment is not so much about the puppets, but instead more about the 'dummy boy' Robert, who steals the show. The plot is more solid than the other Puppet Master films, and I enjoyed this film more than the previous installments. In fact, this would hold pretty well as a film on its own and not part of the franchise, especially also since it is a completely new storyline. George Peck was also rather good as the scientist.

Pity the film had such an abrupt ending...

After not being terribly impressed by the last two additions to the franchise, I wasn't expecting all that much from "Curse" and this was a blessing disguise. I found David DeCoteau's sequel somewhat a step-down in quality (which at times looked very second-rate), but probably a little more enjoyable if a tad creative in its story (despite a silly script, unintentionally humorous plotting and an abrupt ending). While still being one of the weakest, it skipped that childish feel of the recent ventures… to only deliver on the nasty and gory quota with its nightmarish details (resembling the tone of the original features), but while the jolts and cruelty is there it seemed to meander on its characters interactions and the constant mystery surrounding a disappearance, which is rather predictable to figure out. The puppets have always been the stars and that's nothing new here, as the creations are well-used despite some obvious stock footage from other features. The uncanny appearances and personalities come through, although some are underused; The Jester and especially Leech woman. However there are plenty of images of the puppets cementing how they are best of pals. DeCoteau's practical direction is raw and threadbare, but there's a lyrical guidance that shows in some atmospheric visuals. Most of the performances are particularly lousy and over-enthusiastic, but Emily Harrison seems to be an exception to the trend.

Curse is a standalone movie, which is part of the problem. You got this wacked out scientist who got hold of Toulon's puppets, and who obligingly let him know they're alive and willing to help him. Why they're willing to (initially) kill for him isn't clear.

George Peck's off-key performance is another problem: he acts like a thirty-year old in bad aging makeup. Maybe he is 60-70 like he is supposed to be, but he looks and acts really odd. And why does he have a 25 year old daughter?!?

There are very few people to like here, which also hurts. The romantic leads are vaguely sympathetic, but the scientist, the obnoxious town sheriff, the local town bully, etc., are all very unlikeable, making them slaughter-fodder.

The worst problem though, is the end. The movie just...stops. run credits! Whaaatt? Who knows. Catch the sequel, #7, when it comes out, I guess.

The uninteresting human characters mean that the puppets have to hold center stage. They're pretty much relegated to the odd gory slaughter or two, though. Even they seem somewhat confused as to what their motives are here. Jester and Leech Woman are relegated to the background as always, Blaze is missing (despite, as noted, his appearance in the opening credits), and the only new puppet we get is the new TV/Tank puppet, which appears for about 30 seconds at the end of the movie.

Definitely the weakest entry in the Puppet Master series. Even at the worse of time, the others in the series have had something to contribute. But Curse... just hangs there with nothing to support it or recommend it.

Curse of the Puppet Master, the sixth film in the long running horror franchise, sees Toulon's tiny terrors in the possession of Dr. Magrew (George Peck ), owner of The House of Marvels, a small-town roadside attraction that he runs with the help of his pretty daughter Jane (Emily Harrison). When Magrew meets gas station attendant Robert 'Tank' Winsley (Josh Green), who likes to carve with wood, he offers him a job at his place, creating the many parts for a new living puppet, into which he secretly plans to transfer Robert's soul.

Director David DeCoteau (as Victoria Sloan) starts things off well enough, introducing his characters and setting up a few deserving victims along the way: a gang of local bullies, led by Joey Carp (Michael Guerin), and a nasty sheriff (Robert Donavan). So far, so good, but then it all goes pear-shaped: there's too much use of archival footage of the puppets, the boom mic makes an appearance, very little effort is made to make the puppets move as though they're alive, the gore is disappointing (just some blood splashed around), DeCoteau provides lots of shots of shirtless hunks (no surprises there) but no T&A from Harrison, there is an overuse of lightning and smoke to the point where it is distracting, and worse of all, the ending is ridiculously abrupt. The film simply stops mid-action, leaving the viewer to ponder whether they fell asleep and missed something. We should be so lucky.

3.5/10, rounded up to 4 for IMDb.