Uma Lição de Amor

I Am Sam is a great movie that deals with marginalized people in our society and how they're treated. It's a very realistic portrayal. I watched it with my 13 year old daughter and it alternately made us cry, got us angry and caused us to laugh uncontrollably.

Sam is loved and respected by those who know him (Starbuck's patrons, IHOP Waitress, friends), taunted by those who have no regard for anyone different (Lucy's arrogant classmate and his equally arrogant father) and generally misunderstood by everyone else.

I especially liked the irony of the lawyer, who is an emotional train wreck, yet because she's an adult intellecutally, no one questions her ability as a parent. Sam on the other hand loves his daughter and it shows.

This movie is not for anyone looking for a "fun weekend rent". If you rent this, be prepared to have your values and your emotions challenged.

I know that title isn't very descriptive, but all I could say for awhile after watching I Am Sam was, "Wow!" Although that's a positive endorsement of the film--it's rare that a film has me basically speechless afterward (I usually suffer from logorrhea, which sounds close enough to diarrhea that you could call it (verbal) flatulence instead if you like)--it turned out to be quite a problem, because we went to dinner right afterward and I had to give a lecture. I believe I was served some kind of raw beef, and I have an exorbitant dry cleaning bill from the tomatoes and rotten eggs.

But I won't bill director/co-writer Jessie Nelson, because it's not her fault that her film is so powerful and so stunningly constructed that it made me monosyllabic. I can only blame myself for putting off watching her work for so long.

I Am Sam begins with Sam Dawson (Sean Penn) at his job. He lives in Santa Monica and works at Starbucks. We can see that he's mentally retarded. He appears slightly autistic. Because of this, he's given only menial tasks to do. Suddenly, his boss tells him that he has to go. We see Sam running through the streets, catching buses and so on to end up at a hospital. A woman is in labor and it turns out that he's the father, but she wants nothing to do with him afterward--apparently, it was something like a one night stand. She abandons him with the baby. Aided by a quartet of developmentally disabled friends and his agoraphobic neighbor, Annie Cassell (Dianne Wiest), we see Sam doing his best to raise the girl, Lucy Diamond Dawson (eventually played by Dakota Fanning)--so named because Sam is a big Beatles fan. At least until he is "accidentally arrested". Government officials question his ability to raise his daughter, and I Am Sam becomes the tale of Sam's legal battle to retain custody of Lucy, aided by high profile lawyer Rita Harrison (Michelle Pfeiffer).

I Am Sam will likely make you say, "Wow!" afterward because it is a masterpiece on every artistic and technical level.

All of the major cast members give one of the best performances of their careers, and many of these actors have had a number of artistic triumphs on their résumés. Sean Penn is completely natural and believable as a developmentally disabled man. Two of the men playing his friends really were developmentally disabled, having been found at L.A. Goal, a non-profit agency dedicated to helping such people through a variety of programs, and it's next to impossible to tell them apart from the other actors. Nelson and her co-writer, Kristine Johnson, spent a lot of time at L.A. Goal doing research, as did Penn. Pfeiffer perfectly executes a complex character who has to undergo a number of far reaching transformations and even a breakdown of sorts. As for Fanning, I haven't seen her in a film yet where she didn't threaten to steal the whole thing from her senior, much more experienced colleagues, and during the filming of I Am Sam she was only 6 or 7. Wiest, Richard Schiff, Laura Dern and others also turn in very complex performances that convey characters with deep, multifaceted histories, despite their relatively little screen time.

Nelson approaches the film with a number of unusual artistic and technical angles that all work wonderfully. The cinematography is mostly hand-held work. Unlike similar attempts in films such as Lars Von Trier's Dogville (2003), the hand-held work never feels affected or intrusive here--it's completely "organic". The most common purpose of the unusual cinematography is to give the viewer almost a subjective sense of what it's like to be Sam, to experience the world in the way he does. Cinematographer Elliot Davis moves his camera in a way closely mirrored with Sean Penn's movements. There's an additional emotional symbolism. When Sam is feeling agitated, the camera-work is agitated. Likewise when Sam is confused, pensive, and so on. Davis shoots from a lot of unusual angles. All of them work.

Nelson also has the editing, lighting and production design match the aesthetic of the cinematography. The editing is sometimes very choppy, but always feels "natural", just right for conveying Sam's experience. Sometimes there are odd incongruencies between sound and image, or between temporal sequences. The lighting, camera angles and production design often make some elements appropriately fantastical. The production design and costuming match not only Sam's world, but other characters' worlds, as well. Not one aspect of the film seems to have gone by without close examination and artistic justification.

The music, which largely consists of Beatles tunes performed by other artists, fits the film perfectly. Sam and his friends are all a bit obsessed with the Beatles (and apparently, so were many L.A. Goal members when Nelson visited). The Beatles tunes exquisitely match the various moods of the film, and the lyrics often complement emotions and actions.

