Corpo Fechado

A massive train crash outside Philadelphia kills 132 passengers and leaves only one survivor. The survivor, security guard David Dunn walks away completely unhurt from the accident. Some time later he is contacted by comic book collector Elijah Price who believes that comic books are merely exaggerated versions of truth and that some people are created weak like him while some are created strong in order to protect the weak. David develops his talents with the support of Price and his son Joseph and, despite his cynicism, starts to try to use his powers to help people on need.

The 6th sense was always going to be a hard show to follow up but Shyamalan has managed to make a film that is almost as clever, emotive, thoughtful and slow. It even manages to end with a twist that is almost as good as sixth sense's was. The story moves quite slowly, almost painfully at times, however I found this succeeded in making the film feel more thoughtful and less glamorous. The director even shots the train crash in a very low key manner, as if to make the point that the film isn't about cheap spectacle or visual thrills. Instead we follow David as he finds his abilities and gradually accepts them, all this side is fascinating although some of the side stories are a little dragged out. The twist is only the icing on the cake and if you're into the characters the way I was then it is really impacting. One bit of advice - don't think about it or try to work it out. Thinking about the twist will stop you enjoying the main story and will spoil the film for yourself.

Willis is excellent - he doesn't set the world on fire, but he does a very low-key performance as a common man confronted with so much potential responsibility. He doesn't ham it up but you know that there's things going on inside his head that reflect on his face. Jackson is also really good - he maybe plays it a little too weird and should have been a bit more of a geek rather than an uptight art dealer sort. Willis and Jackson should keep making films together from now on, cause even there worst collaboration so far has still been good - Pulp Fiction, Unbreakable, Die Hard With a Vengeance - it seems to be a winning partnership (Loaded Weapon 1 doesn't count as Willis is only in it for 5 seconds!). A surprise addition to the cast is Eamonn Walker as Dr Mathison, it's a small role but he is a fine actor and deserves to be seen in big films (check him out in HBO's Oz for a real show of his abilities).

Overall it's very slow and may frustrate some people, but if you got the 6th sense then you'll probably get this. The story is moving and thoughtful and the final scene is merely the icing on a very fine cake.

It seems this movie has taken a bit of heat, known by many as Shyamalan's "worst" film. It is often written off as slow moving, and the twist at the end as unoriginal and boring. I've heard people say the acting and camera work was awkward and stale and that the casting was poor. Ironically enough, as more people begin to dislike this movie, the more I seem to fall in love with it. This film has a lot of personal bearing with me, both as a student of psychology and a lover of movies and just plain art. I feel like I've taken this film under my wing during its times of criticism, and now I'd like to try and show everyone what exactly I love about it so much.

Shyamalan really showed a stroke of brilliance by getting Serra to be his cinematographer and to play around with the aestetics of the film. I don't know how or where Shyamalan is getting these guys for his movies, but I definitely love the style of each frame he shells out. Serra had been involved with predominately foreign films before Unbreakable. This was his first big American film, and I think you gotta give a little credit to Shyamalan for that. His unique and creative touch really added to the direction. In keeping with the "comic book" theme of the movie, you will notice that almost every shot is taken as if you are looking through or in between something. Like the squares of a comic strip. There is also a dark, slightly blue colored filter used throughout most of the film. This gives the movie a very bold, but eerie tone. Showing that the world can be a rough and scary place, but it can also be fought and overcome. It is evident that time and effort went into every shot. It may not slap many viewers in the face as brilliant, but it really strikes a chord with me.

As for the score, I am more than willing to argue that this is, hands down, James Newton Howard's best score of his very successful career. It is compelling and booming. It's very powerful, but not over-the-top and excessive. For anyone with the soundtrack, check out 'The Orange Man' and 'Visions'. These are two of the most powerful pieces of any film score around. And I stress the word "powerful". Yeah, he's no Hermann or Morricone, but the emotional weight and emotive power of his chords and his overall composition are just downright chilling.

