South Park: Maior, Melhor e Sem Cortes
Título original: South Park: Bigger, Longer & Uncut
Após Stan e seus amigos assistirem a um filme canadense proibido para menores, eles passam a disparar palavrões, o que faz com que a mãe de Kyle inicie uma campanha de intolerância contra o ... Ler tudoApós Stan e seus amigos assistirem a um filme canadense proibido para menores, eles passam a disparar palavrões, o que faz com que a mãe de Kyle inicie uma campanha de intolerância contra o Canadá.Após Stan e seus amigos assistirem a um filme canadense proibido para menores, eles passam a disparar palavrões, o que faz com que a mãe de Kyle inicie uma campanha de intolerância contra o Canadá.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 7 vitórias e 11 indicações no total
Trey Parker
- Stan Marsh
- (narração)
- …
Matt Stone
- Kyle Broflovski
- (narração)
- …
Mary Kay Bergman
- Liane Cartman
- (narração)
- …
Isaac Hayes
- Chef
- (narração)
Jesse Brant Howell
- Ike Broflovski
- (narração)
- (as Jesse Howell)
Anthony Cross-Thomas
- Ike Broflovski
- (narração)
Franchesca Clifford
- Ike Broflovski
- (narração)
- (as Francesca Clifford)
Bruce Howell
- Man In Theatre
- (narração)
Deb Adair
- Woman In Theatre
- (narração)
Jennifer Howell
- Bebe Stevens
- (narração)
George Clooney
- Dr. Gouache
- (narração)
Brent Spiner
- Conan O'Brien
- (narração)
Minnie Driver
- Brooke Shields
- (narração)
Dave Foley
- The Baldwin Brothers
- (narração)
Eric Idle
- Dr. Vosknocker
- (narração)
Nick Rhodes
- Canadian Fighter Pilot
- (narração)
Toddy Walters
- Winona Ryder
- (narração)
- (as Toddy E. Walters)
Stewart Copeland
- American Soldier #1
- (narração)
Avaliações em destaque
10Tresy
I was not a fan of South Park before I saw BL&U, nor was I a fan of movie musicals. Well, I'm still not a fan of musicals, but I'm a fan of *this* musical, and am grateful to Parker and Stone for demonstrating that it's still possible to make a great movie on one's own terms.
For this movie, unlike the usual feature-length adaptation of a pop culture phenomenon, not only lives up to its pedigree, it wildly exceeds it. Yes, the movie does recycle many of the show's jokes, but it does so in new yet relevant contexts that keep the material funny if you are familiar with the South Park world. If you aren't familiar with that world (as I wasn't before seeing the movie), the gags are simultaneously accessible yet often subtle.
Subtle? Yes, many of the gags are. Indeed, one of the pleasures of owning a copy of the movie is having the ability to review the movie, in slo-mo if necessary, and discover throwaway sight gags that one has missed in the delirium of watching this anarchic satire the first time through. (And if you have the DVD, you can add subtitles to catch many of the songs' often elusive lyrics.)
Then there's the music. What is it about movie musicals that attracts great satiric minds? Not since Pynchon's "Gravity's Rainbow" has a work of art so subversively exploited the conventions of the movie musical as South Park. From the droll opening strains of Mountain Town, to the Disneyesque "Up There," to the Les Miserables spoof, "La Resistance," South Park simultaneously sends up the genre while paying homage to it, and still finds room to use the songs to score delicious points against its myriad targets.
One last thing: this movie is not cynical. Beneath the scatological humor, the cartoon violence, the scathing portrayals of Wynona Ryder et al, and the backdrop of adult xenophobia, sexual repression and political opportunism, is a sensibility that exalts childhood as an island of honesty and idealism, if also of id-like impulse and frequent selfishness. In this they share space on the shelf of great satires with "Candide," "Gulliver's Travels," "Tom Sawyer" and especially "Huckleberry Finn"--classics that, like BL&U, also exposed the hypocrisies of the adult world "through the eyes of a child."
