AVALIAÇÃO DA IMDb
7,1/10
10 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaNew Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.New Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.New Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.
- Prêmios
- 1 vitória e 2 indicações no total
Stephen Gevedon
- Frenchman
- (as Steve Gevodan)
Avaliações em destaque
Vincent D'Onofrio and Marisa Tomei are fantastic as this couple that are in love. Things are going great until Ruby (tomei) discovers that Sam (D'Onofrio) claims to be from the future. GREAT, just what she needs. It seems that she has tended to go for the "loser" type guys, and then tried fix them all of her adult life. She is in therapy for this. She is struggling to NOT fall for a guy with "issues" yet Sam is the best thing that's ever happened to her. I don't know if this can really be classified as strictly comedy. Yes, there are lots of funny things that happen, and funny dialog, but the drama is more intriguing. MUCH better than the big box office romantic comedies that are out there.
We happened across "Happy Accidents" by happy accident: there was nothing worth watching on any other channel and the description of the movie on IFC was enough for us to give it a go.
We made the right choice.
This is a sweet little romantic comedy. I had never heard of it before through the mass media; perhaps that's because nothing gets blown up in the movie, no guns are drawn, and only a few punches are thrown. Instead, Marisa Tomei and Vincent D'Onofrio mostly interact with each other (as aided and abetted by Tomei's therapist and girl-friends). (Nowadays, does that make it a "chick-flick"?)
One cautionary note: If you've seen "K-Pax", you may feel "Happy Accidents" is a bit derivative, almost like a trip back into the past, but hang in there. If you're a fan of either Tomei or D'Onofrio (probably most famous for his role as "the bug" from "Men in Black"), or even if you're just looking for a pleasant way to pass an hour and fifty minutes, catch this the next time it comes around on cable/satellite -- you won't be disappointed.
We made the right choice.
This is a sweet little romantic comedy. I had never heard of it before through the mass media; perhaps that's because nothing gets blown up in the movie, no guns are drawn, and only a few punches are thrown. Instead, Marisa Tomei and Vincent D'Onofrio mostly interact with each other (as aided and abetted by Tomei's therapist and girl-friends). (Nowadays, does that make it a "chick-flick"?)
One cautionary note: If you've seen "K-Pax", you may feel "Happy Accidents" is a bit derivative, almost like a trip back into the past, but hang in there. If you're a fan of either Tomei or D'Onofrio (probably most famous for his role as "the bug" from "Men in Black"), or even if you're just looking for a pleasant way to pass an hour and fifty minutes, catch this the next time it comes around on cable/satellite -- you won't be disappointed.
10apspr
WOW!!
I had heard good things about this film, had liked Session 9 a lot, and will watch anything with d'Onofrio. Even so, this film completely blew me away.
It's science-fiction for adults, who prefer ideas and emotions to explosions and goofy makeup.
It's romantic dramedy at its best, with two memorable characters portrayed by highly skilled and REAL actors. In fact both Tomei and d'Onofrio are close to perfect in these roles.
It's a premise that continues to develop over the entire span of the film, never becoming predictable or plot-driven.
It offers striking supporting performances from Holland Taylor and Jose Zuniga, and a flat-out GREAT scene with Tovah Feldshuh that's driven by subtle and moving screenwriting.
It offers memorable and witty cameos from Mike McGlone and Anthony ("just call me Michael") Hall. And you gotta love the conceit of a guy who fantasizes about being A.M. Hall during sex!
From the opening shot to the end, it offers countless felicities of mise-en-scene, camera movement, framing, and editing, courtesy of Brad Anderson.
And there's a final shot that manages to be both very subtle and emotionally complex, while still seeming completely inevitable.
I even liked the loose ends that were never wrapped up!
SEE THIS FILM!
I had heard good things about this film, had liked Session 9 a lot, and will watch anything with d'Onofrio. Even so, this film completely blew me away.
It's science-fiction for adults, who prefer ideas and emotions to explosions and goofy makeup.
It's romantic dramedy at its best, with two memorable characters portrayed by highly skilled and REAL actors. In fact both Tomei and d'Onofrio are close to perfect in these roles.
