O Palhaço Assassino

An old opera house is donated to a high school theater program and teacher Margot Kidder brings a group of students there to help clean up the joint. Sarah Lassez has volunteered because her mother's murder by her co-star (in the titular clown outfit) was the incident that closed the theater years ago. She's been suffering from terrible nightmares since finding out and thinks spending a lot of time in the theater will sort things out in her head. (Yeah ... sure it will)

I'm sure you know what happens. The clown killer, or someone pretending to be him, is in the theater and kids die one by one. It's a pretty standard body count slasher film that makes very little sense (the personal belongings of the murder victim are still sitting in her dressing room over a decade later) and is fairly dull and bloodless. Besides Kidder, Christopher Plummer shows up as the owner of the theater, and Tatyana Ali and James Duval are among the kids. All acquit themselves pretty well ... Plummer is actually pretty great.

I'd probably be completely dismissive of the film if it weren't for the fact that it was shot in the Walker Theatre (now the Burton Cummings Theatre) here in Winnipeg. It was an opera house in the early 20th century and became a movie theater in the 1940's. It's been a music venue since the 1990's, and was when this was shot there. I know this place very well, so it was kind of interesting seeing it on film. Even better, there's some exterior shooting that shows the surrounding neighborhood. It's kind of fun to watch for people who live here.

There's one pretty great thing involving costuming near the end that I can't describe without spoiling the ending. I'll just say, the identity of the killer leads to an amusing clown related sequence.

Those who have followed Margot Kidder's career know that she got her start in low-budget horror flicks(BLACK CHRISTMAS, SISTERS, AMITYVILLE HORROR)and have undoubtably been pining for her return to the genre. Well, wait no more! Ms. Kidder returns in this flick, a rather undistinguished slasher flick concerning a group of college students conscripted by drama teacher Kidder to clean up a previously long-closed theater, owned by Christopher Plummer. The kids are the usual stock cliches(jock, tramp, gay guy, plain fat girl, loner), and their presence angers a pyscho in a clown costume who lives in the theater. Lots of killings in creative ways, which is about all you can say about this movie, except that Margot Kidder and Chris Plummer are in it.

The opening to this film is exceptional...It delivers a very creepy atmosphere, that continues through the first death scene...The thought of a film set in an old theater, of course, gives this the Phantom of the Opera feel, but It really doesn't feel that way when watching it. The stalking scenes, are at times, silly and predictable...and should be able to be avoided by the character, but nonetheless, people got to die in horror movies.

Written by Kenneth J. Hall (Puppet Master, Blonde Heaven, Dr. Alien), it is not wonder there is some flaw to this. However, it really delivers more than one would expect from a DTV (direct to video) horror film.

My big Gripe! The use of the standard Horror movie characters: The Jock, The bitchy Princess, The black girl, The gay Guy, the creepy guy no one can figure out, the weird lesbo-type girl into the paranormal, and a dim-witted teacher....and of course the basket-case main character...They follow all the stereotypes for their characters, and it tends to sway from the story, and make utter nonesense.

Tatayan Ali, in my opinion is best performer in the film...Her death scene, however, leaves much to be desired (the girl just didn't Die well).

Corny, predicatable Dialouge, slow, but creepy paced...the film really isn't that bad...but I disagree with one review saying this is a HOrror film for true horror fans...It is a decent slasher, but nothing we haven't seen before....The end, was no big surprise...but I didn't quite figure out everything until almost the very end....

Enjoyable watch....I plan on watching it again...

7 out of 10

Slasher films tended to go downhill after their popular run in the 80's. Occasionally, in the 90's, a worthy horror film would pop up, but with the release of 1996's blockbuster "SCREAM", the genre got the well deserved regain in popularity that it needed. However, with the late 90's horror film explosion, something was missing. The charm and effect of the 80's slasher was lost in the huge Hollywood budgets and hip young casts that have become fixtures of recent horror films.

"The Clown at Midnight" is an exception to this rule. With a relatively unknown cast of teens (the exception is "French Prince of Bel-Air) actress Tatayani Ali) and a foreboding setup, it manages to develop into a well crafted, well acted, creepy horror film that evokes the atmosphere and effectiveness of some of the best slashers of the 80's.

The plot centers around young Kate Williams (Sara Lassez), whose mother was brutally murdered in an opera house years before. Her and some of her classmates volunteer to clean up the same opera house to prepare it for their college music department. Well, needless to say, an unpleasant time awaits each of them as a killer dressed as a clown locks them in the downright creepy building and kills them in very grim ways.

The Good: The film looks great. The direction is sharp, the lighting perfect, and the film stock high quality. In fact, it looks better than some of the films that have made it into the theaters recently. The plot is interesting enough, and though each character is a cliché (the jock, the bitch, the brain) the actors pull them off quite well and make us connect to them. Better yet, they are actually teenagers and not thirty year olds trying to act like teenagers. Margot Kidder and Christopher Plummer also put in strong cameos and give the film a sense of credibility. What is interesting is that the most likable characters are disposed of in the most gruesome ways which does provide some slight emotional impact. As mentioned, the setting is creepy and very effective and the killer clown lurking around is unsettling. But what I liked most about the film is the atmosphere and the fact that it doesn't try to be anything other than a slasher film. There are no comedic undertones, no over-the-top characters, just pure stalk and slash very reminiscent of the 80's. It really is one of the better post-"Scream" slasher films that actually is extremely competent and enjoyable.

The Bad: Very little, actually. Clichés do abound and it really isn't THAT hard to figure out who the killer really is. We also know from the first frame who the surviving girl will be, so any early stalk scenes with her are ineffective because we know she won't die. The ending leaves a lot to be desired and seems rushed. There really could have been a longer chase sequence and the whole "Popcorn" inspired final minute were unnecessary because, again, we know how who will live. The are some gruesome deaths, but most of them are very tame. This probably won't please gore hounds.

It seems this film has become quite rare. As of now, it is only available on VHS and I don't think a DVD release is planned for anytime soon. But I highly recommend this film to you lovers of the 80's stalk and slash films because overall it is an well-made and enjoyable film.

My Grade: B+

This is a sophisticated slasher film. Christopher Plummer is fantastic! If your idea of horror is teenagers being chopped up while reciting urban legends, then this may not be for you. But, if you are a fan of "The Phantom of the Opera" or "Theater of Blood", then you will enjoy this slight but entertaining thriller. All the performances are exceptional for a made for video film and the directing is just plain creepy; especially on the dream sequences. Although some may find this slow, I liked it for what it was. Yes, there are plot holes. Yes, there is excessive gore. Yes, most of the characters are cliched. This is what horror film buffs like. Not innovation, not recreating the genre, not satirizing popular films. Just good old fashioned scares, gore, and campy performances.

For Fangoria readers, a 10.