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IMDbPro

Divide and Conquer

  • 1943
  • Not Rated
  • 57 min
AVALIAÇÃO DA IMDb
7,2/10
880
SUA AVALIAÇÃO
Divide and Conquer (1943)
DocumentárioGuerraHistória

Adicionar um enredo no seu idiomaThe World War II US Government account of the European theatre of the war from after the English and French entry to the fall of France.The World War II US Government account of the European theatre of the war from after the English and French entry to the fall of France.The World War II US Government account of the European theatre of the war from after the English and French entry to the fall of France.

  • Direção
    • Frank Capra
    • Anatole Litvak
  • Roteirista
    • Julius J. Epstein
  • Artistas
    • General Bergeret
    • Karl Brandt
    • Winston Churchill
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    880
    SUA AVALIAÇÃO
    • Direção
      • Frank Capra
      • Anatole Litvak
    • Roteirista
      • Julius J. Epstein
    • Artistas
      • General Bergeret
      • Karl Brandt
      • Winston Churchill
    • 6Avaliações de usuários
    • 1Avaliação da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Fotos2

    Ver pôster
    Ver pôster

    Elenco principal37

    Editar
    General Bergeret
    • Self - in Railway Carriage with Huntziger
    • (cenas de arquivo)
    • (não creditado)
    Karl Brandt
    Karl Brandt
    • Self (with jubilant Hitler, to his right)
    • (cenas de arquivo)
    • (não creditado)
    Winston Churchill
    Winston Churchill
    • Self - with de Gaulle and Giraud
    • (cenas de arquivo)
    • (não creditado)
    Warren J. Clear
    • Narrator
    • (narração)
    • (não creditado)
    Walter Darré
    • Self - Speech
    • (cenas de arquivo)
    • (não creditado)
    Charles de Gaulle
    Charles de Gaulle
    • Self - with Churchill and FDR
    • (cenas de arquivo)
    • (não creditado)
    Otto Dietrich
    • Self - Speech
    • (cenas de arquivo)
    • (não creditado)
    John Dillinger
    John Dillinger
    • Self - Gangster, Alive and Dead
    • (cenas de arquivo)
    • (não creditado)
    Ferdinand Foch
    • Self - in WWI
    • (cenas de arquivo)
    • (não creditado)
    Hans Frank
    Hans Frank
    • Self - Speech
    • (cenas de arquivo)
    • (não creditado)
    Henri Giraud
    • Self - Handshake with de Gaulle
    • (cenas de arquivo)
    • (não creditado)
    Joseph Goebbels
    Joseph Goebbels
    • Self - Speech
    • (cenas de arquivo)
    • (não creditado)
    Rudolf Hess
    Rudolf Hess
    • Self - Hitler Is Germany Speech
    • (cenas de arquivo)
    • (não creditado)
    Walter Hewel
    • Self (with jubilant Hitler, to his right)
    • (cenas de arquivo)
    • (não creditado)
    Konstantin Hierl
    • Self - Speech
    • (cenas de arquivo)
    • (não creditado)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (cenas de arquivo)
    • (não creditado)
    Charles Huntziger
    • Self - in Railway Carriage for French Surrender
    • (cenas de arquivo)
    • (não creditado)
    Alfred Jodl
    Alfred Jodl
    • Self - Looks at Map with Hitler
    • (cenas de arquivo)
    • (não creditado)
    • Direção
      • Frank Capra
      • Anatole Litvak
    • Roteirista
      • Julius J. Epstein
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários6

    7,2880
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    8st-shot

    Hitler Blitzkrieg marches to the sea.

    In the third installment of why we fight Hitler's army blitzkriegs through the Ardennes and routs allied forces. More criticism of the European response to rising Fascism is covered as fifth columnists (Quisling, Laval etc.) plot from within (even the US has local German Bunds) to soften the opposition and France capitulates when the Nazis circumnavigate the Marginot Line and enter Paris.

    Try as it might in this propaganda effort to show a united front against Fascism, Why We Fight has to enlist the glory of France past invoking Marshall Foch's dictum J'attaque while it downplays its reticence in this conflict that could lead to the decimation of the vulnerable Allied force at Dunkirk. Taking the free French Army to North Africa Charles DeGaulle becomes the face of France while Marshall Petain oversees Vichy and allies with the Nazis.

