AVALIAÇÃO DA IMDb
6,8/10
56 mil
SUA AVALIAÇÃO
Duas irmãs obcecadas pela morte, párias em seu bairro suburbano, devem lidar com as trágicas consequências quando uma delas é mordida por um lobisomem mortal.Duas irmãs obcecadas pela morte, párias em seu bairro suburbano, devem lidar com as trágicas consequências quando uma delas é mordida por um lobisomem mortal.Duas irmãs obcecadas pela morte, párias em seu bairro suburbano, devem lidar com as trágicas consequências quando uma delas é mordida por um lobisomem mortal.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 10 vitórias e 9 indicações no total
Pak-Kwong Ho
- Janitor
- (as Pak-Kong Ho)
Avaliações em destaque
Somehow I had missed catching up with this almost "underground" flick although I had it mentally logged as one to check-out. (sorry, check 'oat'....it's Canadian) Addressed that problem yesterday when I picked up the dvd from a $5.95 bargain bin!
I'll keep it simple. This is, if not the best horror film I have ever seen...pretty damn close to it! It is the ONLY horror film that has ever "touched me" emotionally and that it achieved this is quite extraordinary. As a werewolf film it is simply outstanding - blows digitised crap like UNDERWORLD out of the water. The very budgetary constraints of the film HELPED ultimately - the director having to rely on old-fashioned "acting" to hold up viewer credibility. Although Isabelle is the "Ginger" of the title and she is soo damned good, it is Perkins as Brigitte that commands respect for her effort.
The Fitzgerald sisters with their fascination for 'staged horror' find themselves very much on the outer in the school social hierarchy. It is not until Ginger is bitten by a werewolf, in what is undoubtedly the most graphic and realistic lycanthropic savaging ever filmed...that they are forced even further into social isolation. What neither the sisters OR the film ever lose sight of however is their sisterly bond, itself consummated by a blood-pact at childhood.
There is nothing predictable or unoriginal about this film, from the script to the camera angles, right up to the heartfelt tragedy itself of Ginger's condition. And that is why this film leaves most other horror films in its wake - it is multi-dimensional with strong characterizations. Mimi Rogers even, in a smallish part as the girls' mother is spot on hitting the exact right note as a frustrated mother and increasingly unfulfilled wife.
The film weaves brilliantly the coming-of-age pains with the physical transformation brought on by the lycanthropic condition. Marvellous imagery of menstrual blood at critical moments.
Mention should also be made of Kris Lemche's role as Sam, the school druggie and the only friend they have, not that Ginger is interested. Somewhat Christian Slaterish in mannerisms, he contributes strongly to the film's success.
Superbly handled conclusion with both excellent werewolf effects and the saddest of photographic recollections....nothing one would expect to see in formula horror flicks devoted to this subject matter. The very last scene is both moving and inspired.
Obviously I am not alone in this perception. The film carries one of the highest rankings for its genre. I would personally nudge it up to a 7.5 but thats neither here nor there.
Why it received such limited theatrical release worldwide I cannot begin to imagine, but the production teams behind SCREAM, I KNOW WHAT YOU DID...., CABIN FEVER, TCM, DOG SOLDIERS and myriad other clones, should take a long hard look at this and find out HOW to make (and stage) a horror film with pretty much no money!
I would have considered that $19.95 for the dvd was money well spent!
I'll keep it simple. This is, if not the best horror film I have ever seen...pretty damn close to it! It is the ONLY horror film that has ever "touched me" emotionally and that it achieved this is quite extraordinary. As a werewolf film it is simply outstanding - blows digitised crap like UNDERWORLD out of the water. The very budgetary constraints of the film HELPED ultimately - the director having to rely on old-fashioned "acting" to hold up viewer credibility. Although Isabelle is the "Ginger" of the title and she is soo damned good, it is Perkins as Brigitte that commands respect for her effort.
The Fitzgerald sisters with their fascination for 'staged horror' find themselves very much on the outer in the school social hierarchy. It is not until Ginger is bitten by a werewolf, in what is undoubtedly the most graphic and realistic lycanthropic savaging ever filmed...that they are forced even further into social isolation. What neither the sisters OR the film ever lose sight of however is their sisterly bond, itself consummated by a blood-pact at childhood.
There is nothing predictable or unoriginal about this film, from the script to the camera angles, right up to the heartfelt tragedy itself of Ginger's condition. And that is why this film leaves most other horror films in its wake - it is multi-dimensional with strong characterizations. Mimi Rogers even, in a smallish part as the girls' mother is spot on hitting the exact right note as a frustrated mother and increasingly unfulfilled wife.
The film weaves brilliantly the coming-of-age pains with the physical transformation brought on by the lycanthropic condition. Marvellous imagery of menstrual blood at critical moments.