But even above all of that, I Am Sam tells a heart-wrenching story that's something of an exciting, emotional roller-coaster. There are many humorous scenes, often centered on Sam and his buddies going about the world with a kind of Winnie the Pooh-like wisdom that seems more honest and admirable than most of the film's "normal" folks. Of course, there are also many scenes that will require tissues for tears. And there's just about every emotion in between the two.

Finally, the film has a great message. Does parenting, or general personal worth, really hinge on intellectual ability and amassed knowledge? I don't think so. Parents who are very smart can have more than their share of flaws, as we see with Pfeiffer's character early on. Plenty of us had parents who were smart enough but couldn't help us with our geometry homework. Love may not be all you need, but it's definitely one of the major prerequisites.

Sean Penn plays Sam, a mentally retarded man who has become a father to a bright beautiful baby girl. He has also become single on the same day because the girls mother ran off and left them. Sam does his best to raise her along with the assistance of his friends and everything is fine until the girl, Lucy, turns seven. Now she is equal if not greater on the intelligence scale and Social Services has taken her from her father for Lucy's own good. Same enlists the aid of Rita, played by Michelle Pfeiffer, a guilt-stricken mega-attorney who takes his case pro bono. Eventually Sam finds himself in a battle against Laura Dern who is playing a foster mother attempting to adopt Lucy for good. My wife had tears running down her face throughout this movie. Other women in the audience were sobbing during the movie. I didn't get it. I'm not saying the movie wasn't well done. It was. I'm not saying the actors didn't do a great job. They did but (and here is where I get in trouble at times) Sean Penn and Michelle Pfeiffer are both very well respected in their field and we tend to expect good performances from them. I will say the little girl bordered on phenomenal with her control.

All I can say is something wasn't hitting me on this one, and while I will admit that I didn't hate it and have seen many that were far worse, it just didn't move me one way or the other.

I have to confess off the top that I am not and never have been a particular fan of Sean Penn. I have no specific criticism to make of him; as an actor he simply doesn't appeal to me. Because of that bias I approached this movie with low expectations. The story of a mentally handicapped man fighting for custody of his seven year old daughter sounded intriguing, but it starred Penn. But what a pleasant surprise this movie turned out to be!

Penn is actually very good in this role. He brings a realism to the character of Sam Dawson, and portrays him sensitively and with real emotion. In fact, I thought the only performance that was better than Penn's came not from Michelle Pfeiffer (who disappointed me a bit, actually) but rather from little Dakota Fanning as Sam's daughter Lucy. She seemed so natural in this role, and I would hope that we see more of her in the years to come. Pfeiffer, on the other hand, (as Sam's lawyer Rita Harrison) just didn't carry the role off that well, and even the courtroom scenes to me lacked the tension one would have expected from such an emotionally-laden issue.

The movie weakens in the last little bit, going for the sappy (and highly unrealistic) ending - unrealistic particularly in the way Lucy's foster mother (Laura Dern) ends up handling the situation.

Having said that, I still enjoyed this movie very much. It's raised my assessment of Sean Penn's acting abilities and I would recommend it to others and would watch it again.

7/10

It is with a great feeling of disappointment that I write this negative commentary on the movie, I am Sam.

The movie starts off reminiscent of Rain Man. The obsessive-compulsive traits of autism are apparent as Sean Penn's character; Sam guides his fingers through the packets of Equal and Sugar Twin separating them into their own groups.

We then learn that Sam works at Starbucks and before we have a chance to get to know him we're off to a hospital where a woman who we are never introduced to is giving birth to the other lead character, Sam's daughter, Lucy. We are never given any more information about this woman.

Somehow Sam manages to raise this child some help from his neighbour who I assume is agoraphobic, but we never really know for sure. Anyway, after a series of circumstantial events, Lucy is taken from Sam by the social workers and Sam is forced to look for a lawyer (Michelle Pfeiffer) who will argue his case to keep Lucy in his care.

Sean Penn's portrayal a mentally disabled person is very good, but what sort of mental illness does he have? Is he autistic? How severe is it? One minute, Sam is answering questions by relating their answers to obscure Beatles lyrics and the next, he is losing his patience and causing a scene in a restaurant that doesn't have his pancakes on the menu. I am no expert on mental illness, but would someone that has Sam's condition be able to make connections his life and the Beatles song, "Michelle"?

I also had a problem with the fact that just because Sam is sweet and good and able to live independently that we should by default assume that he is the best person to raise Lucy. The social workers and layers are portrayed as terrible people with no other goal than to tear a happy family apart.

I believe this movie was intended to display mentally disabled people in a different light, and to show that there are many things that mentally disabled people can do, but it failed. Because the antagonists and so many elements of the movie were so unrealistic, it doesn't convince the audience that, in the real world, a person like Sam could actually raise a child.