    There's more Fuhrer prevaricating ( what a perfect poster boy for propaganda ) as he invades Holland, Belgium and Norway in preparation for the invasion of Great Britain. The charts and maps displaying his well executed plan to overrun the lowlands of western Europe are both sobering and disturbing as the Germans well oiled war machine looks unstoppable.

    For its time Divide and Conquer does an excellent job of explaining and presenting the war and the high stakes involved in clear and concise terms. There is no avoiding the bleakness of the situation but like all the series entries it ends on a note of hope and resolve, in this case provided by the incredible courage of non-combatants ferrying the retreating Allied Army across the English Channel to safety where they would live to fight another day.
    4F Gwynplaine MacIntyre

    Not much historic value.

    It's hard to believe that Americans needed any propaganda in the Second World War to encourage them to support the fight against Nazism. However, up until Pearl Harbour, this was the case. Many Americans took an isolationist attitude, believing that events in Europe were none of their business. Some German-Americans and others formed Bund Societies, actively supporting the Nazi cause! Of course, all this changed on 7 December 1941...

    'Divide and Conquer' is rather pale propaganda, intended to stir up American support for the fight against Hitler. While the cause is admirable, this is weak stuff. We see newsreel footage of Hitler making radio speeches in German, calmly assuring Denmark and Holland that they have nothing to fear from Germany. Then we see footage of German ships and tanks invading those nations.

    Walter Huston, as the primary narrator, commendably avoids histrionics, but unfortunately reads his lines from a script which requires him to editorialise, telling us how evil and untrustworthy Hitler is. The events ought to speak for themselves. At one point, we are treated to a brief and utterly gratuitous snip of footage depicting bank-robber John Dillinger glowering at the camera, so that Huston can compare Dillinger to Hitler. That's a bad choice: in the 1940s, many Americans considered the late Dillinger a sort of folk hero.

    The most interesting parts of this film are the clips of German battle footage, apparently captured by Allied forces. We also see footage of 'undesirables' in occupied France being loaded into tumbrels by their Nazi captors and driven hell-knows-where. What makes this footage powerful is the fact that we see the same faces in more than one shot, forcing us to realise that each of these faces is a specific human being with a real history and a past ... though perhaps not much future.

    There are some extremely crude animation sequences, depicting arrows moving across Europe to indicate the Nazi advance. These animations were made very inexpensively, and look it, but perhaps that's a point in their favour. The Nazis spent a huge amount of money on 'Kolberg', a ridiculous propaganda film which required them to divert forces and materiel from the western and eastern fronts. By spending so very little money on 'Divide and Conquer', perhaps the U.S. government was able to spend a bit more on feeding the troops who had to win the war. Bless you all, band of brothers.

    'Divide and Conquer' has very little to offer as cinema, and even less to offer as history: if you want to learn about the Second World War, this film is not remotely one of the best places to start. This film has outlived its usefulness ... but only because the Good Guys won that war: a victory which may have happened partially because of the G.I.s depicted in this film. God bless America, but I'm being generous when I rate this dull documentary. Just 4 out of 10, then.
    Michael_Elliott

    WW2 Capra

    Divide and Conquer (1943)

    *** (out of 4)

    Frank Capra directed this propaganda film about how Germany struck against the French and brought the country down to nothing more than slaves of Hitler. Out of the three "Why We Fight" films from Capra I'd say I enjoyed this one the most. The generic animated sequences showing Hitler's battle plans might not look the greatest but the information they show makes it easy to see why Germany was such a strong force. Walter Huston narrates.

    All of the Capra WW2 films are worth watching as are the John Ford directed ones.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This film is in the public domain; it was never registered or renewed.
    • Erros de gravação
      Some of the film of the invasion of Norway show Italian bombers attacking British ships. The Italian Air Force was not involved in the invasion of Norway.
    • Citações

      Narrator: So before striking with his armies, he used another weapon. The propaganda barrage, to confuse, to make them lose faith... to divide and conquer. To lull the fears of the little neutrals, propaganda minister Goebbels told them:... Germany didn't want a war at all. It was Britain and France that caused all the trouble.

    • Conexões
      Edited into Tingen, Edderkoppen 2: Bivirkninger (2013)

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    Detalhes

    Editar
    • Data de lançamento
      • 1943 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Why We Fight, 3
    • Empresa de produção
      • U.S. War Department
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 57 min
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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