Hangman's Wharf

If you're not too fussed, the movie looks dated, the acting is terrible & the love story incredulous, but it does have the entertainment value of a GP with a '0 patients' practice, who becomes the main suspect in a murder case.

Please read other reviews for plot etc. In short, it's a Hitchcockian type thriller.

I did enjoy this, and here are my reasons. The shooting is all done outside (to save studio costs), it is a grainy film with shadows doing the best acting and there is a scratchy sound track. The dialogue probably took less time then I did to write this review, and it has a plot that became lost halfway through the film, and has to be explained in the wrap up. The plot still has more holes than Swiss cheese, and the film must have been knocked out by the studio in "no time" at all. What's not to like here? My type of "bad" movie.

It's a slow burner thriller that fortunately takes off and doesn't hang about. A good job really as 90 minutes of this would be too much to bear.

If you want nostalgia, then this is for you, although there is nothing cool here. If there is any chance a sub standard B movie is your worst nightmare, then stay away.

I did find it entertaining myself, but couldn't watch these type of movies more than a few times a year. I gave a 7 score, but wouldn't argue if others gave it a 5 or less.

I'm inserting reviews for films that currently lack one, this deserved rarity, not yet got 5 votes, has recently been shown on UK satellite channel Talking Pictures, where I saw it, so should become better known, note their 'restored' print is about 56 min' so is missing some 16 min' (ajusting for different cinema / TV frame rates) of the original, review.... 'Flimsy plot involving a doctor framed for murder and a female journalist, together they attempt to sort out what's happening, not helped by an average cast, and below average plot that's full of holes, but (in this version) it's short, and though mostly studio bound, there are a few interesting exteriors, some dockyard scenes, the Albert Memorial, and a West coast fishing village, watchable if you like old British films, otherwise avoid.'

Based on a radio serial, hence all the talk in this amiably inept E. J. Fancey quickie for which ample use of authentic locations and night-for-photography, an attractive and capable heroine in Genine Graham and a poised villainess in Patricia Laffan go some way to atoning for John Witty's spectacularly feeble attempt at a Scots accent.

But not much.

This has the typical British b movie feel about it, I can imagine it being shown secondary to some marvellous thriller.

The story starts off with a lot of intrigue, but sadly as it starts to build, it does genuinely lose all focus, leaving you as a viewer wondering how on Earth that boat vanished, and just how on Earth those gunmen managed not to spot the ingenious hiding place of their intended victims, neither was none too bright.

It's very short, short enough for you not to get bored and wander off to do the dishes, I did like the chemistry between Galloway and Alison, she pulls some amusing faces, sadly not as funny as her Patrician interpretation of an Inverness accent.

Despite my few criticisms I did rather enjoy it, it filled a wet February afternoon. 6/10