AVALIAÇÃO DA IMDb
6,4/10
4,6 mil
SUA AVALIAÇÃO
Um judeu forte se apresenta em Berlim como o herói ariano loiro Siegfried.Um judeu forte se apresenta em Berlim como o herói ariano loiro Siegfried.Um judeu forte se apresenta em Berlim como o herói ariano loiro Siegfried.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
Gustav-Peter Wöhler
- Alfred Landwehr
- (as Gustav Peter Woehler)
Jurgis Krasons
- Rowdy
- (as Jurgis Karsons)
Enredo
Você sabia?
- CuriosidadesJouko Ahola, who plays the strongman, is an actual strongman and actually lifted the weights as seen in the film.
- Erros de gravaçãoThe real Marta Faria was a talented strong-woman in her own right; she could wrap a steel bar around her arm and once supported the front legs of a large elephant on her shoulders. She was not the slender pianist seen in the movie.
- Cenas durante ou pós-créditosThanks to The People of Kuldiga and The People of Vilnius
- ConexõesFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Trilhas sonorasSweet and Lovely
(1931)
Music and Lyrics by Gus Arnheim / Neil Moret (as Charles Daniels) / Harry Tobias
Performed by Max Raabe and his Palast Orchestra
Published by EMI Robbins Catalog Inc / Anne Rachel Music / Redwood Music Ltd / Range Road Music / Harry Tobias Music
Courtesy of EMI Music Partnership Musikverlag GmbH/ Greenhorn Musikverlag GmbH/ Warner-Chappell Music GmbH Germany,
Munich/ Chappell & Co GmbH/ Range Road Music/ Harry Tobias Music
Avaliação em destaque
A film broadcast at 2am on channel 4 and starring Tim Roth ! I remember the last movie broadcast on channel 4 with Tim Roth in the credits which was THE WAR ZONE , one of the few movies I've regretted watching due to the depressing content and since INVINCIBLE centres around the birth of Nazism I wasn't expecting too many uplifting moments but I certainly recommend Werner Herzog's strange and interesting drama based on a true story
!!!! SPOILERS !!!!
In a Polish town the circus arrives and blacksmith's son Zishe Brietbart beats the strongman in a competition and impressed with Zishe's physical strength a theater agent signs him up where he performs at Berlin's Cabaret Of The Occult which is owned by Danish nobleman Hanussen . Since it's 1932 the Nazis are on the rise so Hanussen reinvents Zishe as " Siegfried " and shows his predominantly Nazi audience the physical strength of this Ayran . Hanussen shows this as proof of Ayran superiority while at the same time impressing his audience with his own occult powers . However despite his own naked opportunist agenda Hanussen has a secret of his own that he doesn't want known to his audience ...
Some people may claim how ridiculously ironic it is having a Jew pretending to be an Ayran strongman in order to put forward a racist agenda but this I feel is the whole point of the story which one has a feeling has been turned into a fable rather than a story that has stuck to rigid facts . Certainly the most bitter irony about the rise of Nazism is that one of the architects of Nazi philosophy Alfred Rosenberg had a Jewish name while Hitler , Heydrich and Eichmann were of Jewish descent themselves ( Though technically not Jews - According to tradition if your mother wasn't a Jew neither are you ) so people with an irony deficency will have a problem understanding this beautiful and intelligent film
And I don't apologise for thinking this is a beautiful and intelligent film , it might not have the reputation of Herzog's other films like the painfully overrated FITZCARRALDO but it's one I can certainly recommend for a mainstream audience . However there is one serious flaw that stands out and that is the casting of Jouko Ahola as Zishe . You do get the gut instinct that Herzog wanted to cast a certain Austrian body builder turned politician in the lead role and it's impossible to watch Ahola without being reminded of Big Arnie except Ahola is an even more wooden actor and his lack of thespian skills is made even more obvious when he's playing opposite Tim Roth is one of his most impressive roles which slightly damages the movie
!!!! SPOILERS !!!!
In a Polish town the circus arrives and blacksmith's son Zishe Brietbart beats the strongman in a competition and impressed with Zishe's physical strength a theater agent signs him up where he performs at Berlin's Cabaret Of The Occult which is owned by Danish nobleman Hanussen . Since it's 1932 the Nazis are on the rise so Hanussen reinvents Zishe as " Siegfried " and shows his predominantly Nazi audience the physical strength of this Ayran . Hanussen shows this as proof of Ayran superiority while at the same time impressing his audience with his own occult powers . However despite his own naked opportunist agenda Hanussen has a secret of his own that he doesn't want known to his audience ...
Some people may claim how ridiculously ironic it is having a Jew pretending to be an Ayran strongman in order to put forward a racist agenda but this I feel is the whole point of the story which one has a feeling has been turned into a fable rather than a story that has stuck to rigid facts . Certainly the most bitter irony about the rise of Nazism is that one of the architects of Nazi philosophy Alfred Rosenberg had a Jewish name while Hitler , Heydrich and Eichmann were of Jewish descent themselves ( Though technically not Jews - According to tradition if your mother wasn't a Jew neither are you ) so people with an irony deficency will have a problem understanding this beautiful and intelligent film
And I don't apologise for thinking this is a beautiful and intelligent film , it might not have the reputation of Herzog's other films like the painfully overrated FITZCARRALDO but it's one I can certainly recommend for a mainstream audience . However there is one serious flaw that stands out and that is the casting of Jouko Ahola as Zishe . You do get the gut instinct that Herzog wanted to cast a certain Austrian body builder turned politician in the lead role and it's impossible to watch Ahola without being reminded of Big Arnie except Ahola is an even more wooden actor and his lack of thespian skills is made even more obvious when he's playing opposite Tim Roth is one of his most impressive roles which slightly damages the movie
- Theo Robertson
- 8 de dez. de 2005
- Link permanente
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 81.954
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.293
- 22 de set. de 2002
- Faturamento bruto mundial
- US$ 180.616
- Tempo de duração2 horas 13 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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