Zion se defende contra a invasão das máquinas enquanto Neo luta em outra frente dessa mesma guerra.Zion se defende contra a invasão das máquinas enquanto Neo luta em outra frente dessa mesma guerra.Zion se defende contra a invasão das máquinas enquanto Neo luta em outra frente dessa mesma guerra.
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Finding Neo
'The Matrix Revolutions' is the much-anticipated conclusion to the Wachowski Brothers' cultic sci-fi trilogy, whose previous entries were 'The Matrix' and 'The Matrix Reloaded.' In the series' final installment, the messiah figure, Neo, does battle with the diabolical forces that have imprisoned most of humanity in a world of cyber unreality via a massive computer program known as The Matrix.
Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting. What separated the first two episodes in the series from most other action films was the willingness on the part of the filmmakers to bring some thematic depth and narrative complexity to a genre that, all too often, finds no room for such qualities. The previous two films didn't always succeed in their endeavor - often emerging as more hollow and pretentious than meaningful and profound - but they managed to remain intriguing even in their moments of failure. Unfortunately, the same cannot be said for 'Revolutions,' which spends so much time on repetitive action scenes and special effects that there is little time left over for storyline and theme. In a strange way, Neo himself ends up getting lost in this film, dropping off the radar screen for astonishingly long stretches of time, only to re-emerge periodically to remind us that there really is supposed to be a purpose buried somewhere beneath all this ear-splitting commotion (this could be re-titled 'Finding Neo'). The sad fact, though, is that, once we arrive at the climactic scene to which all three films have been building, the resolution turns out to be a ham-handed muddle, utterly lacking in clarity and coherence After an almost six-hour-long buildup over the course of the three films, the audience is left scratching its collective head wondering just what it was that happened before the closing credits started rolling by. Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.
It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is. Even the stolid earnestness of Keanu Reeves can't convince us this time around that there is anything hidden under all those cool gadgets and explosions worth our looking into.
Thus endeth the Matrix series, not with a bang but with a whimper - intellectually speaking that is.
Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting. What separated the first two episodes in the series from most other action films was the willingness on the part of the filmmakers to bring some thematic depth and narrative complexity to a genre that, all too often, finds no room for such qualities. The previous two films didn't always succeed in their endeavor - often emerging as more hollow and pretentious than meaningful and profound - but they managed to remain intriguing even in their moments of failure. Unfortunately, the same cannot be said for 'Revolutions,' which spends so much time on repetitive action scenes and special effects that there is little time left over for storyline and theme. In a strange way, Neo himself ends up getting lost in this film, dropping off the radar screen for astonishingly long stretches of time, only to re-emerge periodically to remind us that there really is supposed to be a purpose buried somewhere beneath all this ear-splitting commotion (this could be re-titled 'Finding Neo'). The sad fact, though, is that, once we arrive at the climactic scene to which all three films have been building, the resolution turns out to be a ham-handed muddle, utterly lacking in clarity and coherence After an almost six-hour-long buildup over the course of the three films, the audience is left scratching its collective head wondering just what it was that happened before the closing credits started rolling by. Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.
It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is. Even the stolid earnestness of Keanu Reeves can't convince us this time around that there is anything hidden under all those cool gadgets and explosions worth our looking into.
Thus endeth the Matrix series, not with a bang but with a whimper - intellectually speaking that is.
*A Thought-Provoking Conclusion to the Matrix Trilogy*
"The Matrix Revolutions" wraps up the epic saga that began with the groundbreaking "The Matrix" and continued with "The Matrix Reloaded." While it received a mixed reception upon its release, the film offers a visually stunning and philosophically rich conclusion that will resonate with fans of the series.
One of the film's most significant strengths is its ambitious exploration of themes such as free will, destiny, and the struggle between man and machine. The narrative takes bold leaps, diving deeper into the complexities of the Matrix universe, and raises intriguing questions that challenge the viewer's perception of reality.
Visually, "Revolutions" is nothing short of spectacular. The action sequences, particularly the climactic battle in Zion and the epic showdown between Neo and Agent Smith, showcase groundbreaking special effects and impressive choreography. The film pushes the boundaries of what action cinema can achieve, making it a visual feast.
The pacing can be inconsistent, and some viewers may find parts of the plot convoluted or difficult to follow. The dialogue, while profound at times, can also feel heavy-handed, especially in moments that require a more subtle touch.
