Vendetta: Escravos do Ódio

Vendetta is a tough film to watch without feeling sadness and outrage, but such is the stuff that HBO churns out, honest pieces of history that sting you with their refusal to honey coat or gloss over the nasty details (I'm looking at you, History Channel). This one takes place in 1890 New York City, a time of mass Irish and Italian immigration which spurred a ton of unrest among those already settled and raised in that area. Everyone is fighting tooth and nail for a piece of the pie and a chance to feed their families, and the ones with a bunch of pie just greedily want more. The influx of Italians is a cause for insidious worry for James Houston (Christopher Walken), an obscenely wealthy and deeply corrupt piece of schit. He's joined by equally nasty William Parkinson (Luke Askew), and Mayor Joe Shakespeare (Kenneth Welsh), as the trio cook up an evil scheme to implicate a few young Italian men in the mysterious death of a sympathetic and kindly Irish police chief (Clancy Brown). This sets in motion a tragic outbreak of riots and and angry acts of violence against the Italians. Even their union representitive Joseph Macheca (Joaquim De Almeida) cannot bring peace or stop what Walken and team have started. You may think why make a film of this, as it heads straight for the bleakest of resolutions, but I think it's important to shine a light on even the darkest patches of history, in order to understand the levels of deception and human cruelty so that we may see it coming before it's too late next time around. This was a terrible, terrible event and the film hits you square in the face with it's blunt truth and unwavering honesty. Kudos to HBO fpr taking it on. Watch for the late Edward Herrmann and Bruce Davison as rival lawyers in the chaos.

Although it has one of the more depressing endings ever filmed (and I normally don't like that kind of thing), I was unable to stop watching it. The story, no doubt simplified for the screen, was engaging and has me interested in seeking out Gambino's book to get the broader picture as well as the facts. :) Christopher Walken's accent was a tad iffy, but he wasn't the main attraction of the film. The collection of players were extremely well-balanced so that everyone had a chance to do their stuff and be memorable and they were! Darragh O'Malley as the Irish investigator was a pleasure to see after the days of Sharpe's Rifles and Joaquim de Almeida likewise captured interest with his diginified performance. Bruce Davison and Edward Herrmann as the warring attornies were also solid and interesting. I completely enjoyed this film.

9/10

This was a fairly interesting historical drama, but the portrayals were so black and white that the story seemed improbable to me. I suspect the true story is a bit more "gray" than the movie suggests. Our politically correct society allows these one sided views only when the "white anglo saxon protestant" male is the villain.

African Americans were not the only group lynched in the US. In the 1890s, there were six lynchings of Italians, three of them in Louisiana. This is the story of one such lynching in New Orleans.

After the emancipation in 1865, the power in New Orleans imported Sicilians to replace the African American. After a time, they came to regret this decision, as the Italian population grew to about 30,000 by 1890. They, particularly James Huston (Christopher Walken), set about trying to play the two factions of Sicilians (the Machecas and the Provenzanos) against each other.

It should be noted that politically correct terminology is not used for the two races.

Since the Sheriff (Andrew Connolly) wouldn't go along with the Mayor (Kenneth Welsh) and the other leaders, he was disposed of. Another policeman (Luke Askew) reported that "dagos" did it and riots ensued. Six men were pointed out by a "witness" that was intimidated by the police.

A "trial" was held, but the results weren't what the town expected, so they took matters into their own hands, stirred up by the Mayor with threats by Huston that it will be done "with you or without you." Of course, many more were murdered in the real event that took place, but this is a movie.

Huston got what he wanted.

This film is based on a real story of a century ago that probably is not in any of the New Orleans tourist brochures. Thirty thousand Italians were brought into New Orleans between the end of the Civil War and 1890 as a source of cheap labor to work on the docks and in the farm produce market. There is real money to be made and some of the most powerful men in the city resent the wealth of two Italians who have given their countrymen an incentive to be very productive. The police chief who won't go along with a takeover plot hatched by the mayor and the men who have put the mayor in power is assassinated. A group of Italians who are in the wrong place at the wrong time and the two wealthy Italian businessmen are framed. After the courtroom drama, there is an even more dramatic finale.