Wild Zero

I know I use the word 'awesome' frequently in my reviews, and frequently refer to other movies as some "the awesomest movies ever" (see 'Battlefield Baseball' or 'Volcano High'). I can't help it if I watch all these awesome movies. This is where 'Wild Zero' comes in: Simply put, 'Wild Zero' is so indescribably awesome that it defies the description of 'awesome'. There is no other way to describe the awesomeness that is 'Wild Zero'.

'Wild Zero' is a documentary starring Japanese rock band Guitar Wolf. I wouldn't have thought it to do be a documentary, but Guitar Wolf said it was so*, and who am I to doubt them? They saved us from zombies and an alien invasion. All hail Guitar Wolf! 'Wild Zero' starts with Guitar Wolf (the guitarist, not the band) enraging a night-club owner, and in the middle of a stand-off, Guitar Wolf (the band) are saved by a wannabe rocker named Ace. Guitar Wolf (the guitarist) pledges to be a rock n' roll blood-brother with Ace, handing him a whistle only to be used when Ace needs the help of Guitar Wolf. On his way to a gig in Asahi, Ace and other random characters are attacked by zombies. Now only Guitar Wolf can save the world from zombies and aliens. Awesome.

I noticed other users referring to this as the 'ultimate B-movie' and whatever. I disagree. This is the ultimate awesome movie. Well, it would be if it wasn't a documentary. Either way, 'Wild Zero' has everything that all aspiring awesome movies need: rock n' roll, zombies, many exploding heads, guitar-swords, and the best reference to 'Psycho' ever. Ignore all comments about acting, Guitar Wolf are just being themselves (with alcohol and swearing toned down, so I've read). Awesome.

10/10 - some people might disagree with my comments. 'Wild Zero' may not be a well-made 'movie', but it is so incredibly awesome, and in the end, awesomeness is what really matters.

*Ok, I found that from a website reviewing 'Wild Zero'. I read through a few interviews with Guitar Wolf, and they didn't specifically say that, although they did similar things. In fact, everything they had to say was awesome.

As someone who's been listening to Guitar Wolf since the early 90s and seen them live a dozen times, I near about wet myself when I first saw this many years ago. Having seen them appear in Sore Losers was funny enough but a movie centered around zombies, killer GW tracks, and schlocky FX and acting...who could resist! Certainly it's got its B-movie charm and the US DVD has the drinking game, but on some level, garage rockers and rock and rollers get this movie and rightly so. It's so over the top and nuts, and the characters have such great idiosyncrasies you can't help but love 'em. The plot isn't so great but there are some absurdities here that you'd find in some of Miike's endings (a la the end scene in Dead or Alive. WTF!) and it's enough to hold your interest and give you a wild ride. But, it's Japanese cinema so who cares, it's not always supposed to make sense. I guess the GW guys are looking for Wild Zero 2 sponsors so I hope they make a funnier sequel. ACE!

The action revolves around the Japanese garage punk band Guitar Wolf. A trio of coiffed, leather-bound super cool rockers. Ace, our main character is a wannabe rocker and number one fan of Guitar Wolf. One fateful night he finds himself in the middle of a gunfight between Guitar Wolf and an evil hot pant wearing wigged club owner. Guitar Wolf recognizes the lad as having a heart dedicated to the true spirit of rock and roll and makes him a blood brother and furnishes him with a "wolf whistle" to blow if he is ever in trouble. Trouble comes quickly in the form of UFO's and the living dead. Along the way we meet an adorable transsexual desperate for love and a bad ass female weapons dealer. Featuring guitar picks used like ninja throwing stars, a naked woman blasting zombies in the shower, slicing a UFO in half with a Samurai sword, more exploding zombie heads then you can shake a stick at, and of course, plenty of rock and roll, guitar punk sensibility. To enjoy "Wild Zero" you really have to throw out any misconceptions you might have that a film that suffers from bad editing, bad continuity, and a lack of coherent story could possibly be anything but awful. Wild Zero proves that a film can suffer these slings and arrows and still shine brilliantly. It's all about the Rock and Roll! The music in this film kicks some serious ass! It's just a whole bunch of awesomeness. For some additional fun the DVD includes a drinking game you can play while watching the film. A drinking symbol appears sporadically throughout the film like each time a character drinks, says Rock 'n Roll, or a head explodes. I can only imagine that the addition of alcohol would enhance the experience.

