Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 49 vitórias e 63 indicações no total
Albert Brooks
- Marlin
- (narração)
Ellen DeGeneres
- Dory
- (narração)
Alexander Gould
- Nemo
- (narração)
Willem Dafoe
- Gill
- (narração)
Brad Garrett
- Bloat
- (narração)
Allison Janney
- Peach
- (narração)
Austin Pendleton
- Gurgle
- (narração)
Stephen Root
- Bubbles
- (narração)
Vicki Lewis
- Deb
- (narração)
- …
Geoffrey Rush
- Nigel
- (narração)
Andrew Stanton
- Crush
- (narração)
Elizabeth Perkins
- Coral
- (narração)
Nicholas Bird
- Squirt
- (narração)
Bob Peterson
- Mr. Ray
- (narração)
Barry Humphries
- Bruce
- (narração)
Bruce Spence
- Chum
- (narração)
Resumo
Reviewers say 'Finding Nemo' is acclaimed for its breathtaking animation and vibrant underwater world. The story of a father's journey to find his son resonates deeply, emphasizing themes of family, friendship, and perseverance. Humor, especially through characters like Dory, adds a delightful layer. The film's emotional depth and memorable music enhance its appeal. While some find it formulaic, 'Finding Nemo' remains a beloved classic with universal charm.
Avaliações em destaque
Those guys and girls at Disney/Pixar have done it again, they've created the perfect underwater world, full of fascinating Disney characters.
A truly enchanting story of a father (Marlon) who loses his son (Nemo), and with help of his new found friend (Dory) ventures out into the ocean to try to find him. On this epic voyage he gets to battle sharks, surf with some turtle dudes, dice with some jellyfish and survive an encounter in a whales stomach.
All the characters are vibrant with Disney charm, but my favourite is Dory, the comic relief, probably one of the funniest Disney characters ever written and superbly voiced by Ellen DeGeneres, pure genius.
All in all this is another success for Disney and Pixar, It brings out the child in all of us.
Solid family fun 8/10
A truly enchanting story of a father (Marlon) who loses his son (Nemo), and with help of his new found friend (Dory) ventures out into the ocean to try to find him. On this epic voyage he gets to battle sharks, surf with some turtle dudes, dice with some jellyfish and survive an encounter in a whales stomach.
All the characters are vibrant with Disney charm, but my favourite is Dory, the comic relief, probably one of the funniest Disney characters ever written and superbly voiced by Ellen DeGeneres, pure genius.
All in all this is another success for Disney and Pixar, It brings out the child in all of us.
Solid family fun 8/10
Yes you read that correctly.
Finding Nemo had brilliant, breathtaking underwater scenes that blow your mind!! Characters that you connect with, that have emotion, style and humour. The soundtrack is perfect to boot. Honestly what more could you ask for? In glorious 4K HDR with vibrant Dolby Atmos it gives this iconic classic a whole new life!!
Finding Nemo had brilliant, breathtaking underwater scenes that blow your mind!! Characters that you connect with, that have emotion, style and humour. The soundtrack is perfect to boot. Honestly what more could you ask for? In glorious 4K HDR with vibrant Dolby Atmos it gives this iconic classic a whole new life!!
Has there ever been a better-looking feature-length animated film than `Finding Nemo'? We doubt it. With its shimmering underwater landscapes - be they in the vast immensity of a limitless ocean or the cramped confines of a dentist office aquarium - the film sports a look unlike anything we have ever seen before. The fish tank setting, in particular, is a veritable wonderland of eye-popping, many-hued visual splendor.
Although the script by Andrew Stanton doesn't scale the comedic heights of, say, `Aladdin,' `Shrek' or `Toy Story 2,' it still sparkles with enough wit and inventiveness to entrance youngsters and beguile the grownups who will be joining them in their viewing. I hasten to point out that the screenplay is blessedly free of all the double entendres and off-color humor that have blighted so much alleged `kiddie' fare in recent years. This is a film on e can watch with one's children and grandchildren and not once have to blush or turn away in embarrassment while doing so. Creators of children's films please take note (and take note, too, of its phenomenal box office take).
