Adicionar um enredo no seu idiomaFanatic is a government trooper who is heading an expedition to find an Aboriginal man accused of murdering a white woman. Others in the expedition are the Follower, a greenhorn trooper, the... Ler tudoFanatic is a government trooper who is heading an expedition to find an Aboriginal man accused of murdering a white woman. Others in the expedition are the Follower, a greenhorn trooper, the Veteran, and the Tracker.Fanatic is a government trooper who is heading an expedition to find an Aboriginal man accused of murdering a white woman. Others in the expedition are the Follower, a greenhorn trooper, the Veteran, and the Tracker.
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Avaliações em destaque
Finally I want to say that above all, at the centre of the story, David Gulpill is just extraordinary (one interviewer described him as our biggest Aboriginal movie star, certainly his performance has to be the highlight of his long and significant career.)You feel everything this film has to say, every part of its journey in his performance. You feel the injustice, the horror, the abuse, the loss of culture and identity. Conclusively, you feel for real that being an Australian means acknowledging that our country, as we now know it, was founded on the invasion and near-obliteration of a pre-existing people and their culture.
Each character in "The Tracker" is a metaphor for prevailing historically based and continuing attitudes between the indigenous people of Australia and European settlers. Not only that, but within the dialogues and actions in "The Tracker", one can see the still existing fundamental conflict between European legal traditions and those of peoples who settled Australia some 60,000 years ago. By the end of the film, one can discern the outlines of a lasting reconciliation in Australia based on mutual respect between human beings.
If your'e not already familiar, "The Tracker" will show you what most of the Australian interior looks like. It's hot, red, dry and largely empty. Yet, if you slow down and focus your eyes, there is much more to the land than you might have thought. A good tracker could show you how large a human footprint on this natural setting of the Earth can be. A good tracker can also show you the wisdom inherent in patience and respect.
David Gulpilil plays this tracker and he steals the movie. Rolf de Heer's writing and direction in this film is to be applauded. In fact, I have yet to see a bad film come out of Rolf de Heer's directing. His "Ten Canoes" should have won greater recognition in 2006. Gary Sweet as the racist fanatic was convincing. Overflowing with hypocritical Christian piety, Sweet made me feel sick to be identified as "white". You could almost hear him saying, "We had to kill the blacks in order to save them." Damon Gameau, as the follower, played his role with wooden innocence. Grant Page as the apolitical, amoral veteran was at his best after he took a spear. But, automatons are like that.
Brilliantly written and directed by Rolf de Heer, this is a great film. Performances by the two main protagonists, David Gulpilil as the Tracker, and Gary Sweet as the Fanatic, are excellent. And the stark beauty of the Australian outback has never been captured so lovingly on film.
It is an interesting coincidence that I watched The Proposition several days ago and was able to watch The Tracker last night-both films, although separated by roughly fifty years, still circle the same historical period in that they both deal with Australia's adolescence and it is this historical backdrop that binds these films together in my mind.
If a film returns to my thoughts after I have watched it, regardless of the geographical setting or the chronological period, that film is successful by my standards and if you wakeup the next morning replaying scenes of the film then it certainly is a winner-that is exactly what happened this morning. De Heer's script and direction created a haunting movie. The subtlety of the nuances made for a deeply intellectual journey through the tracks of these different people embroiled in activities beyond their understanding. Is this the paradigm of human existence? De Heer is to be congratulated for writing a scrip dealing with historical topics generally bypassed by commercial film makers and then directing that film with such sensitivity and understanding. It is rare to see a film that paints such a critical view of the relationship of the Aboriginal people and the close-mindedness of the Anglo settlers during that first century of contact. The definitive film about this contact has yet to be made and I for one anxiously await its production. We know so little, even if we make a concerted effort to locate the sources, about this early period of racial interaction. In the history of the world has there been such a diametrically antagonistic confrontation between peoples? The accuracy of this contact drama seems to have been lost because of the very nature of the discontinuity between these peoples. De Heer attempted to redress this lack of information and due to the brilliance of his insights, as well as the brilliance of the cast, we the audience are the better for having watched their work.
Você sabia?
- CuriosidadesThe music for this film is performed by Archie Roach, a popular aboriginal country musician.
- Citações
The Fanatic: Sorry? You want to feel sorry for someone, feel sorry for the pack horse. Now there's an innocent victim.
- ConexõesFeatured in Gulpilil: One Red Blood (2002)
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- How long is The Tracker?Fornecido pela Alexa
Detalhes
- Data de lançamento
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- The Tracker
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 55.188
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.993
- 19 de jan. de 2004
- Faturamento bruto mundial
- US$ 674.826
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1