It's a premise that continues to develop over the entire span of the film, never becoming predictable or plot-driven.
It offers striking supporting performances from Holland Taylor and Jose Zuniga, and a flat-out GREAT scene with Tovah Feldshuh that's driven by subtle and moving screenwriting.
It offers memorable and witty cameos from Mike McGlone and Anthony ("just call me Michael") Hall. And you gotta love the conceit of a guy who fantasizes about being A.M. Hall during sex!
From the opening shot to the end, it offers countless felicities of mise-en-scene, camera movement, framing, and editing, courtesy of Brad Anderson.
And there's a final shot that manages to be both very subtle and emotionally complex, while still seeming completely inevitable.
I even liked the loose ends that were never wrapped up!
SEE THIS FILM!
8ilmr
Don't rent this film if you are the kind of movie watcher/goer who doesn't like to have their brain engaged. (i.e. you only want car chases, explosions, bouncing boobies and bathroom humor.) You will be very disappointed.
I adored this movie and will purchase it as soon as I can get my hands on a copy. Why do I adore it? A few reasons.
First, it is not your run-of-the-mill story. The time travel concept is handled in a very interesting way. The "back story," the photograph, the "father's" phone number -- all keep you wondering as they do Ruby (Tomei's character). Too, I appreciated the way the viewer is never quite sure (until the end -- and I won't give it away) if Sam (D'Onofrio's character) is really telling the "truth" or really is mentally/physically ill. I had a roommate for seven years who was bi-polar and borderline psychotic. It was scary how true this movie was in terms of what happens to the people who are dealing with (at least supposedly) mentally ill individuals. The writing and Tomei's acting portrayed the enabling, co-dependant thing perfectly and how these types of relationship can spiral into dangerous places.
Secondly, I liked the fact that the whole movie (except for a few brief shots at the beach and the ending) was filmed with a hand held camera. It gave it an almost documentary-like feel. I think the intimacy of the hand held kept the viewer's focus on the characters, rather like sitting in the room and looking back and forth between them. It also underscored their emotions, thereby grounding us in their reality. It just sucks you in. Because of this I never got a sense that this movie was trying to be a SciFi flick, and I don't think it was intended to be. The jerkiness of the hand held also was a reminder, subtle or not, of the shakey ground these characters were treading both separately and together.
Third and last. D'Onofrio's performance. Outstanding. Man, he continually blows me away! His Sam had to be completely gentle and innocent on one hand, but very threatening and creepy on the other. Sam was so engaging and sweet at first but towards the middle of the film, while retaining those qualities, I was really beginning to wonder if he was a physical threat to Ruby. A fine edge to walk as an actor. And all the future and time theory babble was handled with apparent ease. I believed him. D'Onofrio has the ability to just melt into a character's skin, to completely transform himself. He gives it all.
(On that note, there have been many in these reviews who say he usually plays evil characters and are surprised by this performance. He has done a few bad guys, but it is his other roles I love best. If you enjoy his work PLEASE check out - if you have not done so already - The Whole Wide World, Household Saints, Steal This Movie, and Good Luck. All good movies made GREAT by his performances. In my opinion he's one of the best out there and very under-rated.)
The only thing I didn't like in the film was the score. It just didn't work for me.I felt it was intrusive and much too jarring. It seems like a misguided afterthought. For me, if I notice the score over the performances or it interrupts my ability to follow the story, it isn't doing it's job well.
I adored this movie and will purchase it as soon as I can get my hands on a copy. Why do I adore it? A few reasons.
First, it is not your run-of-the-mill story. The time travel concept is handled in a very interesting way. The "back story," the photograph, the "father's" phone number -- all keep you wondering as they do Ruby (Tomei's character). Too, I appreciated the way the viewer is never quite sure (until the end -- and I won't give it away) if Sam (D'Onofrio's character) is really telling the "truth" or really is mentally/physically ill. I had a roommate for seven years who was bi-polar and borderline psychotic. It was scary how true this movie was in terms of what happens to the people who are dealing with (at least supposedly) mentally ill individuals. The writing and Tomei's acting portrayed the enabling, co-dependant thing perfectly and how these types of relationship can spiral into dangerous places.