Mention should also be made of Kris Lemche's role as Sam, the school druggie and the only friend they have, not that Ginger is interested. Somewhat Christian Slaterish in mannerisms, he contributes strongly to the film's success.
Superbly handled conclusion with both excellent werewolf effects and the saddest of photographic recollections....nothing one would expect to see in formula horror flicks devoted to this subject matter. The very last scene is both moving and inspired.
Obviously I am not alone in this perception. The film carries one of the highest rankings for its genre. I would personally nudge it up to a 7.5 but thats neither here nor there.
Why it received such limited theatrical release worldwide I cannot begin to imagine, but the production teams behind SCREAM, I KNOW WHAT YOU DID...., CABIN FEVER, TCM, DOG SOLDIERS and myriad other clones, should take a long hard look at this and find out HOW to make (and stage) a horror film with pretty much no money!
I would have considered that $19.95 for the dvd was money well spent!
Sisters Ginger and Brigitte are walking through the park when Ginger is attacked by some sort of wolf that leaves her badly cut before they get away. With Ginger on her period already she is upset about the various changes happening to her body but it is apparent to Brigitte that the changes occurring to Ginger are more sinister and she tries to find a solution.
Despite the fact that the title is far too clever and silly for the film it announces this is actually a very strong teen horror. In the midst of the usual teen slasher movies, this film stands out as one that doesn't fall into the usual clichés (either accidentally or knowingly) and just concentrates on being a good film. The script cleverly uses the changes of teenage years and the changes of the werewolf as one and it works very well on the whole. Ginger's change is gradual and well done by the script.
The film is gory but not in a bloodlust type way where teens are bumped off in gory ways for audience amusement. Here the film builds gradually with blood a constant thing but not in a sensationalist way. When the film comes to a close, it does well to not be diminishing by the sight of the wolf itself - often the hint of the creature is better than the actual effects, both work here. The cast are good on the whole. Of course the support cast do play the usual teen stereotypes but, unlike other of this genre, they are not just fodder. The best playing comes from Isabelle and Perkins- the former especially giving a really good performance that makes the script alive.
Overall this was a very pleasant surprise - a good teen horror movie. It may lack the clichés of it's peers, and maybe that is why it is not as well known as the others, but it is a great little film and, if you need any further evidence of it's calibre - the ending is one of taste and restraint, words not often associated with teenage slasher movies.
Despite the fact that the title is far too clever and silly for the film it announces this is actually a very strong teen horror. In the midst of the usual teen slasher movies, this film stands out as one that doesn't fall into the usual clichés (either accidentally or knowingly) and just concentrates on being a good film. The script cleverly uses the changes of teenage years and the changes of the werewolf as one and it works very well on the whole. Ginger's change is gradual and well done by the script.
The film is gory but not in a bloodlust type way where teens are bumped off in gory ways for audience amusement. Here the film builds gradually with blood a constant thing but not in a sensationalist way. When the film comes to a close, it does well to not be diminishing by the sight of the wolf itself - often the hint of the creature is better than the actual effects, both work here. The cast are good on the whole. Of course the support cast do play the usual teen stereotypes but, unlike other of this genre, they are not just fodder. The best playing comes from Isabelle and Perkins- the former especially giving a really good performance that makes the script alive.
Overall this was a very pleasant surprise - a good teen horror movie. It may lack the clichés of it's peers, and maybe that is why it is not as well known as the others, but it is a great little film and, if you need any further evidence of it's calibre - the ending is one of taste and restraint, words not often associated with teenage slasher movies.
Ah... it does my heart good to see that the first decent werewolf movie since "An American Werewolf in London" came from independent roots. The fact that it came from Canada is even more refreshing. Do horror movies have to be made outside the US to be intelligent? Look at the current trend of remaking all the Japanese and Korean horror movies. Look at Danny Boyle's "28 Days Later" from the UK. Look also at the immensely talented Guillermo Del Toro and the fact that his best movies (Cronos and Devil's Backbone) are both essentially foreign films. Maybe there's a trend there. Maybe Americans don't know how to make original horror movies anymore. I certainly hope not. But regardless, this is a worthy contribution to the werewolf genre, and fits nicely with "American Werewolf in London" and "The Howling" - despite the rather shoddy FX by hackmasters KNB, the story managed to rise above its budgetary constraints. Definitely worth a watch for fans of werewolf films who are looking for something a little better than "Bad Moon" or "Silver Bullet".
Ginger Snaps is a low budget Canadian horror film that also has a subtext of growing up and puberty.
Bridgette (Emily Perkins) and Ginger (Katharine Isabelle) are two sisters who are very close and have fascination about death. They stage and photograph death scenes and regarded as weird at High School where they are regarded as outcasts and suffer from bullying. Ginger is one year older than Bridgette and is starting her period rather late.
