As Damas de Hollywood

Of the four female icons in the cast of These Old Broads only one so far at least has chosen this to be her last film. It could and should be the coda for the careers of Shirley MacLaine, Debbie Reynolds, Joan Collins, and Elizabeth Taylor.

The first three play aging film stars who co-starred in a musical that has become a cult item and has just had a smash hit re-release. What better than a nice television special reuniting the three.

Only problem is that they all can't stand each other. It's going to take someone of the skills of a Mideast peace negotiator to bring them all together. The catalyst might be Jonathan Silverman who is MacLaine's estranged, adopted son. Of course it turns out to be their agent, Elizabeth Taylor who deals from a financial point of view.

MacLaine, Collins, and Reynolds must have really been great sports about this female version of The Sunshine Boys. All the roles that Reynolds daughter Carrie Fisher wrote were such dead-on satires of each one of them. The three look like they're having a great old time spoofing themselves, it's positively infectious for the audience.

Of course the real highlight is at the beginning when Reynolds goes to see Taylor about the reunion. Today's audience cannot possibly appreciate all the innuendo because they weren't around in the Fifties when the Elizabeth Taylor-Eddie Fisher-Debbie Reynolds triangle was the number one news story in the nation. President Eisenhower was having trouble getting as much ink as the most famous movie love triangle ever. And that was only until the Richard Burton-Elizabeth Taylor-Eddie Fisher triangle topped that one.

You could never have imagined over 40 years later seeing Taylor and Reynolds on the screen together. Older, wiser, and sadder, they definitely came to a meeting of the minds about Eddie Fisher.

Collins and MacLaine don't lack for good material either, all of them are just fabulous. These Old Broads is an old stargazer's dream.

The four divas all looked great. Would of liked to of seen more of Elizabeth Taylor. When Debbie and Elizabeth was talking to each other about the past, it was hilarious! Eddie Fisher got his just dues. Some of the storyline was a little corny. But it was great to see all of them again.

I had been looking forward to this film ever since I first heard about Carrie Fisher's script. Unfortunately, the TV movie didn't live up to my expectations. It was great to see these legendary ladies working together, but the results were not as I had hoped. I don't know if it was the script or the directing, but most of the jokes fell flat. I know that Carrie Fisher had as hard a time getting the film made as the characters had in getting their reunion special aired. Studios wouldn't put up the money because they didn't think that it would be worth it. If the film was given the right director it could have been as witty and wicked as the 1939 classic "The Women" (Joan Crawford, Norma Shearer, Rosalind Russell, Joan Fontaine, Mary Boland).

I believe that the Joan Collins role was originally intended for Lauren Bacall. When Bacall passed the role was offered to Julie Andrews, who also turned it down. I think that Tony Curtis was supposed to play the gangster lover and June Allyson was supposed to play the mother of the Joan Collins character. I can't help to wonder if all of these bail-outs had anything to do with the poor quality that was ultimately produced?

It wasn't all bad, though. There were some really funny moments. I enjoyed the camp factor of Debbie and Joan's performance in the gay club. These bigger-than-life legendary stars are practically drag queens, anyway. The gay subplot was pointless, however, without having been developed properly. Carrie Fisher did toss in some great zingers and one-liners.

I'd definitely watch this movie again some day, but I'll always be haunted by the thoughts of "what might have been"...

The "Old Broads" were playing themselves of course (or at least their public image) and a fabulous sendup it is. I thought it all hilarious and cheers to the ladies for their sense of humor. Maybe Liz was rather much with her obviously phony Brooklyn accent but it fit in with the camp sensibility.

I can't imagine why anyone finds the scene in the gay bar objectionable since it's no more "real" than the rest of the movie and fits in with the plot IMHO.

It's not Shakespeare but who cares?

January 20, 2017: In view of the events surrounding the recent day-apart deaths of Carrie Fisher and her mother Debbie Reynolds, I think it's time to put out a deluxe DVD reissue of this TV movie.

I stumbled upon the 2001 movie "These Old Broads" by random chance in 2022, and seeing that the movie had such an impressive cast list, of course I had to sit down and watch it. And honestly, then I hadn't even ever heard about this movie from writers Carrie Fisher and Elaine Pope prior to watching it.

And I will say that "These Old Broads", from director Matthew Diamond, was actually a rather enjoyable movie. Its storyline was pretty straight forward and somewhat on the upbeat side. So yeah, "These Old Broads" was a rather uplifting and positive movie that will put you in a good mood.

It should be said that the cast ensemble in "These Old Broads" was amazing. The fact that they had these impressive talents from yester year together was just downright impressive. I mean, with the likes of Shirley MacLaine, Debbie Reynolds, Joan Collins and Elizabeth Taylor then you really have an ensemble of the greatest of movie divas ever to grace the screen. And the movie also had the likes of Jonathan Silverman, Nestor Carbonell, Peter Graves and Pat Crawford Brown on the cast list. So there is a lot of talents here. And it was fun to see Carrie Fisher show up, even if just for a mere ten seconds or so.

I was genuinely entertained by "These Old Broads" and I found it to be a nice surprise of a movie. If you haven't already seen "These Old Broads", then you certainly should do so if you get the chance.

My rating of "These Old Broads" lands on a six out of ten stars.