Like many tales designed for the junior set (`Dumbo,' `Bambi' etc.), `Finding Nemo' taps into the fear all children have of being separated from their parents - and the concomitant fear all parents have of being separated from their children. It is upon this common ground that members of both generations will meet in their emotional response to this film. In this case, it is little Nemo, an adorable clownfish, who is plucked out of the ocean and plunked down into the saltwater aquarium of a dentist in Sydney, Australia. The subject of the film's title is Marlin, Nemo's overprotective, worrywart dad who swims his way towards the continent to find and rescue his little tyke. Along the way, this Nervous Nellie parent learns a little something about giving his son the freedom a boy needs to grow up and become a man, and Nemo, himself, learns a thing or two about just what kind of a fish his dad really is.
Albert Brooks and Ellen DeGeneres are brilliant as Marlin and Dory, respectively, the latter a befuddled, daffy and utterly good-natured fish who helps Marlin in his epic quest not only for his lost son but his own definition of filial love. Those familiar with these two fine comedic talents in their live-action performances will actually be able to see many of their distinctive inflections and facial expressions reflected in the animated characters they are portraying.
As directed by Stanton and Lee Unkrich, and executed by an army of wonder-working animators and technicians, `Finding Nemo' takes PIXAR technology to its ultimate, final level of perfection - till the studio's next release, that is.
Although the script by Andrew Stanton doesn't scale the comedic heights of, say, `Aladdin,' `Shrek' or `Toy Story 2,' it still sparkles with enough wit and inventiveness to entrance youngsters and beguile the grownups who will be joining them in their viewing. I hasten to point out that the screenplay is blessedly free of all the double entendres and off-color humor that have blighted so much alleged `kiddie' fare in recent years. This is a film on e can watch with one's children and grandchildren and not once have to blush or turn away in embarrassment while doing so. Creators of children's films please take note (and take note, too, of its phenomenal box office take).
Like many tales designed for the junior set (`Dumbo,' `Bambi' etc.), `Finding Nemo' taps into the fear all children have of being separated from their parents - and the concomitant fear all parents have of being separated from their children. It is upon this common ground that members of both generations will meet in their emotional response to this film. In this case, it is little Nemo, an adorable clownfish, who is plucked out of the ocean and plunked down into the saltwater aquarium of a dentist in Sydney, Australia. The subject of the film's title is Marlin, Nemo's overprotective, worrywart dad who swims his way towards the continent to find and rescue his little tyke. Along the way, this Nervous Nellie parent learns a little something about giving his son the freedom a boy needs to grow up and become a man, and Nemo, himself, learns a thing or two about just what kind of a fish his dad really is.
Albert Brooks and Ellen DeGeneres are brilliant as Marlin and Dory, respectively, the latter a befuddled, daffy and utterly good-natured fish who helps Marlin in his epic quest not only for his lost son but his own definition of filial love. Those familiar with these two fine comedic talents in their live-action performances will actually be able to see many of their distinctive inflections and facial expressions reflected in the animated characters they are portraying.
As directed by Stanton and Lee Unkrich, and executed by an army of wonder-working animators and technicians, `Finding Nemo' takes PIXAR technology to its ultimate, final level of perfection - till the studio's next release, that is.
Pixar Animation Studios has a very good knack for making thoughtful, intelligent and humorous family films (note that I didn't say kid films). "Toy Story" 1 & 2 and "Monsters, Inc." are some of my favorite family films; "Finding Nemo" isn't one of my favorites, but it isn't disappointing like "A Bug's Life," and it is thoughtful, intelligent, humorous and incredibly watchable, just like the other Pixar films.
As always, Pixar takes a world of something and completely builds their story around it. In "Toy Story" they gave life to toys and created the world through their eyes. In "Monsters, Inc.," they showed us the monster world. In my review on "A Bug's Life," I said that the reason the film didn't work very much is because it was about bugs, and not about something mystical like toys or monsters that bring back childhood memories. Well, I guess I was sorta wrong, because "Finding Nemo" is all about fish, nothing too mystical about fish, and I still loved it.
