Uma secretária extravagante de um escritório de advocacia trabalha incansavelmente para obter justiça para uma pequena cidade destruída pela poluição de uma empresa de serviços públicos.Uma secretária extravagante de um escritório de advocacia trabalha incansavelmente para obter justiça para uma pequena cidade destruída pela poluição de uma empresa de serviços públicos.Uma secretária extravagante de um escritório de advocacia trabalha incansavelmente para obter justiça para uma pequena cidade destruída pela poluição de uma empresa de serviços públicos.
- Ganhou 1 Oscar
- 33 vitórias e 59 indicações no total
- Katie
- (as Gemmenne De la Peña)
Avaliações em destaque
Roberts and Finney are both in fine form here, making the characters sympathetic and believable. The supporting cast is not as strong - none of the other characters in the film seem entirely filled-out - but that's a minor quibble.
There is a bit of a tone of moral righteousness here. After all, it is the story of a nobody going up against Big Business, not to mention the obstacles facing a single mother in the working world. But it's not overdone, and the film succeeds in getting you to root for the underdog, an always popular pastime.
"Erin Brockovich" stars Julia Roberts in the title role in a film based on the true story of a twice-married mother of three who is desperate to find a way to make a living and provide for her family. After a failed attempt at suing for damages after a car accident, Brockovich turns to her lawyer, Ed Masry (Albert Finney), for a job doing anything she can at his law firm. Reluctantly he accepts and soon Brockovich finds herself uncovering a potentially huge case.
Roberts had to have been a no-questions-asked best actress winner after this performance. As Brockovich she is incredible playing multiple roles as the loving mother, the driven working-woman, the troubled lover, everything. The mood swings are effortless for her. Perhaps the best element of her performance is that she comes across as glaringly flawed, even if she is quite likable. Her lines are killer and delivered with command. Though some of her rants are over the top, they're really clever nonetheless.
Finney's character is much the same way. He is really enjoyable to watch and gives a great performance even though his character never gets truly dramatic.
This is just a great screenplay by Susannah Grant. It's almost completely devoid of melodrama and yet it tackles so many real life issues. Brockovich's struggle to balance her work with her family brings up an issue that can connect with anyone, although the feminist tones of the film obviously won't connect as strongly with men. Director Steven Soderbergh feels very distant from the film. Every so often a shot or sequence will be artistic, but he allows the story to tell itself for the most part.
"Erin Brockovich" is better than the average feel-good story. When there's little melodrama and great acting, a feel-good story becomes a great movie. Sports films based on true stories are feel-good stories, but they don't get nominated for best picture. While it may all seem too good to be true and the positive seems to trump the negative more times than it ought to, the film still feels very real and one that no one should miss.
Julia Roberts Through the Years
Julia Roberts Through the Years
Você sabia?
- CuriosidadesThe real Erin Brockovich-Ellis claimed that the movie was 98-99% accurate.
- Erros de gravação(at around 23 mins) After the kids are playing what appears to be the card game War with George, the children get up, and the son says "Good night, Aaron", when referring to George. Aaron is the actor's name, Aaron Eckhart.
- Citações
Kurt Potter: Wha... how did you do this?
Erin Brockovich: Well, um, seeing as how I have no brains or legal expertise, and Ed here was losing all faith in the system, am I right?
Ed Masry: Oh, yeah, completely. No faith, no faith...
Erin Brockovich: I just went out there and performed sexual favors. Six hundred and thirty-four blow jobs in five days... I'm really quite tired.
- Cenas durante ou pós-créditosThe settlement awarded to the plaintiffs in the case of Hinkley vs. PG&E was the largest in a direct-action lawsuit in United States history.
- Versões alternativasIn the television version aired on NBC, it mutes the several uses of the f-word [usually changing it from f*cking to freaking, or sometimes even cutting out the line[s] of dialogue]. It also, to supposedly make up for lost time during editing, adds a scene not shown on the theatrical or home video version of the film [although this was added as a deleted scene in the Blu-ray]: Erin goes out to her car after storming into the office and shouting at Ed. She feels still feels very sick and then faints. It lands her in the hospital where George comes to visit [explaining why George would come and take care of Erin's kids while she went to get the signatures]. Ed also comes to visit and pleads her to not make stunts like she did again. Erin apologizes and says she's coming to the town meeting, sick or not.
- ConexõesEdited into Erin Brockovich: Deleted Scenes (2000)
- Trilhas sonorasRedemption Day
Written & Performed by Sheryl Crow
Courtesy of A&M Records
Under license from Universal Music Enterprises
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Erin Brockovich, una mujer audaz
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 52.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 125.595.205
- Fim de semana de estreia nos EUA e Canadá
- US$ 28.138.465
- 19 de mar. de 2000
- Faturamento bruto mundial
- US$ 257.851.763
- Tempo de duração
- 2 h 11 min(131 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1