Ginger gets attacked by a werewolf very close to her first period and her body undergoes changes. Hair, mood swings, pains, bleeding, sexualisation and a tail. You see the parallels to growing up and becoming a werewolf. Heck there is even a 28 day cycle!
Of course as the blood lust takes effect Ginger gets more savage and starts to kill. This is after the guys at High School find her hot and appealing which means she has no trouble attracting victims. Its left to Bridgette and high school drug dealer Sam to find a cure for lycanthropy and save Ginger.
There is nothing much original about a werewolf film. Writer Karen Walton has given this film a feminist twist and a lot of it is due to the bond between the two sisters and Bridgette wanting to save Ginger out of that love.
Director John Fawcett goes for a more realistic portrayal of High School life and more honest representation of family relationships when children hit adolescent. Mimi Rogers plays the mother and although the father does not speak a lot when he does his remarks are rather waspish.
The film suffers slightly from its low budget and it could been tighter. I think the climax loses its way a bit and should had been better presented.
Its a rare combination of intellectual horror and dark comedy which works to an extent but never quiet pulls it off successfully.
Bridgette (Emily Perkins) and Ginger (Katharine Isabelle) are two sisters who are very close and have fascination about death. They stage and photograph death scenes and regarded as weird at High School where they are regarded as outcasts and suffer from bullying. Ginger is one year older than Bridgette and is starting her period rather late.
Ginger gets attacked by a werewolf very close to her first period and her body undergoes changes. Hair, mood swings, pains, bleeding, sexualisation and a tail. You see the parallels to growing up and becoming a werewolf. Heck there is even a 28 day cycle!
Of course as the blood lust takes effect Ginger gets more savage and starts to kill. This is after the guys at High School find her hot and appealing which means she has no trouble attracting victims. Its left to Bridgette and high school drug dealer Sam to find a cure for lycanthropy and save Ginger.
There is nothing much original about a werewolf film. Writer Karen Walton has given this film a feminist twist and a lot of it is due to the bond between the two sisters and Bridgette wanting to save Ginger out of that love.
Director John Fawcett goes for a more realistic portrayal of High School life and more honest representation of family relationships when children hit adolescent. Mimi Rogers plays the mother and although the father does not speak a lot when he does his remarks are rather waspish.
The film suffers slightly from its low budget and it could been tighter. I think the climax loses its way a bit and should had been better presented.
Its a rare combination of intellectual horror and dark comedy which works to an extent but never quiet pulls it off successfully.
Whoever marketed 'Ginger Snaps' should get some kind of award for sabotage! Looking at the packaging and it's name-dropping of 'The Craft'(??!) one would think you were in for your typical late 90s "ironic" MTV teen horror ala 'Scream' and the '..Last Summer' series, or some sort of 'Buffy' cash in. I nearly avoided watching it for exactly that reason. Am I glad I didn't!
'Ginger Snaps', while not totally perfect, is one of the freshest horror movies I've seen in ages, and one of the best werewolf movies of recent years. You can read the plot elsewhere so I won't bore you by repeating it. But I have to comment on the excellent script, with its realistic portrayal of teen life. No 90210/'Seventh Heaven' whitewash here! The teens act and talk like REAL PEOPLE, and the honesty about sex, drugs and puberty is rarely seen in contemporary movies, horror or otherwise.
I said not totally perfect because the climax was a let down. The last 20-25 minutes of the film lost its way a bit, and dragged in places. A bit more tightening up and a stronger ending could have made 'Ginger Snaps' a classic. As it is it's an original spin on an old concept, and highly recommended viewing!
'Ginger Snaps', while not totally perfect, is one of the freshest horror movies I've seen in ages, and one of the best werewolf movies of recent years. You can read the plot elsewhere so I won't bore you by repeating it. But I have to comment on the excellent script, with its realistic portrayal of teen life. No 90210/'Seventh Heaven' whitewash here! The teens act and talk like REAL PEOPLE, and the honesty about sex, drugs and puberty is rarely seen in contemporary movies, horror or otherwise.
I said not totally perfect because the climax was a let down. The last 20-25 minutes of the film lost its way a bit, and dragged in places. A bit more tightening up and a stronger ending could have made 'Ginger Snaps' a classic. As it is it's an original spin on an old concept, and highly recommended viewing!
Você sabia?
- CuriosidadesDirector John Fawcett refused to have CGI effects in the film, opting for all of the special creature effects to be done with prosthetics and makeup.
- Erros de gravaçãoWhen Brigitte and Sam are running through the house trying to find Ginger as a Werewolf, every window they pass has light shining in, even though it's supposed to be late at night.
