Woh Kaun Thi?

It has to be one of the best suspense theillers in Bollywood. And add to that the horror element and then ever so beautiful "Lag Ja Gale" it's a beautiful piece of cinema.

Woh Kaun Thi? (1964) : Brief Review -

The haunting horror-mystery formula of British novels comes to India with an evergreen film. Woh Kaun This is a horror film, alright, but is there a ghost? That's the biggest suspense, and I don't want to spoil that for you. Let's assume that it's a horror flick because 99% of its runtime makes you believe so. But beware of that 1% of suspense I'm not revealing here. I don't know how many people in the 1960s were familiar with Agatha Christie and Arthur Dolye's stuff, so they must have been thrilled to see what they saw in Woh Kaun Thi. Thankfully, Hindi audiences were familiar with the fact that something like this can happen because of "Bees Saal Baad" (1962), which was based on Doyle's writing only. Raj Khosla brings the same formula again, but with a completely fresh look at it. Even that was seen and experienced by many in the late 1940s with Mahal (1949). Yet, Woh Kaun Thi has plenty to offer, especially the camera work, sound design, and Raj Khosla's vision of a scary horror flick. Hollywood had done it back in the 30s with the Cat and the Canary and Sherlock Holmes series, so I can't say that Khosla's film was path-breaking. But for Indian cinema, it indeed set a new benchmark, which hasn't been crossed by any film as of 2024. That's exactly 60 years. This is why Woh Kaun Thi must be celebrated as one of the best horror thrillers ever made in Bollywood history. The film tells a story about a doctor who meets the ghost of a girl and later sees her again as a dead girl. He is then married to an unknown girl, who happens to be the same girl. What's the mystery behind it? Khosla's horror thriller will tell you that, and believe me, it has a lot of horror elements with far better scene design than what we saw later in the 80s. Sadhana will forever be remembered for this role, and Manoj Kumar was top-class. Special thanks to Madan Mohan for evergreen "Naina Barse" and "Lag Jaa Gale." As a whole, a complete textbook on genre-breaking commercial cinema in Bollywood.

RATING - 7.5/10*

By - #samthebestest.

It's the time of wee hours in India and it's raining outside in Hyderabad. What can be the better situation to write a review of this movie which begins with the scene of heavy rainfall and that scene itself lends momentum to the mystery of the movie ? The opening scene picturized upon Saadhana and Manoj Kumar in heavy rainfall is itself so impressive that the viewer gets compelled to watch the full movie. Perhaps in no other Indian suspense-thriller, the opening scene is that much impressive. Manoj Kumar driving home in heavy rainfall finds Saadhana standing in the middle of the road, wearing a white saari and getting drenched without apparently unaffected by this fact. Mysterous dialogues take place between them and finally Manoj Kumar drops her near a graveyard with spellbound to see her disappearing in it with a highly melodious song echoing inside - Naina Barse Rimjhim Rimjhim. The spellbinding suspense starts now for the next two and a half hours.

Woh Kaun Thi (who was she ?) is a black and white movie released in 1964 starring Manoj Kumar and Saadhana. It is still considered a classic mystery. In fact the fact of its being black and white is a plus point of this movie as the mystery appears to be deeper with the characters appearing on the screen looking more mysterious than they actually are. The great music composed by Madan Mohan rendered further strength to the suspense and thrill of the movie and Saadhana in the title role delivered a splendid performance to make the movie as spellbinding for the viewers.

I have already discussed the highly impactful opening scene. The story moves quickly with the fact coming out that our hero, Manoj Kumar is a doctor, working in the hospital of K.N. Singh and having a love affair with Helen. Shortly Helen gets murdered and the mysterious woman, Saadhana who had disappeared in the graveyard in the beginning reappears before him in a further mysterious fashion only to disappear even more suspensefully. His mother gets him married to a girl of her choice but you can guess that when he sees her face on the first night of their conjugal life (yes, there were times in India in which the bride and the groom of an arranged marriage were able to see each other's faces for the first time on that night only), he is taken aback to see the same girl, now as his wife. Then several twists and turn keep on coming in the narrative taking the story to Shimla and the suspense is finally revealed in the climax.

The story is just very very good and Raj Khosla was an able director of his time who directed classic suspense movies like Mera Saaya and Anita too. He has handled the plot very well. The problem is with the revelation of the suspense in the climax in which the police officer, Raj Mehra delivers a long speech regarding the mystery and despite that leaves many significant questions unanswered. If you ignore that fact, you won't find any fault with the movie which contains comedy, romance and melodious music alongwith the gripping mystery. The very first scene grips you like a powerful clamp and then you are so engrossed in the narrative that you can leave the movie after seeing its climax only, not before that.

Saadhanalooks so gorgeous in the movie that it's better for you to watch her instead of reading my narration about her. And acting ? She has delivered a highly admirable performance in the pivotal role. Manoj Kumar is OK. The supporting cast includes Helen, K.N. Singh, Parveen Chaudhary, Prem Chopra, Dhumal, Raj Mehra, Ratnamala etc and all of them have performed their roles pretty well.

Technically also the movie is perfect. The aura of suspense is maintained throughout. The cinematographer has ably captured the snowy beauty of Shimla.

The discussion of Woh Kaun Thi cannot be complete without its music. Madan Mohan has composed immortal music for the movie with the classic songs of Lata like Naina Barse Rimjhim Rimjhim, Lag Ja Gale and Jo Hamne Daastan Apni Sunaai. The other songs of the movie viz. Chhod Kar Tere Pyar Ka Daaman (Rafi), Shokh Nazar Ki Bijliyaan (Asha), Tiki Riki Tiki Riki Takuri (Rafi-Asha) are also very melodious and a treat to listen.

No suspense-thriller fan should miss this movie.

Splendid performances by Manoj & Sadhana.A haunting tale from Raj Khosla. A thoroughly gripping story. Songs are melodious and catchy.Manoj plays his role convincingly and Sadhana is charming as well as haunting in it.All the supporting cast has done their part convincingly.There is not a dull moment in this film.The ambiance of the film is spooky and the songs add to it. The plot is taut and keeps the audience engaged.The viewer gets intrigued by the twist and turns of the story. Sadhana is at her best as the haunting lady who makes the viewer trying to guess her true identity.The suspense is absorbing and keeps one wondering what will happen next? The songs lend an aura of mystery to the film. Great music by MadanMohan.

I was not much fan of yesteryears Indian movies before seeing this movie. Man this movie is so captivating, it just suck you in.. The very first scene when the protagonist(Manoj Kumar) gives lift to Sadhana, and the dialogues that goes in that journey is pretty cool.. Little flaws of editing or tilt screen is easily forgotten when you consider this is made in 50s. for me movie is all bout the the leading actress Sadhana.. She luks so natural and ravishing... now I understand what was all the fuzz about Sadhana's Cut.. Watching her on screen is simply mesmerizing. If you like this you will surely watch the trilogy of Wo kaun thi, Mera saaya and anita.. I am a big fan of Sadhana so i wud recommend this movie to everyone.. 8/10 easily.