Wild Zero is the kind of film that has received limited, but generally ecstatic, reviews from those obviously in sympathy with the makers: "The best film I have ever seen... I really can't say enough good things about Wild Zero. It's the most fun I've had at the movies in a long time." - Teleport City (sic). "It represents everything I love about film and about life. It is beyond perfection. It has transcended into a realm of unbelievable excellence." - IMDb. One suspects, however, that none of the admirers of Takeuchi's lunatic rock and roll zombie flick see it as more than a trash exercise *par excellence*, a raucous hybrid in which nothing is taken seriously and lapses of taste and judgement are understandingly forgiven. Like most junk products it is fun while around, quickly consumed, bad in excess and soon forgotten.

At the centre of the film is the iconic figure of Guitar Wolf (ably supported by his band members Drum Wolf and Bass Wolf). Guitar hails from the world of Japanese punk and rockabilly, and comes complete with sunglasses, sub-Elvis pompadour, black leather jacket, and unutterably cool attitude. This is his second big screen appearance since McCarthy's Sore Losers of a few years back which was, by all accounts, a similar sort of project (tag-line: "They wanted meat so they ate the flower children!"). How you enjoy the present film depends on appreciating Guitar's somewhat hand-me down camp persona, and your enjoyment of the cheap zombie genre. Romero's trilogy hangs heavily over things, and at one point the characters even discuss who has seen Night Of The Living Dead (1968) - ironically, few here have. There are other influences too: Burton's Mars Attacks! (1996) during the initial flying saucer scenes, or the John Woo-like stand off in the manager's office. The meteor-led incursion recalls such 1950s' invasion titles as Arnold's It Came From Outer Space (1953). That aliens would want to bring the dead back to life as part of their plans can be seen in Wood's legendary Plan 9 From Outer Space (1959), though the charm of that film is missing here.

The action takes place in the nowhere-place of Asahi-Cho, the scene of a meteor shower and shortly, we discover, to be the focus of an alien invasion. Ace is the desperate-to-be-cool character, also in black leather, glasses and rockabilly pompadour, who plans to see his hero Guitar Wolf at the local dive (where he duly performs using microphones which shoot fire). After the show there's a falling out between Guitar and the club owner who, despite having grown up with the singer, claims "Rock and Roll is dead!" Given the heavy investment in the style by all concerned it's clearly a mistaken announcement. It duly provokes a shoot out between Guitar and the owner, in which Ace plays a crucial part in helping his hero. The owner loses two fingers for his pains and vows revenge. Meanwhile Guitar makes Ace his "rock and roll blood brother" and gives him a whistle, to be blown when he is danger. Given that the town is due to be overrun by murderous zombies this is no small blessing, as one can imagine.

Meanwhile other strange characters are introduced: a female arms dealer, most comfortable in what looks like a plaid leotard; a bickering trio in a car, (one of which, Masao, goes odd and tries a blundering gas station robbery); the girl Tobio, dumped by the road after being called a 'pervert' by an unknown driver. She then strikes up a close friendship with Ace. All of these characters act strangely, and it is clear that the meteorite storm is affecting them, just as it unaccountably brings the dead back to life to roam the streets and eat people. Soon Ace discovers a grisly roadside dismemberment and has to prove his courage. Tobio (who has a remarkable secret of her own) is under threat from the zombies, and the plaid babe has to break into a stock of weapons to defend herself. All this while Guitar Wolf needs to first help Ace, fight off the angry club owner, then save the world...