Elvis Costello once sang, "I want to bite the hand that feeds me/I want to bite that hand so badly/I want to make them wish they'd never met me." That BLU was shut out at the Academy Awards (having only garnered a nomination for the relatively tame "Blame Canada", which lost, appropriately enough, to the execrable Phil Collins) only vindicates the film's take-no-prisoners send-up of nearly everything that annoys in this suffociatingly focus-group-tested, PC-policed, cynically sentimental, violence-ridden, love-starved modern world. See this movie, and see the persistence of hope and possibility sparkling like a diamond amid the pop culture detritus of a quiet little red-necked, white-trash, strait-laced, mesuggeneh, US mountain town.
For this movie, unlike the usual feature-length adaptation of a pop culture phenomenon, not only lives up to its pedigree, it wildly exceeds it. Yes, the movie does recycle many of the show's jokes, but it does so in new yet relevant contexts that keep the material funny if you are familiar with the South Park world. If you aren't familiar with that world (as I wasn't before seeing the movie), the gags are simultaneously accessible yet often subtle.
Subtle? Yes, many of the gags are. Indeed, one of the pleasures of owning a copy of the movie is having the ability to review the movie, in slo-mo if necessary, and discover throwaway sight gags that one has missed in the delirium of watching this anarchic satire the first time through. (And if you have the DVD, you can add subtitles to catch many of the songs' often elusive lyrics.)
Then there's the music. What is it about movie musicals that attracts great satiric minds? Not since Pynchon's "Gravity's Rainbow" has a work of art so subversively exploited the conventions of the movie musical as South Park. From the droll opening strains of Mountain Town, to the Disneyesque "Up There," to the Les Miserables spoof, "La Resistance," South Park simultaneously sends up the genre while paying homage to it, and still finds room to use the songs to score delicious points against its myriad targets.
One last thing: this movie is not cynical. Beneath the scatological humor, the cartoon violence, the scathing portrayals of Wynona Ryder et al, and the backdrop of adult xenophobia, sexual repression and political opportunism, is a sensibility that exalts childhood as an island of honesty and idealism, if also of id-like impulse and frequent selfishness. In this they share space on the shelf of great satires with "Candide," "Gulliver's Travels," "Tom Sawyer" and especially "Huckleberry Finn"--classics that, like BL&U, also exposed the hypocrisies of the adult world "through the eyes of a child."
Elvis Costello once sang, "I want to bite the hand that feeds me/I want to bite that hand so badly/I want to make them wish they'd never met me." That BLU was shut out at the Academy Awards (having only garnered a nomination for the relatively tame "Blame Canada", which lost, appropriately enough, to the execrable Phil Collins) only vindicates the film's take-no-prisoners send-up of nearly everything that annoys in this suffociatingly focus-group-tested, PC-policed, cynically sentimental, violence-ridden, love-starved modern world. See this movie, and see the persistence of hope and possibility sparkling like a diamond amid the pop culture detritus of a quiet little red-necked, white-trash, strait-laced, mesuggeneh, US mountain town.
Nothing can prepare you for this film. It's a one off. Undoubtedly the best film I have ever seen. I truly laughed until I cried in the cinema showing, bought the video and the soundtrack - which I never do - and have watched it several times over. The political undertones are frighteningly poignant. The idea is brilliant. It's the antidisney. It's a fart in the face of those who wage war in the name of decency. It's a bunch of foul mouthed kids spewing profanity. It's better than good versus evil; it challenges us to asses the criteria upon which we judge good and evil. It pokes fun at everyone, white, black, Jewish, Christian - but particularly the stupid and the bigoted. by ridiculing the fuss that is made against profanity, the writers have safeguarded themselves against adverse publicity from complaints. It's what the film is about in the first place. My only complaint is that this film is so brilliant that it made Team America seem tame.
South Park: Bigger, Longer and Un-cut is a great movie. Not only because the TV show (South Park) is one of the best animated shows of the 90's but also because of it's comedy, political and social satire, and though you can't see it right away, a look into censorship and what bad and good qualities it's doing to American life. And it also shows that Trey Parker and Matt Stone seem just like a bunch of comedy writers and composers, but that they could be truly freedom fighters by show-casing this film.
The story is about the four boys of South Park (Stan Marsh, Kyle Broflovski, Kenny McCormick, and Eric Cartman) and after they go into a rated R Terrence and Phillip flick, they start to use their new founded dirty words to excessive use. Since the film is Canadian, a war breaks out between Canada and America. Kenny dies (thats not a giveaway because on the TV show Kenny dies in every episode) and winds up in hell to find Sadaam Hussein and Satan as gay lovers. Both plot sides are very hilarious (depending on if you watch the show) and it's very satirical (if you don't believe me, just look at Bill Gates getting shot in the movie).