- Cenas durante ou pós-créditosThank you to: ¡EEK! (EXPERIMENTAL ENGINEERING KORPORATION)
- Versões alternativasA Collector's Edition DVD was released in Canada that contains over 20 minutes of Deleted/Extended footage. The additional scenes are as follows.
- A scene in the hallway of the high school. Ginger carves the word "Fuck" into a locker door while Brigitte takes a Polaroid of herself. There is a small amount of dialogue as Brigitte says that people suck.
- Extended footage of Brigitte and Ginger arriving home after the attack on Ginger. There is more of Brigitte screaming for help, and extra footage of her scrambling to get first aid supplies to help Ginger.
- Ginger gets out of the shower, stands in front of the bathroom mirror and pulls some of the hair out of her shoulder wound.
- While changing TV channels, Brigitte comes across a really cheesy werewolf movie and watches it for a moment.
- Additional footage in the greenhouse before Brigitte tells Sam that she's a werewolf. Sam is conducting an experiment on a rare plant when Brigitte startles him and ruins the experiment. Sam alludes to the fact that his family owns the greenhouse, and that it's "the family crypt."
- Mr. Wayne threatens to suspend Ginger for attacking Trina on the playing field. Brigitte blackmails him into letting Ginger go, threatening to claim that he tried to rape Ginger.
- Ginger starts to get stir crazy after being isolated in her room. She thrashes around and tears pictures off of the wall. At one point, she spits out a tooth, claiming "That's five." But she shows Brigitte that she's grown "two more of the new ones," and shows Brigitte her fangs. Ginger reads a list of symptoms for PMS, then tries to get Brigitte to let her go out. Brigitte responds "PMS is the least of your problems."
- Another scene in the greenhouse with Sam mentioning that the cops have been asking him about Trina's disappearance. Sam assumes that Brigitte killed her. Brigitte calls him a "cherry hound." Sam asks if Brigitte thinks he's the type to go around chasing virgins. Brigitte asks Sam if he thinks she's the type to go around killing them.
- A little kid in a puppy suit comes across Jason. Jason asks the kid if he can bark, and the kid lets out a little "woof." "That's not a bark," Jason says, grabbing the kid and growling.
- A much extended scene involving Mr. Wayne's death. Ginger tells Mr. Wayne that Brigitte locked her in the bathroom. He has Brigitte paged over the school's intercom. Brigitte hears the page and begins walking towards his office. She shyly walks past 2 police officers who are investigating Trina's disappearance. She hesitates for a moment before entering Mr. Wayne's office. When she opens the door, Ginger pulls her into the office, where Mr. Wayne is laid out dead on the desk. Brigitte tells Ginger that there is a cure, and that it worked on Jason. Brigitte says that Sam can make more. Ginger yells at Brigitte for betraying her for some guy.
- Additional footage after Pamela finds Trina's body. Mr. Fitzgerald walks outside and asks what she's doing. She says she's just remembering old times.
- In the van, Pamela gives Brigitte some make-up to hide the circles under her eyes.
- Extended scene at the party. Ginger opens her shirt up in front of Sam. He sees her morphed abdomen and says "Nice getup."
- Brigitte makes her way through the party crowd, trying to find Sam and Ginger. She runs into Jason's friends, who mock her for looking like a zombie. She leaves, and Jason walks up, just missing her. He asks his friends if they've seen Ginger. One friend asks if he and Ginger broke up, and Jason responds "Oh yeah." The friend says that Ginger is hot and that Jason is an idiot for breaking up with her. Jason calls him a fag.
- Outside the party, a police cruiser pulls up next to Pamela's van. The little kid in the puppy suit is in the back seat. Two officers go inside looking for Jason. Pamela thinks they are after her daughters, so she grabs the plastic container holding Trina's severed fingers and follows them inside.
- Brief additional dialogue when Brigitte walks in on Sam and Ginger.
- Pamela wanders through the party.
- Jason grabs Brigitte and Ginger as they try to leave the party. The police officers find Jason's friends, and ask if they know where he is. One friend, mad about being called a fag, points Jason out. Jason sees the cops, thinks they are after Ginger, and calls them over. Pamela shows up and knocks Jason down, yelling "Let go of my girls!" She tells her daughters to run, and walks over to the cops. She shows the cops Trina's fingers, and claims that she killed Trina. She starts flailing around so the cops will take her away. Jason watches all of this, then grabs a beer and starts talking to a random hot girl at the party.
- ConexõesEdited into Ginger Snaps: Deleted Scenes (2000)
- Trilhas sonorasCloning Technology
Written by Burton C. Bell, Dino Cazares & Raymond Herrera
Performed by Fear Factory
Used by permission of BMG Music Publishing Canada Inc. and Roadrunner Records
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.554
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.430
- 28 de out. de 2001
- Faturamento bruto mundial
- US$ 2.554
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente