Father Dear Father

I happened to stumble on this feature film version of the TV sitcom on my day off and was not impressed in the slightest! The British film industry seemed to churn out these spin-offs in abundance in the early Seventies and few were really any good! This is a perfect example of why they should of stayed on the small screen. I know it was intended as good old harmless fun but the problem is the humour is strained and it is just not funny!!!! Patrick Cargill stars as the long struggling dad trying to prevent his two teenage daughters from either getting married or moving house, whilst trying to get married himself to his agent (he is an author), so he can provide a mother figure for his kids. And there you have it!!! There's the plot in a nutshell plus throw in your usual clichés like the idiotic, clumsy son-in-law, the accidental milkman, and your token black man which provides plenty of ammo for these tedious stereotyped, racist jokes!!! It is worth pointing out that the director, William G. Stewart went on to later present the quiz show "Fifteen to One". Appropriate, as the odds are much higher against him with this project!! At the end of the movie Cargill looks at the camera and asks "Do You Mind?". Well, yes I do actually because it is 98 minutes of my life that I will not get back!!!

A lot of 70s comedy series were turned into 'one off' feature length films with varying degrees of success, for some years now the BBC have been showing these films in the dead time between Christmas and the New year. I think father dear father is one of the better efforts and well worth a look if you are weighed down by the excesses of the festivities so much that still can't lift yourself off the settee in the week after Christmas. The theme of the movie and the TV series is a widowed father (Patrick Cargill) looking after his two rebellious teenage daughters, played by the gorgeous Natasha Pyne and Ann Holloway, plus his attempts to find romance in his own confused personal life. The film and the 'victorian father' attitude portrayed (for laughs) will appear very dated now but probably actually reflected our society pretty accurately back in the early 70s, even down to his threats to administer a spanking to his morally wayward children even though the girls must have been about 25 at the time! Unfortunately he didn't carry out his threat.

Patrick Cargill and his co-stars were in their element and Donald Sinden played a good role too. My memories of this as a teenager obviously related much more to the two young daughters - particularly Natasha Pyne. I haven't looked at the IMDb details before entering this comment so may have some wrong name spellings. The show was just good clean innocent fun (TV Farce) that fit those times so well, but now would just look sooooo dated! I got married in 1975 and can still laugh at my enormous sideburns and platform shoes in the wedding photos. I thought I looked cool at the time, obviously! The humour was simple and the subject was interesting because it dealt with a father, on his own apart from a Nanny, coping with two teenage daughters.

I happened to catch this movie one late night over Xmas on BBC 1, and boy do I wish I hadn't. Actually, I shouldn't be cruel. My mate and I stayed up watching it, and we've had fun taking the p*** out of it since then. This film desperately tries to go for political correctness, but it was filmed in 1972, and they were crap at being PC back then. For instance, one of the main character's daughters gets a flat above a black couple from Jamaica, and madcap hilarity ensues when Daddy gets the wrong flat and thinks his daughter is living with a black Jamaican, whose father was imprisoned for cannabis trafficking--since, ya know, English girls in 1972 weren't supposed to date non-white, non-English heathens (even though many did, i'm sure). Actually, that wasn't the most offensive thing about the film--what really got me was how camp the dad was. Patrick Cargill minces all over this film, and even has a scene in a bed with a St. Bernard--bestiality, anybody? The worst problem, though, is that the film can't make up its mind on where to go. At first you think it's about Daddy's struggles being a single parent, then you think it's about his daughters striking off on their own, then you think it's about divorce and remarrying, then it's about racial tensions, then it's over. Although the opening is pretty kick ass, with a giant party in Daddy's house that wakes him up. At first we were hoping the party would lead to some boobs onscreen, but alas, no boobies are to be seen in this film. If you come across this movie, change the channel. If you own the master copies, burn them.