The Movie seems quite content in it's dirty foul-ness and funny comedy musical type way to make us laugh (not that thats a bad thing), but I think that Matt and Trey are tying to tell us something with this film. It is a wakeup call to America that if censorship doesn't change soon, we might actually go to war with a country over something as arbitrary as censorship and freedom. Or... it's just a good old fashioned comedy with fart jokes, sex humor, and a Winona Ryder playing ping-pong in her private area. Of course that's just my opinion, I could be wrong. Never-the-less, this film is one of the best of the year. A++
The story is about the four boys of South Park (Stan Marsh, Kyle Broflovski, Kenny McCormick, and Eric Cartman) and after they go into a rated R Terrence and Phillip flick, they start to use their new founded dirty words to excessive use. Since the film is Canadian, a war breaks out between Canada and America. Kenny dies (thats not a giveaway because on the TV show Kenny dies in every episode) and winds up in hell to find Sadaam Hussein and Satan as gay lovers. Both plot sides are very hilarious (depending on if you watch the show) and it's very satirical (if you don't believe me, just look at Bill Gates getting shot in the movie).
The Movie seems quite content in it's dirty foul-ness and funny comedy musical type way to make us laugh (not that thats a bad thing), but I think that Matt and Trey are tying to tell us something with this film. It is a wakeup call to America that if censorship doesn't change soon, we might actually go to war with a country over something as arbitrary as censorship and freedom. Or... it's just a good old fashioned comedy with fart jokes, sex humor, and a Winona Ryder playing ping-pong in her private area. Of course that's just my opinion, I could be wrong. Never-the-less, this film is one of the best of the year. A++
10Shayde9
What can I say but OH MY GODS!!!!!!!!!!!!!!!!!!!! I had heard rumors about this movie's extremities (no pun intended) and that it was much more...ahem...wild than the t.v. show. Now, I've only seen a handful of the television shows, and they're pretty racy and raunchy, but I've always liked what I've seen. It's definitely not a show (or movie!) for kids. Or the faint of heart, or the easily offended. But then again, if you know that you're an easily offended person DON'T GO SEE THIS MOVIE!
I loved this movie. Granted, I have to admit that I was shocked and surprised through 95% of it. But it was great nonetheless. It was funny and vulgar and said pretty much everything in a manner that was NOT politically correct. But then again, aren't we all getting pretty sick of political correctness?
I think one of the things that gets most of us, (at least myself) is that when we were kids that age, we never would have gone around saying half of what those kids did. Or, if we did, we did our best not to get caught! Of course, I was only ever threatened with getting my mouth washed out with soap...not my mother starting a war with a foreign country!
The musical numbers were great! They were very upbeat and will stick in the minds of viewers for years to come. In the future, when we're all sitting behind our desks (or whatever jobs we may have), we'll notice that we'll be humming certain catchy tunes and when we stop to wonder what it is, we'll remember the songs from South Park both with humor and with horror that we're actually humming them out in the "civilized" world. The scene I think the best for musical numbers was where several of the different songs were going on at one time. It was very "Les Miserables" like (I saw the musical so I know what I'm talking about) in a very sick and twisted sort of way. It was simply funny and light hearted.
This movie poked fun at just about everything in the book. Nothing was spared. Not Christianity, not different racial stereotypes, and certainly not the gay community. But none of it was handled in a fashion to be hateful or humiliating. In my opinion, all the jabs were meant to get people to see that there shouldn't be the divisions that there are and when people get separated, they leave themselves open to ridicule and criticism. Rather if we all came together and put aside the divisions and stereotypes, then perhaps we could all see the humor in remarks and jabs like the ones made in this movie.
As for the political statement: it's true, you know. This country (as are many others) is always looking for something or someone else to blame for all the "troubles." We as a nation are hypersensitive to every little thing and just about everything is taboo. From swearing to being able to purchase certain adult oriented "toys," a person can't do anything in this country without being censored or "forbidden" to. It's sad when a state's laws or a person's hysteria keeps people from their constitutional right of free speech and the like. And this is what this movie was trying to point out. I agree with the person who is his review of this movie wrote, "They're just words" about the swearing in the movie. And that's all they are.