Such trivial plotting and mediocre acting provide window dressing to the film's main elements: Guitar Wolf's rockabilly insouciance in the face of danger, and Ace's own rite of passage; the stumbling flesh-eaters appearing with predictable regularity, and the drug-crazed club owner, (now dressed in hot pants), hunting the singer. The result is, frankly, an entirely inconsequential mishmash, although such a criticism is irrelevant to those who would savour the throwaway lunacy of it all. Takeuchi's first time direction is mundane at best, exemplified in the couple of times he clumsily attempts cross cutting, such as between Ace battling the zombies and Tobio's calm walkabout in her trainers, which seem misplaced and unnecessary. Cross cutting to increase suspense, or to effectively showcase parallel action, is beyond a director whose visual reticence indeed often works against Guitar's screen impact. More unforgivably, while the bargain basement flying saucer effects and gory visuals of disembowelment are well done, there is no feeling of real horror in the picture, merely some vaguely tense scenes as Ace and others are surrounded. The gathering claustrophobia and social comment found in Romero's originals are entirely absent. The flourish and demonstration of a butterfly-knife at one point (a scene which would have undoubtedly been cut a few years back by the squeamish BBFC) promises some tough street fighting, which never materialises - a shame as it would have promised more immediacy and danger than we ever see here. One or two moments are effective: the sad zombie that Toschi becomes, for instance (played by a peculiarly Buscemi-like Japanese actor), wondering the streets before being reunited with his zombie girlfriend. Or Guitar's leap from an exploding room in a three-storey building, to land unscathed and then casually retune his instrument. Such wit is hard to find in a film playing like an off the wall drive-in movie and, for those not attuned, can drag terribly.

At the end of the film Guitar dispatches an alien mothership with his sword, drawn from his guitar - a striking action that, in a single move, encapsulates both the strengths and weakness of a crazy film. Standing on the roof, blade erect to slice open the metal belly, Guitar is cool without being quite convincing, the plot's climax barmy without being brilliant. If we can accept Guitar's keen edge hacking through a low flying spacecraft without laughing the wrong way, then no doubt we will accept and forgive much else seen too. Unfortunately this viewer had his doubts. In Ace's words "At the end of the road you've gotta be grateful" and I had reason to agree with him.

I've noticed noticed a lot of negative commentary about this movie by people who obviously are totally lacking in rock-n-roll spirit, and their effete reviews should not stop people from going out and watching this movie for themselves.

This movie is for everyone and anyone who: has an interest in B-movies, has an interest in garage rock/punk/rockabilly/rock-n-roll, enjoys drinking and laughing.

Wild Zero is equal parts Rock-N-Roll High School, Plan 9 from Outer Space, and Night of the Living Dead. It boasts an amazing soundtrack (equal parts Japanese and American bands), a cast that is long on "cool" and short on Oscar potential (just like a B-movie should be), and an excellent mix of camp and schlock horror.

Featuring the band Guitar Wolf (a real band by the way, who lack a certain level of musicianship, but more than make up for it with rock-n-roll attitude) and Ace (Masashi Endo, who does have acting talent) the movie takes us on a ride through an Ed Wood/George Romero wasteland that features a hell bent for leather biker attitude. The plot is no thinner than any other B-movie, and actually carries a rather broad minded message about acceptance and values.

If Wild Zero has one flaw, it is the editing (and not the acting as some people have commented. I speak Japanese and live in Japan. The acting is no worse than that presented on typical Japanese television dramas, and indeed Masashi Endo and Makoto Inamiya have certain comedic and manic talents that will perhaps be expanded upon in the future. The movie also features Morishita Yoshiyuki, who looks like the Steve Buscemi of Japan.) The editing is a bit slack at best, and the movie contains about 10 minutes of "dead" footage.

Apart from that, Wild Zero is exactly what you need for an fantastic evening with friends, beer, and perhaps pizza or take-out sushi. The Wild Zero drinking game (do a search) comes highly recommended.

Don't expect to see Citizen Kane, and don't expect to see the Citizen Kane of B-movies, but do expect to see a B-movie that deserves an enshrined spot in the pantheon of cinema for it's unique combination of flavours horror, camp, rock-n-roll, japan, and boundless love.

If you've watched it and didn't get it, watch it again, but this time turn the volume UP! and drink more beer!

This movie is not suitable for fans of Kenny G, Right Wing Republicans, and people who avidly follow the advice of Martha Stewart.

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