- Prêmios
- 5 vitórias e 13 indicações no total
Avaliações em destaque
As a person who enjoys good movies, as well as reading and writing, I loved this film, and would see it again. Some may accuse it of being formulaic, but I feel that there is just enough unexpected-ness in it to keep the audience interested. I would hope that the apparent similarities to the director, Gus Van Sant's earlier work, Good Will Hunting, do not dissuade anyone from seeing the film. Any similarities are unimportant and do not take away from the fact that this is a good movie which stands alone as a deep film with an good plot. The script is very well written and all of the dialog appears real and natural. It is a thought provoking drama, but it is not depressing or sappy, as all too many dramas are. At the same time, it does not give the impression of simply being a feel-good movie. Also, although there are several humorous lines in the movie, they do not rely on cheap puns or slap stick humor.
William Forester once wrote a Pulitzer Prize winning book, but now is a recluse, hiding from his fame, who never leaves his book-filled apartment in the Bronx, but spends his time reading and bird watching, as well as watching the teenagers of the neighborhood play basketball in the park outside his window. Jamal Wallace is one of these teenagers. He hides his love of reading, and his brilliant writing skills, and chooses instead to gain the acceptance of his peers through his skill at basketball. A prep school has offered Jamal a scholarship because of his high test scores, and their need to win a basketball championship. The two characters meet, and Forester becomes a sort of teacher/mentor, but both learn many things from each other. Symbolism is important in this film, and it makes many good points about people, how we relate to each other, and how we deal with the difficulties of life.
The movie stays away from any violence and sex. It is rated PG-13 because of brief strong language and sexual references, but even these are few, and not over done, using only what is necessary to create real characters and setting -- a refreshing difference from many films that are now being made. The message of the film is good and moral, but it was wonderful to see a serious film staring a young black person that does not hit you over the head with messages of racial tolerance.
One of the surprises in the film is the great soundtrack. It is mostly Jazz songs from Miles Davis and others, which seems well suited to the mood of the movie and to the setting, another well done part of the film. The final song, a medley of "Somewhere Over the Rainbow" and "What a Wonderful World" is great. I was happy that this movie had refused to do what many recent movies have done in capitalizing on a soundtrack and trying to use or create hit pop songs in a movie. It also stays away from sappy and unnecessary orchestra music that is often used to try to create emotion in the audience. This movie does not need to resort to tricks like this in order to make you feel for the characters. Another happy surprise is a cameo from Matt Damon.
The acting is wonderful, particularly from the experienced Sean Connery, playing the title character, and from newcomer Robert Brown, as Jamal. Even the more minor parts in the film, such as Jamal's older brother, played by Busta Rhymes, and Jamal's friends and teachers are well-acted. Anna Paquin is well suited for her role as Claire, a rich girl from the prep school that Jamal transfers to. The two seem to make a connection, but a romantic subplot is not pursued very far in the film. I found this a refreshing change, and one of the factors that kept the movie from being too predictable, as well as much more realistic. Real life romances do not usually happen the way they often do in films. A disappointment was the character played by F. Murray Abraham. Although well acted, there is a complete lack of character development, and the teacher-that-gives-the-brilliant-student-a-hard-time stereotype is hard to ignore. Despite this one shortcoming, this is an excellent film.
As the film ended and the credits began to roll, I noticed that no one in the theater got up to leave, as is usually the case in theaters. The audience remained seated until the credits and music had finished, and the lights came back on. It is just that kind of a movie. I would defiantly recommend it to anyone wishing to see a mature and thought-provoking film that is entertaining and enjoyable to watch, and will leave you feeling inspired.
William Forester once wrote a Pulitzer Prize winning book, but now is a recluse, hiding from his fame, who never leaves his book-filled apartment in the Bronx, but spends his time reading and bird watching, as well as watching the teenagers of the neighborhood play basketball in the park outside his window. Jamal Wallace is one of these teenagers. He hides his love of reading, and his brilliant writing skills, and chooses instead to gain the acceptance of his peers through his skill at basketball. A prep school has offered Jamal a scholarship because of his high test scores, and their need to win a basketball championship. The two characters meet, and Forester becomes a sort of teacher/mentor, but both learn many things from each other. Symbolism is important in this film, and it makes many good points about people, how we relate to each other, and how we deal with the difficulties of life.
The movie stays away from any violence and sex. It is rated PG-13 because of brief strong language and sexual references, but even these are few, and not over done, using only what is necessary to create real characters and setting -- a refreshing difference from many films that are now being made. The message of the film is good and moral, but it was wonderful to see a serious film staring a young black person that does not hit you over the head with messages of racial tolerance.