Secondly, I liked the fact that the whole movie (except for a few brief shots at the beach and the ending) was filmed with a hand held camera. It gave it an almost documentary-like feel. I think the intimacy of the hand held kept the viewer's focus on the characters, rather like sitting in the room and looking back and forth between them. It also underscored their emotions, thereby grounding us in their reality. It just sucks you in. Because of this I never got a sense that this movie was trying to be a SciFi flick, and I don't think it was intended to be. The jerkiness of the hand held also was a reminder, subtle or not, of the shakey ground these characters were treading both separately and together.
Third and last. D'Onofrio's performance. Outstanding. Man, he continually blows me away! His Sam had to be completely gentle and innocent on one hand, but very threatening and creepy on the other. Sam was so engaging and sweet at first but towards the middle of the film, while retaining those qualities, I was really beginning to wonder if he was a physical threat to Ruby. A fine edge to walk as an actor. And all the future and time theory babble was handled with apparent ease. I believed him. D'Onofrio has the ability to just melt into a character's skin, to completely transform himself. He gives it all.
(On that note, there have been many in these reviews who say he usually plays evil characters and are surprised by this performance. He has done a few bad guys, but it is his other roles I love best. If you enjoy his work PLEASE check out - if you have not done so already - The Whole Wide World, Household Saints, Steal This Movie, and Good Luck. All good movies made GREAT by his performances. In my opinion he's one of the best out there and very under-rated.)
The only thing I didn't like in the film was the score. It just didn't work for me.I felt it was intrusive and much too jarring. It seems like a misguided afterthought. For me, if I notice the score over the performances or it interrupts my ability to follow the story, it isn't doing it's job well.
10retst2
The only reason I selected this movie as a rental was because Vincent D'onofrio was on the cover. I am a committed VDO fan and was not disappointed with this selection. This romantic comedy plays out beautifully on the screen and the element of time travel is handled with a refreshing spin of originality.
Both Tomei and D'onofrio provide captivating performances the range of emotions they both convey make their chemistry on screen very pleasant to watch and their characters very believable.
I also found the score to be an interesting touch that adds a light air of wonderment and mystery in just the right spots. My favorite spots were the flute solo in the beginning after Sam (D'onofrio) meets Ruby (Tomei) outside her apartment, it adds a feeling of innocence to a situation that ordinarily would not be described as such. The second is at the end when they meet at the intersection of Chrystie and Delancy after the much anticipated "moment" passes.
Please rent this movie and discover your own reasons for falling in love with it. You will soon find yourselves committed to adding it as a permanent addition to you DVD library!!
Both Tomei and D'onofrio provide captivating performances the range of emotions they both convey make their chemistry on screen very pleasant to watch and their characters very believable.
I also found the score to be an interesting touch that adds a light air of wonderment and mystery in just the right spots. My favorite spots were the flute solo in the beginning after Sam (D'onofrio) meets Ruby (Tomei) outside her apartment, it adds a feeling of innocence to a situation that ordinarily would not be described as such. The second is at the end when they meet at the intersection of Chrystie and Delancy after the much anticipated "moment" passes.
Please rent this movie and discover your own reasons for falling in love with it. You will soon find yourselves committed to adding it as a permanent addition to you DVD library!!
Você sabia?
- CuriosidadesOn the UK DVD cover released in 2007, the blurb on the back features a review quote which reads, "Wow! Outstanding! Completely blew me away". The credit given for the quote is "IMDb".
- Erros de gravaçãoMrs. Weaver says her husband quit drinking on Tuesday, 15 October 1988. In fact, that date was a Saturday.
- Trilhas sonorasDefect 4: Emeré
Written by Tom Zé and José Miguel Wisnik
Performed by Tom Zé
Courtesy of Luaka Bop/Virgin
Principais escolhas
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- How long is Happy Accidents?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 688.523
- Faturamento bruto mundial
- US$ 688.523
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Feliz Coincidência (2000) officially released in India in English?
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