I give this movie a 10 for its humor, its musical numbers and its obvious statements. I think that everyone (who has an open mind) should go see this movie...and then go again and take someone who doesn't have an open mind so that it can be opened by the hilarious things said and done in this movie.
I loved this movie. Granted, I have to admit that I was shocked and surprised through 95% of it. But it was great nonetheless. It was funny and vulgar and said pretty much everything in a manner that was NOT politically correct. But then again, aren't we all getting pretty sick of political correctness?
I think one of the things that gets most of us, (at least myself) is that when we were kids that age, we never would have gone around saying half of what those kids did. Or, if we did, we did our best not to get caught! Of course, I was only ever threatened with getting my mouth washed out with soap...not my mother starting a war with a foreign country!
The musical numbers were great! They were very upbeat and will stick in the minds of viewers for years to come. In the future, when we're all sitting behind our desks (or whatever jobs we may have), we'll notice that we'll be humming certain catchy tunes and when we stop to wonder what it is, we'll remember the songs from South Park both with humor and with horror that we're actually humming them out in the "civilized" world. The scene I think the best for musical numbers was where several of the different songs were going on at one time. It was very "Les Miserables" like (I saw the musical so I know what I'm talking about) in a very sick and twisted sort of way. It was simply funny and light hearted.
This movie poked fun at just about everything in the book. Nothing was spared. Not Christianity, not different racial stereotypes, and certainly not the gay community. But none of it was handled in a fashion to be hateful or humiliating. In my opinion, all the jabs were meant to get people to see that there shouldn't be the divisions that there are and when people get separated, they leave themselves open to ridicule and criticism. Rather if we all came together and put aside the divisions and stereotypes, then perhaps we could all see the humor in remarks and jabs like the ones made in this movie.
As for the political statement: it's true, you know. This country (as are many others) is always looking for something or someone else to blame for all the "troubles." We as a nation are hypersensitive to every little thing and just about everything is taboo. From swearing to being able to purchase certain adult oriented "toys," a person can't do anything in this country without being censored or "forbidden" to. It's sad when a state's laws or a person's hysteria keeps people from their constitutional right of free speech and the like. And this is what this movie was trying to point out. I agree with the person who is his review of this movie wrote, "They're just words" about the swearing in the movie. And that's all they are.
I give this movie a 10 for its humor, its musical numbers and its obvious statements. I think that everyone (who has an open mind) should go see this movie...and then go again and take someone who doesn't have an open mind so that it can be opened by the hilarious things said and done in this movie.
In the quiet little town of South Park Stan, Kyle, Cartman and Kenny bride a tramp to sneak them into an R screening of the new Terrance & Phillip movie. They emerge foul mouthed and with attitude as a result of the movie and, while repeating a stunt in the film, Kenny is killed and sent to Hell. Kyle's mother leads a movement against the Canadian comedians that results in their arrest and sentencing to death. Meanwhile in Hell, Satan and his lover Saddam Hussain prepare for the killing of Terrance & Phillip the sign of the coming of the new time where Satan will rise again to rule the earth. Can Stan, Kyle, Cartman and Kenny save the comedians, stop the censorship movement that blames society for bad behaviour and prevent Satan and Saddam from destroying the world?
I suspect those that hate this movie are generally those who hate the TV show, where those who liked it may not be those who watch the show. I'm a fan of the show but I not such a fan that I blind to the lack of consistency at times in the show some episodes are dumb and lack wit, trading on swear words and forced jokes. However I fell in love with this movie from my first time seeing it. The film is funny in the same sort of silly juvenile way that the series is. It has the same strange sense of humour witness Conan O'Brien having a `Judas' moment and throwing himself to his death!
However on top on this it is imaginative. How many other crude films would do it as a musical. I'm not saying that this makes it more worthy than gross out comedies like American Pie etc, but it is cleverer. The musical element adds to the film and helps it's stretched running time. The songs are all catchy and are better than some of Lloyd-Webber's stuff! They are choreographed well and just feel funnier due to the situation and the lyrics! For example Satan's song `Up there' is excellent but hilarious because of who's singing it and the sentiments he's expressing!