The writing and the direction are just as captivating as the score. Almost every line of dialogue and every scene seems to be placed out on an island, alone so that everyone can stop and judge it. Some people might view this as cocky and/or boring direction, but I see it as daring and unique. Much of Shyamalan's writing is done that way. ('…I see dead people…' '...They call me Mr. Glass…' etc. etc.) Another aspect of the film that tickles my fancy is the underlying themes. I do believe, to a certain extent, that people do have somewhat supernatural powers at times. People have been known to make miracles and do unbelievable things. Maybe these things could be 'developed' in some way. These theories are, in a way, intertwined with some aspects of psychology, such as selective attention and self-actualization. If you care to discuss some of these ideas, let me know and I will relate them to the film through my eyes. In short, I do believe there is a superhero in everyone. It may not be through supernatural powers, but it may simply be through the act of reaching out to a person in need. Other themes of the movie, like how completely different people can always be connected in some way and how everyone has their vulnerabilities and weaknesses are intriguing, yet universal. From a psychological point of view, Shyamalan really gets inside the head of OI patients (osteogenesis imperfecta). He then brings this psyche to the next level with Jackson's character. Elijah, is very passionate but very tortured and evil. His interactions with Willis bring depth and focus to both the characters and the story. Certain scenes in the movie are really quite striking and powerful. The shots of Willis in his security poncho. The train station scene. Elijah's breathtaking fall on the stairs and many more speak so loudly to me and say so much in just a simple clip. For some reason this movie just speaks to me, like art. If anyone cares to discuss more about this film, that'd be cool. There is a lotta other cool stuff to talk about with this movie. Just thinking about it makes me want to watch it a few more times. It may not be the feel good film of the year, or the masterpiece that everyone was looking for, but it definitely sits well with me.

This is a much better film than I ever thought it would be, and intrigues me every time I watch it. Samuel L. Jackson's role is what mainly inspires me to watch this multiple times. His character is amazing and just leaves me shaking my head.

This is a pretty low-key movie with the other star, Bruce Willis, playing an extremely subdued role for him, almost too subdued. There are times in here when you keep waiting for him to say something, and he says nothing. Half the time he's barely audible.

But he and Jackson play off each other well, and this is very suspenseful film, even if a lot doesn't happen. To explain the story would almost ruin it, because it's preposterous. I'll just call an interesting fantasy-horror film with a little family story tied in with Willis' wife (Robin Wright) and young boy (Spencer Treat Clark).

"Unbreakable" is beautifully filmed, has very little profanity in it, and a strange, strange story with a great twist at the end....one of the best I've ever seen in a movie. This movie is done by the same man who did "The Sixth Sense," M. Night Shyamalan, so if you enjoyed that you probably would like this, too.....although it's so different I wouldn't want to predict who would like this film and who wouldn't. If you're open to try something different, give it a look.

For me, The Sixth Sense is M Night Shyamalan's best film, but Unbreakable comes very, very close. Maybe it is not a movie for everybody, due to some parts dragging and rambling on just a tad, but it is a thoughtful, moving and compelling film.

It is a very well made film with beautiful, brooding cinematography and striking scenery. Unbreakable also features my personal favourite James Newton Howard score for any of his collaborations with Shyamalan, it is so gorgeous and subtle. Even with the odd draggy moment, Unbreakable does have a very enthralling story that resonated with me a lot. Like The Sixth Sense, it deals with the supernatural genre but takes it to a thought-provoking and surreal level.

The pace is measured, and for the most part it works. The script is thoughtfully written as well, the characters are interesting(I don't think Willis has had a more involving character than the one he has here) and Shyamalan's confidence and assurance further adds to the many impressive things about Unbreakable. Bruce Willis and Samuel L.Jackson are both fantastic, and one wonders why they didn't do more together.

Some have been dismissive of the ending, I actually thought it was fine, though I was underwhelmed by it on my first viewing a few years back. I did say before that The Sixth Sense's ending was the only one of a Shyamalan film that worked, after re-watching Unbreakable I take that back. I still think though the others were either needlessly melodramatic(Signs), laughable(The Village) or both(The Happening). All in all, a great film and one of Shyamalan's better ones. 9/10 Bethany Cox

The final plot twist in "The Sixth Sense" made me wonder whether its director could repeat such a stunt, in "Unbreakable". Force us to follow the path he wants us to take, by telling his story, slowly, subtly leading us. Make us start to believe we know what will happen next, make us love the characters, then make us *want* things to happen next. Yes, tonight when seeing "Unbreakable", all that happens, again. And then, exactly like in "The Sixth Sense", he pulls the carpet right from under us, in the final seconds of the movie takes away everything, every expectation, he first gave us. Many people will be so disappointed by this that they will end up hating the movie. So did I, for about five minutes. Now I know the movie will make me think, literally move my thoughts, for a long time after tonight. I want to see it again, right now. Brilliant, brilliant, brilliant. Hollywood has a new master storyteller. His name is Manoj Night Shyamalan.