This tale takes place underwater with the fish Marlin (voiced by Albert Brooks), whose spouse and baby fish eggs get eaten by a vicious shark in the beginning. All but one egg which Marlin names Nemo.
Years later Nemo (voiced by Alexander Gould, Elliot's son?) is a bit older, and heading off to fish school for the first time. But haunted by the fact that his spouse and offspring were all killed years ago, Marlin is extremely over-protective of his one remaining family member. Nemo, sick of being treated like a baby, proves how brave he is by swimming near a fishing boat, only to be captured by a scuba-diving dentist. And so Marlin heads off to find Nemo, with the help of his newfound companion Dory (voice of Ellen DeGeneres), who has short-term memory loss and forgets things sooner than she can carry whatever she is doing out. (Like when she is showing Marlin the way towards a fishing boat and suddenly forgets why Marlin is following her.)
Pixar doesn't let down the audience on this film. There are a few things that one can always expect from Pixar films: They can expect something (such as toys) to be given their own world. They can expect that world to be given careful attention to detail. And they can expect humor.
"Finding Nemo" gives fish their own world, and the underwater realm they live in is paid careful attention, painstakingly captured on film with computer graphics. And the humor is always there. All the characters are funny. I especially like the sequences from the inside of a fish tank in the dentist's office, with a bunch of fish including Gill (Willem Dafoe's vocal talents), who constantly tries to escape. By doing so, Gill has suffered major injuries, including landing on the dentist's tools and getting sliced up. This is, of course, a parody of escaping POWs. The fact that Willem Dafoe was in the great war movie "Platoon" might have something to do with that.
This is taken from my "Monsters, Inc." review: "Pixar once again not only expands our mind, but our very worlds. I respect their company and commitment values very much, as you can read in my 'Toy Story' review. They stick to the values that made Disney films so family-friendly back in the fifties and sixties: Respect for the audience, respect for quality, and respect for the audience's INTELLIGENCE, something Disney, who has recently coughed up a bunch of lousy, thoughtless sequels, has forgotten. Now, I know that LEGALLY Disney is co-creator of 'Toy Story' and 'Monsters, Inc.,' but they really are not. They just give Pixar the money and get their name branded on the front box of the film. And even then, I have heard multiple claims that Disney is very mean-spirited towards Pixar (read into sequel trouble for 'Toy Story 3') and gives them the bare minimum.
With "Finding Nemo," I still stick towards what I said. Pixar Animation Studios is probably the best family film company out there right now, I really hope they separate from Disney some day and form their own production company. They know what interests both kids and adults, and it's almost creepy how they can make their films so engaging and fun to watch. This is one to take the kids to, and afterwards, maybe even sneak back into again by yourself.
As always, Pixar takes a world of something and completely builds their story around it. In "Toy Story" they gave life to toys and created the world through their eyes. In "Monsters, Inc.," they showed us the monster world. In my review on "A Bug's Life," I said that the reason the film didn't work very much is because it was about bugs, and not about something mystical like toys or monsters that bring back childhood memories. Well, I guess I was sorta wrong, because "Finding Nemo" is all about fish, nothing too mystical about fish, and I still loved it.
This tale takes place underwater with the fish Marlin (voiced by Albert Brooks), whose spouse and baby fish eggs get eaten by a vicious shark in the beginning. All but one egg which Marlin names Nemo.
Years later Nemo (voiced by Alexander Gould, Elliot's son?) is a bit older, and heading off to fish school for the first time. But haunted by the fact that his spouse and offspring were all killed years ago, Marlin is extremely over-protective of his one remaining family member. Nemo, sick of being treated like a baby, proves how brave he is by swimming near a fishing boat, only to be captured by a scuba-diving dentist. And so Marlin heads off to find Nemo, with the help of his newfound companion Dory (voice of Ellen DeGeneres), who has short-term memory loss and forgets things sooner than she can carry whatever she is doing out. (Like when she is showing Marlin the way towards a fishing boat and suddenly forgets why Marlin is following her.)
Pixar doesn't let down the audience on this film. There are a few things that one can always expect from Pixar films: They can expect something (such as toys) to be given their own world. They can expect that world to be given careful attention to detail. And they can expect humor.