The irony of the film is not lost. The accusations levelled at the South Park Movie are those that the mothers in the film level at Terrance & Phillip. The story actually answers it's own critics while telling the story! It's not perfect and it does go a bit over the top and maybe begins to think that it is cleverer than it actually is.
The voice work is as excellent as always and Parker and Stone carry this the whole way home. Guest stars add some interest but really all I need is Cartman et al and I'm set!
Overall I am a South park fan and I really enjoyed this. Not just because of the elements of the show that are reproduced here but also how clever it feels (even if it isn't always as smart as it wants to be). This isn't a cheap TV spin off into a movie this is a film that is imaginative and funny. Haters of the show will hate this but this may win you over if you thought the TV show was juvenile and a waste of time.
I suspect those that hate this movie are generally those who hate the TV show, where those who liked it may not be those who watch the show. I'm a fan of the show but I not such a fan that I blind to the lack of consistency at times in the show some episodes are dumb and lack wit, trading on swear words and forced jokes. However I fell in love with this movie from my first time seeing it. The film is funny in the same sort of silly juvenile way that the series is. It has the same strange sense of humour witness Conan O'Brien having a `Judas' moment and throwing himself to his death!
However on top on this it is imaginative. How many other crude films would do it as a musical. I'm not saying that this makes it more worthy than gross out comedies like American Pie etc, but it is cleverer. The musical element adds to the film and helps it's stretched running time. The songs are all catchy and are better than some of Lloyd-Webber's stuff! They are choreographed well and just feel funnier due to the situation and the lyrics! For example Satan's song `Up there' is excellent but hilarious because of who's singing it and the sentiments he's expressing!
The irony of the film is not lost. The accusations levelled at the South Park Movie are those that the mothers in the film level at Terrance & Phillip. The story actually answers it's own critics while telling the story! It's not perfect and it does go a bit over the top and maybe begins to think that it is cleverer than it actually is.
The voice work is as excellent as always and Parker and Stone carry this the whole way home. Guest stars add some interest but really all I need is Cartman et al and I'm set!
Overall I am a South park fan and I really enjoyed this. Not just because of the elements of the show that are reproduced here but also how clever it feels (even if it isn't always as smart as it wants to be). This isn't a cheap TV spin off into a movie this is a film that is imaginative and funny. Haters of the show will hate this but this may win you over if you thought the TV show was juvenile and a waste of time.
Você sabia?
- CuriosidadesTrey Parker, Matt Stone, and fans in general often joked that a majority of the people who saw this movie were under 17, but got into the R rated movie by buying tickets to the PG-13 rated Will Smith flop: As Loucas Aventuras de James West (1999). The urban legend became so popular in 1999 that it would be spoofed in an episode of South Park (1997).
- Erros de gravaçãoIn the song "It's Easy, Mmmkay", Mr. Mackey tells the children "With bitch drop the t 'cause 'bich' is Latin for generosity". Actually, there's no such word as 'bich' in the Latin language (the most common translation of generosity is 'magnanimitas').
- Citações
Mr. Garrison: ...I'm Sorry Wendy, but I don't trust anything that bleeds for five days and doesn't die.
- Cenas durante ou pós-créditosSaddam Hussein ... himself
- Versões alternativasThe non-US/Canada versions of the film are distributed by Warner Bros. Pictures and replace the Paramount logo with the WB logo. This ruins the gag as the mountain in the Paramount logo morphs into a hill in South Park.
- ConexõesFeatured in Siskel & Ebert & the Movies: That's Not All, Folks! (1999)
- Trilhas sonorasMountain Town
by Trey Parker and Marc Shaiman
Performed by Trey Parker (as Stan Marsh / Eric Cartman), Matt Stone (as Kenny McCormick / Kyle Broflovski) and Mary Kay Bergman (as Sharon Marsh / Sheila Broflovski)
Produced by Trey Parker, Matt Stone and Marc Shaiman
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- South Park: Más grande, más larga y sin censura
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 21.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 52.037.603
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.335.889
- 4 de jul. de 1999
- Faturamento bruto mundial
- US$ 83.137.864
- Tempo de duração1 hora 21 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the Japanese language plot outline for South Park: Maior, Melhor e Sem Cortes (1999)?
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