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O Rastreador

Título original: The Tracker
  • 2002
  • Not Rated
  • 1 h 30 min
AVALIAÇÃO DA IMDb
7,3/10
3,4 mil
SUA AVALIAÇÃO
O Rastreador (2002)
Fanatic is a government trooper who is heading an expedition to find an Aboriginal man accused of murdering a white woman. Others in the expedition are the Follower, a greenhorn trooper, the Veteran, and the Tracker.
Reproduzir trailer2:10
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6 fotos
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Adicionar um enredo no seu idiomaFanatic is a government trooper who is heading an expedition to find an Aboriginal man accused of murdering a white woman. Others in the expedition are the Follower, a greenhorn trooper, the... Ler tudoFanatic is a government trooper who is heading an expedition to find an Aboriginal man accused of murdering a white woman. Others in the expedition are the Follower, a greenhorn trooper, the Veteran, and the Tracker.Fanatic is a government trooper who is heading an expedition to find an Aboriginal man accused of murdering a white woman. Others in the expedition are the Follower, a greenhorn trooper, the Veteran, and the Tracker.

  • Direção
    • Rolf de Heer
  • Roteirista
    • Rolf de Heer
  • Artistas
    • David Gulpilil
    • Gary Sweet
    • Damon Gameau
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    3,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Rolf de Heer
    • Roteirista
      • Rolf de Heer
    • Artistas
      • David Gulpilil
      • Gary Sweet
      • Damon Gameau
    • 46Avaliações de usuários
    • 20Avaliações da crítica
    • 71Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 16 vitórias e 16 indicações no total

    Vídeos1

    Trailer
    Trailer 2:10
    Trailer

    Fotos5

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal5

    Editar
    David Gulpilil
    David Gulpilil
    • The Tracker
    Gary Sweet
    Gary Sweet
    • The Fanatic
    Damon Gameau
    Damon Gameau
    • The Follower
    Grant Page
    Grant Page
    • The Veteran
    Noel Wilton
    • The Fugitive
    • Direção
      • Rolf de Heer
    • Roteirista
      • Rolf de Heer
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários46

    7,33.4K
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    10

    Avaliações em destaque

    10burpboy

    Superb. Original. Captivating. Finally,this important but dark part of Australia's history has been dealt with cinematically in a thorough and intelligent way.

    I left this brilliant film being excited and proud to be an aspiring Australian film-maker. What a film experience. Surely this is one of the great Australian films, certainly of this current year and without doubt for a long time. I say this film made me feel proud but really, as I was sitting after the film enjoying the warm sunshine and the beauty of the Sydney Opera House and the Sydney Harbour, I was quite ashamed and saddened to be an Australian. The film deals with a very dark and still repressed area of Australian history that goes to the very heart of what it means to be an Australian, what out heritage is and what our role is in relation to this heritage. Rather than give a synopsis (they are always so boring) of how the film deals with these issues, I would just simply implore everyone everywhere (not just Australians) to see this film. I really believe the film has importance and resonance for all people, apart from its issues and meaning I think the film is simply film-making of the highest calibre. Bold, creative, subtle at times as well as appropriately disturbing and unsettling when it needs to be. Rolf De Heer has surely made his best film, a film to make you stand up and take notice of his ability. Visually beautiful (what an amazing country we have) and the use of Aboriginal singer Archie Roach's haunting songs is inspired and integral to the film's impact. I have to make special mention of the actors. Basically the film is a four-hander with Grant Page, Gary Sweet, Damon Gameau and David Gulpill giving outstanding performances. Particularly Sweet, giving authority and complexity to a unlikeable role that Australians would be not used to seeing after his television appearances. Can I also reserve a particular rave for Damon Gameau who plays the role of the young follower. Gameau, just out of drama school, is a real find. The Australian press have not given him the praise that he deserves and acknowledged the exceptional way he manages to convincingly capture the complicated shifts in the arc of his character's journey. For me at the end of the film, Gulpill and Gameau together onscreen deliver the film's final moments with such sensitivity and beautiful chemistry that you can't help but be incredibly moved.

    Finally I want to say that above all, at the centre of the story, David Gulpill is just extraordinary (one interviewer described him as our biggest Aboriginal movie star, certainly his performance has to be the highlight of his long and significant career.)You feel everything this film has to say, every part of its journey in his performance. You feel the injustice, the horror, the abuse, the loss of culture and identity. Conclusively, you feel for real that being an Australian means acknowledging that our country, as we now know it, was founded on the invasion and near-obliteration of a pre-existing people and their culture.
    gormenghast7

    Bloody Brilliant!

    The music MAKES the movie. I believe the director of the film wrote the words and Graham Tardif did the music. I would kill to get my hands on the soundtrack. Unfortunately, it is an almost unknown movie, so the chance of finding the soundtrack is next to nil. The tracker, fanatic and follower were great characters, as were the last 10-15 minutes of the movie, which in my book earns it a 10. The BEST Aussie movie I have seen. It belongs in the center of the pool room. I can't get the music out of my head. There are long periods without dialogue, just the viewer, the music and the Australian outback - a beautiful place if you know it. If the scenery appeals to you, and you enjoy a good read, then try The Tree Of Man by Patrick White.
    8swillsqueal

    Sorry

    If you've ever wondered why Aboriginal people in Australia want an official apology from the head of government, see this film. They haven't gotten one yet. Maybe later--time moves slowly for the oppressed. Economically savvy, rich conservatives will not want to hear an official State apology rendered. Why? Because, they believe that the "sorry" campaign is a ploy to hit the Austalian Federal Government with a plethora of expensive lawsuits. Rank and file social conservatives, who make up about 10% of the population, just think that Aboriginals should be happy that they've gotten citizenship in "the Lucky Country" and keep their mouths shut.

