O Informante

Russell Crowe at his best as a Kentucky tobacco executive in Eric Roth and Michael Mann's masterpiece, "The Insider," is one of the most underrated American films ever. Not only is it important historically for its political implications - not about tobacco, but about conflicts of commercial interest that control freedom of speech along the airwaves in the U.S.- it is a great story and it is true. Disney had no idea how to market "The Insider" and essentially sold it as tobacco movie and it is so much more. Pacino gives a grand A plus performance as a Long Island Jewish producer and halfway through the movie I forgot he was Al Pacino. Even better Christopher Plummer masterfully captures the full essence of Mike Wallace. Gina Gershon could turn lust from a stone as always. Michael Mann seems to always pull strong performances from his actors, and Eric Roth who brilliantly adapted "Forrest Gump" did the same here with Mann. Though long, "The Insider" is never boring and a movie all Americans should see twice to make sure they fully comprehend regardless of how you feel about the tobacco debate.

Finally after many years watched Michael Mann's legal drama 1999's "The Insider" and it was clearly a well done legal drama that searches for answers and blows the whistle on those in power who try to hide corruption that blends greed and power. The film recounts a chain of events that pitted a guy against the giant tobacco industry. And this film would really be in depth and drag the characters thru a fight of their lives.

Al Pacino(still one of the best actors in the business)is in top form with a strong performance as veteran "60 Minutes" producer Lowell Bergman and Russell Crowe(is the man affected by it all the insider himself former tobacco executive Dr. Jeffrey Wigand). The story is pretty cut and dry when Wigand is fired by the tobacco company, he agrees to become a paid consultant for a story that Bergman and "60 Minutes" is working on about the unethical ways within the tobacco industry. This all leads to a long battle between all with a lot of legal cat and mouse games which puts everyone's reputations on the line.

As expected the tobacco industry will use any legal and corporate means they can to help save a billion dollar a year habit. Still both Bergman and Wigand are fighters that are searching for answers and they want justice in the form of truth as with every little bit more evidence is uncovered.

Cleraly this is a harrowing drama with legal and emotional twist and turns it has an in depth cold hard edge that keeps you glued while searching for answers and fighting for the truth with twist. "The Insider" was for sure one of Michael Mann's better made films.

Forget Russell Crowe's performance by numbers in 'Gladiator' (good though that film was), and enjoy his acting talent here alongside Al Pacino. Both men give inspired and classy masterclasses in how to put a character across. 'The Insider' is unusual, it is long and wordy (not often the case in modern movies), it has a superb soundtrack - 'Sacrifice', in particular - and it makes you involved, makes you care.

Curious, then, that a Roman epic outshone it. A good epic, but not in the same class.

I have been a huge Michael Mann fan for years, but I do have to admit that I approached his latest film "The Insider" with just the teensiest bit of trepidation...after all, Mann is the godfather of the thinking man's action flick, and I've even heard it said that his action sequences are so integral to his movie that they are practically another character in the film...with which I completely agree. So I was wondering how a movie with no chase sequence, no gunfights, basically no action whatsoever--well, how could that possibly qualify as an authentic Michael Mann signature film?

Yes, the action, per se, is missing, but Mann still brings his signature directorial style to life with lots of wide shots, intense close ups, and indirect focus, all bathed in cool blue light and threaded together with an inventive soundtrack (including a reprise of a former track that was used so effectively in "HEAT"; sorry, I can't recall the title offhand).

And what the movie lacks in "action", Mann more than makes up for in high-wire tension. He pulls us into the drama of an ordinary man's life by portraying the myriad humiliations, both large and small, that assault Wigand from the moment he is fired from his job as an R&D VP for a major tobacco company. The detoriation of his life, from his finances to his marriage to his belief in himself, is explored with the sort of atmospheric detail that is Mann's trademark: the play of light or lack of it; the familiar sights and sounds of everyday life, from the patterns of rain on a windshield to the rush of wind through the trees; and camera work that ranges from tight, out-of-focus shots to sweeping panoramas of razor-sharp clarity...all of this creates an environment of realism that puts you into the film. You can't just observe Wigand's struggle; you experience it with him. My movie-watching partner observed as we left the theatre that he felt exhausted from the tension, as if he'd just been through the corporate wringer himself. I knew what he meant!

But atmosphere isn't all Mann delivers. Once again, this genius director has placed an unexpected actor in the lead role of his film, with amazing results. Before Daniel Day Lewis was "Nathaniel Poe" in "The Last of The Mohicans", no one would have believed he could pull off a major hunk-o-rama role...well, guess what? He ended up defining the hero of the adventure/romance genre! In "The Insider", Mann has opted for the opposite effect, casting young, potential hunk material Russell Crowe as an older, slightly-pot-bellied father of two. Wigand doesn't look like anyone's hero, and perhaps that's actually the message of the movie: an ordinary man--a nobody, really--caught up in extraordinary circumstances. And Crowe delivers...in a major way! Personally, I can't remember an acting performance that mesmerized me to this extent...unless it was the last time I watched Crowe, in "L.A. Confidential". He evokes his character in this movie with the apparent ease of a magician doing card tricks: the illusion is complete and appears to be effortless. Even with silver, receding hair and twenty extra pounds which, we are shown, is not the result of costume padding, but Crowe's own amplified flesh, he is imminently watchable... almost hypnotically so.

There are, even as I post this, whispers and rumors about this movie being an Oscar contender. Best director, best actor, best supporting actor. Again, I can only nod my head in complete and total agreement. Russell Crowe will blow you away, and Al Pacino gives his best performance in years.

This film is quiet, intense, and ultimately, extremely moving. I literally burst into tears twice, the way you do when you've recieved bad news or seen something dreadful, so complete was my empathy for the character of Jeffrey Wigand . The anger, helplessness, and puzzled confusion at being punished for telling the truth felt all too familiar to me.

In summary, I was not at all disappointed in Mann's direction of this film. Even without the phenomenal action sequences he's known for, this film had the same visceral effect on me that I experienced when I saw Manhunter, Last of the Mohicans, and HEAT. I'm a born-again fan!

"The Insider" in many ways reflects the golden days of American cinematography, where every scene serves a purpose, dialogue is sharp and poignant, and characters and events remain true to their emotions and nature.

The film presents certain questions throughout its duration that are intended to invoke thought in the viewer, and at the same time explores them to unprecedented depths which are by no means native to the film industry. The story is of a quick-paced nature, and demands that the viewer pay the utmost attention to every single line and image presented; it flabbergasts in its unparallelled structure of continuity and coherence to those sentient enough.

After watching this film, it became apparent why Crowe was so reluctant to play the role of Maximus in "Gladiator" after acting the part of Jeffrey Wigand. It appears more or less as if Crowe had been this character in reality, and it really inspires to see that such a talented actor is finally beginning to enjoy the prominence that he deserves.

In the past decades, there has been a progressive decline in the number of intelligent films making it onto the market, but the success of "The Insider" will hopefully serve as a shout-out to all the film companies and directors reluctant to tread on such sensitive ground. This movie could not receive a higher recommendation!