"Finding Nemo" gives fish their own world, and the underwater realm they live in is paid careful attention, painstakingly captured on film with computer graphics. And the humor is always there. All the characters are funny. I especially like the sequences from the inside of a fish tank in the dentist's office, with a bunch of fish including Gill (Willem Dafoe's vocal talents), who constantly tries to escape. By doing so, Gill has suffered major injuries, including landing on the dentist's tools and getting sliced up. This is, of course, a parody of escaping POWs. The fact that Willem Dafoe was in the great war movie "Platoon" might have something to do with that.
This is taken from my "Monsters, Inc." review: "Pixar once again not only expands our mind, but our very worlds. I respect their company and commitment values very much, as you can read in my 'Toy Story' review. They stick to the values that made Disney films so family-friendly back in the fifties and sixties: Respect for the audience, respect for quality, and respect for the audience's INTELLIGENCE, something Disney, who has recently coughed up a bunch of lousy, thoughtless sequels, has forgotten. Now, I know that LEGALLY Disney is co-creator of 'Toy Story' and 'Monsters, Inc.,' but they really are not. They just give Pixar the money and get their name branded on the front box of the film. And even then, I have heard multiple claims that Disney is very mean-spirited towards Pixar (read into sequel trouble for 'Toy Story 3') and gives them the bare minimum.
With "Finding Nemo," I still stick towards what I said. Pixar Animation Studios is probably the best family film company out there right now, I really hope they separate from Disney some day and form their own production company. They know what interests both kids and adults, and it's almost creepy how they can make their films so engaging and fun to watch. This is one to take the kids to, and afterwards, maybe even sneak back into again by yourself.
Okay, Disney and Pixar did a fabulous job. The images were so great, the storyline was typical but fun, the characters were well-defined, and the sound was emotive and effective. And, who could not love a flick that makes references to The Shining, Psycho, and other quality films?
I seriously got attached to the little Clown fish, Nemo. The movie just sucked me in. Anyway, watch it. It's worth your time, especially if you enjoy Pixar animation. The first 10 minutes is a visual overload in a good way. Very good way.
By the way, the voice of Jesus (Willem Dafoe) embodied by a Tiger fish? Awesome.
I seriously got attached to the little Clown fish, Nemo. The movie just sucked me in. Anyway, watch it. It's worth your time, especially if you enjoy Pixar animation. The first 10 minutes is a visual overload in a good way. Very good way.
By the way, the voice of Jesus (Willem Dafoe) embodied by a Tiger fish? Awesome.
Você sabia?
- CuriosidadesAndrew Stanton pitched his idea and story to Pixar Animation Studios head John Lasseter in an hour-long session, using elaborate visual aids and character voices. At the end of it, an exhausted Stanton asked Lasseter what he thought, to which Lasseter replied, "You had me at 'fish.'"
- Erros de gravaçãoMarlin and Dory are advised to swim to the back of the whale's throat and to be blown out of the whale's blowhole. This is not physically possible as whales' mouths and digestive systems are not connected to their respiratory system and blowhole.
- Cenas durante ou pós-créditosDuring the end credits, Mike Wazowski from Monstros S.A. (2001) swims across the screen wearing scuba-diving equipment.
- Versões alternativasIn the 3D re-release the old Disney logo is replaced with the new Disney logo and the Pixar logo that was used in the 3D version of Up: Altas Aventuras (2009). These changes were also made in the 3D Blu-ray release (The regular Pixar logo is used in the 2012 DVD & 2D Blu-ray version).
- ConexõesEdited into The Paul Behragam Talk Show: "Balto 3" R&T Part 6 (2015)
- Trilhas sonorasThe Girl from Ipanema
Written by Antonio Carlos Jobim, Vinicius de Moraes, and Norman Gimbel
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Procurando Nemo 3D
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 94.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 380.843.261
- Fim de semana de estreia nos EUA e Canadá
- US$ 70.251.710
- 1 de jun. de 2003
- Faturamento bruto mundial
- US$ 941.637.960
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
- Mixagem de som
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