"The Matrix Revolutions" is a fitting culmination of a beloved trilogy. Although it may not reach the heights of its predecessor, it successfully encapsulates the series' core themes and delivers a thought-provoking narrative. For fans of the trilogy, it's a film worth revisiting, as it invites discussion and contemplation long after the credits roll.
One of the film's most significant strengths is its ambitious exploration of themes such as free will, destiny, and the struggle between man and machine. The narrative takes bold leaps, diving deeper into the complexities of the Matrix universe, and raises intriguing questions that challenge the viewer's perception of reality.
Visually, "Revolutions" is nothing short of spectacular. The action sequences, particularly the climactic battle in Zion and the epic showdown between Neo and Agent Smith, showcase groundbreaking special effects and impressive choreography. The film pushes the boundaries of what action cinema can achieve, making it a visual feast.
The pacing can be inconsistent, and some viewers may find parts of the plot convoluted or difficult to follow. The dialogue, while profound at times, can also feel heavy-handed, especially in moments that require a more subtle touch.
"The Matrix Revolutions" is a fitting culmination of a beloved trilogy. Although it may not reach the heights of its predecessor, it successfully encapsulates the series' core themes and delivers a thought-provoking narrative. For fans of the trilogy, it's a film worth revisiting, as it invites discussion and contemplation long after the credits roll.
Better They Had Stuck To One Super Matrix Film
I found this better than the second Matrix film ("Reloaded") but not anywhere as intriguing as the first film. Perhaps they shouldn't have made ANY sequels.
Once again you have the same problems: too much verbiage that you can't make sense of, and too much violence. Regarding all the techno-talk, what good is it if you audience doesn't understand what's going on and are lost most of the time?
After awhile, frankly, especially with the unlikable lead characters, I didn't care what happened. As I said in the second movie's review, they should have made just one tremendous Matrix movie, even if it were an hour longer. The sequels did nothing to enhance the legacy of that film.
Once again you have the same problems: too much verbiage that you can't make sense of, and too much violence. Regarding all the techno-talk, what good is it if you audience doesn't understand what's going on and are lost most of the time?
After awhile, frankly, especially with the unlikable lead characters, I didn't care what happened. As I said in the second movie's review, they should have made just one tremendous Matrix movie, even if it were an hour longer. The sequels did nothing to enhance the legacy of that film.
60U
Another big disappointing sequel to "The Matrix,"
Like it's predecessor, the final installment of The Matrix trilogy is overcomplicated in plot, yet even more excessive in CGI. The entire 2nd half of the film is a huge barrage of special effects, and while it's not a huge bore, the brilliant choreography has been sacrificed in it's place; save for the final battle between Mr. Anderson and Mr. Smith, and it's always a pleasure watching the two stars square off. Fun moments aside, it feels overlong like Reloaded and is just as unnecessary.
Revolutions nice visuals, shame about the story!
All cod-philosophy and pseudo-religious mumbo-jumbo, wrapped up in a tasty CGI coating, the third installment from the Wachowski's does nothing to make sense of what went before and adds further confusion with its incomprehensible script.
Technically, however, this movie is about as good as they get. The special effects are simply breath-taking Matrix Revolutions looks fantastic and is worth watching for the visuals alone! The ending well, I wish I could say it wrapped the trilogy up in a satisfactory manner, but I really can't. In fact, I wish I could say I knew what the hell was going on in the last two Matrix films, but I can't do that either. Still, they looked good. I did mention that, didn't I?
Technically, however, this movie is about as good as they get. The special effects are simply breath-taking Matrix Revolutions looks fantastic and is worth watching for the visuals alone! The ending well, I wish I could say it wrapped the trilogy up in a satisfactory manner, but I really can't. In fact, I wish I could say I knew what the hell was going on in the last two Matrix films, but I can't do that either. Still, they looked good. I did mention that, didn't I?
Você sabia?
- CuriosidadesThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- Erros de gravaçãoWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Citações
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Cenas durante ou pós-créditosThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Versões alternativasWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConexõesEdited into The Matrix: Path of Neo (2005)
- Trilhas sonorasThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Matrix: Revoluciones
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 139.313.948
- Fim de semana de estreia nos EUA e Canadá
- US$ 48.475.154
- 9 de nov. de 2003
- Faturamento bruto mundial
- US$ 427.344.325
- Tempo de duração
- 2 h 9 min(129 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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