One of the surprises in the film is the great soundtrack. It is mostly Jazz songs from Miles Davis and others, which seems well suited to the mood of the movie and to the setting, another well done part of the film. The final song, a medley of "Somewhere Over the Rainbow" and "What a Wonderful World" is great. I was happy that this movie had refused to do what many recent movies have done in capitalizing on a soundtrack and trying to use or create hit pop songs in a movie. It also stays away from sappy and unnecessary orchestra music that is often used to try to create emotion in the audience. This movie does not need to resort to tricks like this in order to make you feel for the characters. Another happy surprise is a cameo from Matt Damon.
The acting is wonderful, particularly from the experienced Sean Connery, playing the title character, and from newcomer Robert Brown, as Jamal. Even the more minor parts in the film, such as Jamal's older brother, played by Busta Rhymes, and Jamal's friends and teachers are well-acted. Anna Paquin is well suited for her role as Claire, a rich girl from the prep school that Jamal transfers to. The two seem to make a connection, but a romantic subplot is not pursued very far in the film. I found this a refreshing change, and one of the factors that kept the movie from being too predictable, as well as much more realistic. Real life romances do not usually happen the way they often do in films. A disappointment was the character played by F. Murray Abraham. Although well acted, there is a complete lack of character development, and the teacher-that-gives-the-brilliant-student-a-hard-time stereotype is hard to ignore. Despite this one shortcoming, this is an excellent film.
As the film ended and the credits began to roll, I noticed that no one in the theater got up to leave, as is usually the case in theaters. The audience remained seated until the credits and music had finished, and the lights came back on. It is just that kind of a movie. I would defiantly recommend it to anyone wishing to see a mature and thought-provoking film that is entertaining and enjoyable to watch, and will leave you feeling inspired.
I'd heard a little about this movie before and entered into watching it merely expecting to see another of Sean Connery's typical Connery performances. Don't get me wrong, there's nothing wrong with that, he is a very good actor, but he always plays himself. Other than that, I had no inclination what the story was about so there was surprise from the outset seeing that the movie was starring Busta Rhymes and was set in the Bronx.
How surprised I was as this gentle and perfectly paced tale brings together two people who share a common love for writing, one is a faded writer who once had success, and the other is a new talent who faces so many obstacles in his path to let his talent shine.
There are similarities to other films such as Dead Poets Society, but what captures the viewer and their imagination is the restraint and the simplicity. There are no great acts or contrived emotionally charged plot twists, this is real and it's character driven. You believe in the characters, the acting is so natural and understated you are easily drawn into the movie and the characters lives, and it's hard to break free. Choices and actions are small, compassionate, and you can relate them to real life.
The relationship between Forrester (Connery) and Jamal (Rob Brown) is superbly played with Brown holding back perfectly until the scene where his restraint fails, and Connery giving one of the most emotive and complex performances I have ever seen. His performance is simply stunning and totally off of the Connery mould. Watching his face as he struggles with demons long past was extraordinary.
Overall the story is very well written, and doesn't fail to pull you along with the emotional journey and yet never hit the twee button. You can feel the passion that Connery has for writing, and see the complexity of emotions as he wants to help the boy but gets pulled back by hidden problems. Problems which slowly reveal themselves and get shared and dealt with in the most natural of ways, again never falling foul of an emotion overload.
It's warm, uplifting and an inspiring story and I recommend it to anyone. I really can't be vocal enough about the stunning performance by Connery, and the matching performance by Brown. Even Rhymes shows that he has talent.
How surprised I was as this gentle and perfectly paced tale brings together two people who share a common love for writing, one is a faded writer who once had success, and the other is a new talent who faces so many obstacles in his path to let his talent shine.
There are similarities to other films such as Dead Poets Society, but what captures the viewer and their imagination is the restraint and the simplicity. There are no great acts or contrived emotionally charged plot twists, this is real and it's character driven. You believe in the characters, the acting is so natural and understated you are easily drawn into the movie and the characters lives, and it's hard to break free. Choices and actions are small, compassionate, and you can relate them to real life.
The relationship between Forrester (Connery) and Jamal (Rob Brown) is superbly played with Brown holding back perfectly until the scene where his restraint fails, and Connery giving one of the most emotive and complex performances I have ever seen. His performance is simply stunning and totally off of the Connery mould. Watching his face as he struggles with demons long past was extraordinary.
