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7,8/10
7,6 mil
SUA AVALIAÇÃO
México, 1949. A fábula de um zelador que vira o prefeito de uma pequena cidade perdida no deserto do México e aos poucos percebe o quão longe seu novo poder e corrupção podem levá-lo.México, 1949. A fábula de um zelador que vira o prefeito de uma pequena cidade perdida no deserto do México e aos poucos percebe o quão longe seu novo poder e corrupção podem levá-lo.México, 1949. A fábula de um zelador que vira o prefeito de uma pequena cidade perdida no deserto do México e aos poucos percebe o quão longe seu novo poder e corrupção podem levá-lo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 21 vitórias e 8 indicações no total
Pedro Armendáriz Jr.
- López
- (as Pedro Armendáriz)
Avaliações em destaque
I just saw "La Ley de Herodes" last night. I really enjoyed the film. It is a great black comedy. The script by Leñero and Estrada is carefully written. This is the kind of cinema Mexico needs. One of the most amazing things is that they use real names of political parties and that they got away with it.
Great performances by everyone, I think. Marvelous ending! Congratulations to everyone involved in this project!
Great performances by everyone, I think. Marvelous ending! Congratulations to everyone involved in this project!
Juan Vargas, the hero of "La Ley de Herodes" learns quickly his role as mayor of the forgotten town where the ruling PRI party has chosen him to preside. The town and its people stand as a Mexican metaphor for what's wrong in the country, as a whole.
At the beginning we watch as Juan is reluctant to follow the steps his predecessors took in governing the town, which stands as a microcosm of the way things have been done in Mexico. It speaks volumes that Mexico is one of the oldest 'democracies' in Latin America, where corruption is rampant. On wonders if Mexico is the role model, what can be found in other Latin countries. Mind you, not everything is perfect in the good old USA!
It is to Luis Estrada's credit that he has been able to do this satire that pokes fun at politics, but at the same time, it makes one thing clear: watch what politicians will do once they take public office.
Damian Alcazar is perfect as the goofy mayor Juan Vargas, who the bosses in the capital think he will be perfect for the job. Pedro Armendariz Jr. does wonders with his interpretation of a corrupt party higher-up. Delia Casanova as Rosa and Isela Vega as Dona Lupe, are excellent.
This is a lesson in Mexican politics!
At the beginning we watch as Juan is reluctant to follow the steps his predecessors took in governing the town, which stands as a microcosm of the way things have been done in Mexico. It speaks volumes that Mexico is one of the oldest 'democracies' in Latin America, where corruption is rampant. On wonders if Mexico is the role model, what can be found in other Latin countries. Mind you, not everything is perfect in the good old USA!
It is to Luis Estrada's credit that he has been able to do this satire that pokes fun at politics, but at the same time, it makes one thing clear: watch what politicians will do once they take public office.
Damian Alcazar is perfect as the goofy mayor Juan Vargas, who the bosses in the capital think he will be perfect for the job. Pedro Armendariz Jr. does wonders with his interpretation of a corrupt party higher-up. Delia Casanova as Rosa and Isela Vega as Dona Lupe, are excellent.
This is a lesson in Mexican politics!
A great film! Captures the essence of Mexico's political life, with a lot of humor and a great story. It's also a very well made... the story is perfectly constructed, the photography is beautiful and the acting is top of the line, with Demian Alcazar and Pedro Armendariz, Jr. clearly stealing the show. For Mexicans it should be a rather bittersweet experience... you can't help but laugh at the situation, but it's also so real that you can feel a little frustrated with your government. Filmed almost entirely in brown and sepia tones, to make it as close to 'black and white' as possible.
To understand "La Ley de Herodes" and its historical significance, it is necessary to consider a study of the backdrop behind its production and release. LDH is a product of the decadence of the crumbling, rotting 70-year old regime of the Institutional Revolutionary Party (PRI). The 90s were frantic years in Mexico. The Zapatista uprising, the murder of the PRI's presidential candidate/next president (apparently by his own party), the "Tequila Effect" recession, several political murders and former president Salinas' exile (as well as his brother's arrest for money laundering)... all these events created a dissatisfaction so huge that forced the government to loosen its freedom of expression. It would have been impossible to release this movie, or to listen to Molotov's angry music without the bitter complacency of the government. And in a way, LDH signals the end of the PRI regime and its ousting from the executive in the year 2000. Mexico is undergoing change. It's slow, and it's painful, but it's happening. The PRI has not fully disappear, though. You can now see the Juan Vargas figure clinging in congress,trying to obstruct change, holding to its last source of power. A wonderful mambo score, by the way.
Satire is very difficult to pull off, but this one is a classic. It works beautifully, it's cleverly crafted, it's devilishly funny. The acting is superb. It was a joy to see Isela Vega again! I can't remember any other Mexican movie being as devastatingly critical of our "perfect dictatorship" as this one. It's really a pretty accurate depiction of the morass that corruption has created in Mexico and of the attitude of the ruling party towards the nation. The impunity, the cynicism, the paternalism, the graft, the slime, the crime, it's no exaggeration. The government is so out of touch and so stupid that they even tried to censor it. Needless to say, the movie has been playing to packed houses in Mexico. I hope it breaks all box office records. Even better, it should be Mexico's entry to the Academy Awards.
Você sabia?
- CuriosidadesThis was the first Mexican film that showed the name of the official Party (Partido Revolucionario Institucional, or P.R.I.). In past times, filmmakers had to change the party's name to avoid censorship.
- Trilhas sonorasQue me lleve la tristeza
Written by Marcial Alejandro
Performed by Salvador 'Negro' Ojeda (as Salvador "El Negro" Ojeda)
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- How long is Herod's Law?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Herod's Law
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 52.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.515
- 15 de jun. de 2003
- Faturamento bruto mundial
- US$ 52.000
- Tempo de duração
- 2 h 3 min(123 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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