AVALIAÇÃO DA IMDb
5,6/10
40
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaFive people are gathered in a cafe because of a phone call they have all received. The plot thickens when they discover a dead body in a bedroom upstairs.Five people are gathered in a cafe because of a phone call they have all received. The plot thickens when they discover a dead body in a bedroom upstairs.Five people are gathered in a cafe because of a phone call they have all received. The plot thickens when they discover a dead body in a bedroom upstairs.
- Direção
- Roteiristas
- Artistas
Marcel Dalio
- Édouard Mutter, l'antiquaire
- (as Dalio)
Jean Brochard
- Le commissaire
- (não creditado)
Léonce Corne
- M. Poivre, le patron de Béatrix
- (não creditado)
Yves Deniaud
- Le bonimenteur
- (não creditado)
Georges Malkine
- Un gangster
- (não creditado)
Henri Vilbert
- Un agent de police
- (não creditado)
Avaliações em destaque
Five people are gathered in a cafe ,because of a phone call they have all received.The plot thickens when they discover a dead body in a bedroom upstairs.The five people all become suspects .Oddly,they make friends and take a walk at the fair where an attraction shows "the biggest crimes in history" .And two of them get married.
And the movie gets lost.The plot becomes meandering involving blackmail,gangsters and melodrama.Except for a rather breathtaking ending ,in the grand tradition of film noir,the story is too confused to be interesting.And the title (="the midnight tradition" ) remains a mystery to me.
And the movie gets lost.The plot becomes meandering involving blackmail,gangsters and melodrama.Except for a rather breathtaking ending ,in the grand tradition of film noir,the story is too confused to be interesting.And the title (="the midnight tradition" ) remains a mystery to me.
Before Brigitte Bardot there was Martine Carol and before her was Viviane Romance. Her sex appeal was obviously less overt than her two successors in keeping with her era but the camera absolutely adored her and she was to excel as a femme fatale in 'Belle Equipe' and 'Panique'.
In this film of Roger Richebe she is in the full bloom of her beauty and appearing opposite her husband at the time, Georges Flamant.
It is difficult to categorise this film as it is not really Noir and as a Murder Mystery it does not exactly have you on the edge of your seat but it is nonetheless wonderfully watchable. The tempo is 'lento' throughout which allows the characters to 'breathe' and they are extremely well-drawn.
Flamant and Romance are just two of a number of witnesses/suspects in a murder case and joining them are two of the best and best-loved character actors in the business, Marcel Dalio and Pierre Larquey. Both enjoyed long careers, Larquey continuing to work throughout the Occupation and Israeli-born Dalio leaving France so as to escape what would surely have been a grisly fate. The fifth suspect is played by Marcel Peres, very much a 'type' who had a phenomenal number of credits on both large and small screen.
The literate script is based upon the novel by Pierre MacOrlan and Richebe's direction is as polished as ever. The ending certainly packs an unexpected punch!
By not coming to this piece with too many expectations I found myself very pleasantly surprised and would not hesitate to recommend it.
Você sabia?
- Trilhas sonorasJ'ai du Printemps plein mon Coeur
Music by Jean Lenoir
Lyrics by Jean Lenoir and René Jolivet
Performed by Viviane Romance
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Tempo de duração1 hora 42 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was À Uma da Madrugada (1939) officially released in Canada in English?
Responda