    Each character in "The Tracker" is a metaphor for prevailing historically based and continuing attitudes between the indigenous people of Australia and European settlers. Not only that, but within the dialogues and actions in "The Tracker", one can see the still existing fundamental conflict between European legal traditions and those of peoples who settled Australia some 60,000 years ago. By the end of the film, one can discern the outlines of a lasting reconciliation in Australia based on mutual respect between human beings.

    If your'e not already familiar, "The Tracker" will show you what most of the Australian interior looks like. It's hot, red, dry and largely empty. Yet, if you slow down and focus your eyes, there is much more to the land than you might have thought. A good tracker could show you how large a human footprint on this natural setting of the Earth can be. A good tracker can also show you the wisdom inherent in patience and respect.

    David Gulpilil plays this tracker and he steals the movie. Rolf de Heer's writing and direction in this film is to be applauded. In fact, I have yet to see a bad film come out of Rolf de Heer's directing. His "Ten Canoes" should have won greater recognition in 2006. Gary Sweet as the racist fanatic was convincing. Overflowing with hypocritical Christian piety, Sweet made me feel sick to be identified as "white". You could almost hear him saying, "We had to kill the blacks in order to save them." Damon Gameau, as the follower, played his role with wooden innocence. Grant Page as the apolitical, amoral veteran was at his best after he took a spear. But, automatons are like that.
    9YesterdaysJam

    Brilliantly written and directed by Rolf de Heer

    Into a painted landscape come four men. Three policemen on horseback, and a native tracker leading them on foot. They are chasing another native, accused of murder, who is occasionally glimpsed in the distance. As they trek further into the wilderness, the fugitive remains elusive, and the brutal aggression of the expedition leader turns the mission sour.

    Brilliantly written and directed by Rolf de Heer, this is a great film. Performances by the two main protagonists, David Gulpilil as the Tracker, and Gary Sweet as the Fanatic, are excellent. And the stark beauty of the Australian outback has never been captured so lovingly on film.
    10diane-34

    A tremendously memorable film!

    I watched this wonderful film last night on television after having, unfortunately, missed it during its house release several years ago. Even though it would have been far better to see the beautiful cinematography on the big screen I was still moved and highly impressed with this historically insightful look under the carpet of our history.

    It is an interesting coincidence that I watched The Proposition several days ago and was able to watch The Tracker last night-both films, although separated by roughly fifty years, still circle the same historical period in that they both deal with Australia's adolescence and it is this historical backdrop that binds these films together in my mind.

    If a film returns to my thoughts after I have watched it, regardless of the geographical setting or the chronological period, that film is successful by my standards and if you wakeup the next morning replaying scenes of the film then it certainly is a winner-that is exactly what happened this morning. De Heer's script and direction created a haunting movie. The subtlety of the nuances made for a deeply intellectual journey through the tracks of these different people embroiled in activities beyond their understanding. Is this the paradigm of human existence? De Heer is to be congratulated for writing a scrip dealing with historical topics generally bypassed by commercial film makers and then directing that film with such sensitivity and understanding. It is rare to see a film that paints such a critical view of the relationship of the Aboriginal people and the close-mindedness of the Anglo settlers during that first century of contact. The definitive film about this contact has yet to be made and I for one anxiously await its production. We know so little, even if we make a concerted effort to locate the sources, about this early period of racial interaction. In the history of the world has there been such a diametrically antagonistic confrontation between peoples? The accuracy of this contact drama seems to have been lost because of the very nature of the discontinuity between these peoples. De Heer attempted to redress this lack of information and due to the brilliance of his insights, as well as the brilliance of the cast, we the audience are the better for having watched their work.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The music for this film is performed by Archie Roach, a popular aboriginal country musician.
    • Citações

      The Fanatic: Sorry? You want to feel sorry for someone, feel sorry for the pack horse. Now there's an innocent victim.

    • Conexões
      Featured in Gulpilil: One Red Blood (2002)

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    • How long is The Tracker?
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    Detalhes

    Editar
    • Data de lançamento
      • 8 de agosto de 2002 (Austrália)
    • País de origem
      • Austrália
    • Centrais de atendimento oficiais
      • Production Notes [Australia]
      • Vertigo Productions
    • Idiomas
      • Inglês
      • Aborígene
    • Também conhecido como
      • The Tracker
    • Locações de filme
      • Arkaroola Wilderness Sanctuary, South Australia, Austrália
    • Empresas de produção
      • Adelaide Festival of Arts
      • SBS Independent
      • Vertigo Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 55.188
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.993
      • 19 de jan. de 2004
    • Faturamento bruto mundial
      • US$ 674.826
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 30 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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