Overall the story is very well written, and doesn't fail to pull you along with the emotional journey and yet never hit the twee button. You can feel the passion that Connery has for writing, and see the complexity of emotions as he wants to help the boy but gets pulled back by hidden problems. Problems which slowly reveal themselves and get shared and dealt with in the most natural of ways, again never falling foul of an emotion overload.
It's warm, uplifting and an inspiring story and I recommend it to anyone. I really can't be vocal enough about the stunning performance by Connery, and the matching performance by Brown. Even Rhymes shows that he has talent.
This is not the movie I'm used to watching, and I didn't know what to expect. The amazing story that resulted is definitely one I'll be watching again. And again. And again. I laughed when I should've laughed, and I was intrigued when it was intriguing. This movie will probably be considered a classic in the future because of how special and inspiring it is. I'm proud that I got the chance to watch this movie and I'm excited for the next time I do.
Continuing my plan to watch every Sean Connery movie in order, I come to the penultimate movie in his filmography Finding Forrester (2000)
Plot In A Paragraph: A young writing protégé (Rob Brown), finds help with a reclusive author (Connery)
The last REALLY good movie Connery made. It's a wonderful performance that was surprisingly snubbed come awards season. Rob Brown gives a really good performance, even more so when you consider it was his debut. F Murray Abraham is his usual great self!! Perfectly annoying!! Matt Damon pops up in a cameo as a lawyer too.
It has a few pacing issues, a few unnecessary scenes and it's quite poorly lit at times too!! But those are minor gripes, and I for one love this movie. It would make my Top 100 of the decade. This is the movie I wished Connery ended his filmography on. But like with Clint Eastwood, he went one more after a great movie. Although Eastwood's last movie was not the disaster that Connery's was.
Finding Forrester grossed $51 million st the domestic box office, to end 2000 as the 50th highest grossing movie of the year.
Plot In A Paragraph: A young writing protégé (Rob Brown), finds help with a reclusive author (Connery)
The last REALLY good movie Connery made. It's a wonderful performance that was surprisingly snubbed come awards season. Rob Brown gives a really good performance, even more so when you consider it was his debut. F Murray Abraham is his usual great self!! Perfectly annoying!! Matt Damon pops up in a cameo as a lawyer too.
It has a few pacing issues, a few unnecessary scenes and it's quite poorly lit at times too!! But those are minor gripes, and I for one love this movie. It would make my Top 100 of the decade. This is the movie I wished Connery ended his filmography on. But like with Clint Eastwood, he went one more after a great movie. Although Eastwood's last movie was not the disaster that Connery's was.
Finding Forrester grossed $51 million st the domestic box office, to end 2000 as the 50th highest grossing movie of the year.
September 2004.... While walking through the aisles of Blockbuster in search of films my wife and I may have missed through the years, we stumbled on "Finding Forrester". I had a slight recollection of a recommendation from a friend some time ago. In a nutshell, we really enjoyed this film. Both main characters are charming and convincing. The story makes you think and is clever. If you liked "Good Will Hunting" you will probably like this movie too, since it has a similar flavor to it. Though the film is 4 years old, the story is timeless and worth watching. Enjoy, Jimmy
Você sabia?
- CuriosidadesRob Brown got the role after initially auditioning as an extra. Brown had no aspirations of being an actor, and was only hoping to make some money to pay his $300 cell phone bill. But director Gus Van Sant invited him to audition for the role of Jamal, and liked his natural ability.
- Erros de gravaçãoAt one point in the film Jamal mentions to Claire that, "It was Stamford... At the bar in London... He was the one who introduced Watson to Holmes", alluding to the Sherlock Holmes novels and stories. However, it wasn't at a bar in London where Stamford introduced Watson to Holmes but at a hospital's chemical laboratory near the bar.
- Cenas durante ou pós-créditosJamal and friends play basketball through the end credits, viewed from the window of Forrester's apartment.
- ConexõesEdited from Q & A - Sem Lei, Sem Justiça (1990)
- Trilhas sonorasVerse Flow
Written and Performed by Jimmy Bobbitt
Principais escolhas
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- How long is Finding Forrester?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Descubriendo a Forrester
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 43.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.804.714
- Fim de semana de estreia nos EUA e Canadá
- US$ 701.207
- 25 de dez. de 2000
- Faturamento bruto mundial
- US$ 80.049.764
- Tempo de duração2 horas 16 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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What was the official certification given to Encontrando Forrester (2000) in Japan?
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