FLCL

This is the most original anime I have ever seen in my life! It's totally insane, really fast and hysterical. Full of pop-cultural references and giant robots. Great action sequences and a top-notch soundtrack provided by JPop band The Pillows. The one thing I noticed the most is the distinct animation style, which actually changes randomly. The first and last episode feature a mind-blowing and dizzying manga sequence where pages from the manga are animated.

This is totally original, anyone who calls themselves a fan of anime should check this one out.

When I first saw FLCL (Furi Kuri, Fooly Kooly) I didn't like it. But it grows on you. I check out a couple of epis at A-Kon, and thought, what is this? Robots coming out of people's heads? A girl on Vespa running a kid down, and clubbing him with a lefty Rickenbacker bass? WTF? I thought . .. Uh...Okay. Next! But after seeing it a few times, its really great! Plus, thanks to The Pillows, it has one of the best soundtracks in all of anime! Don't try and figure it out. Maybe you'll get it someday, but for now, just sit back and enjoy the weirdness!

Fooly Cooly really hasn't aged in the last 20 or so years.

Its still just as surreal as the last time I saw it. On a recent watch, I was even able to see how it affected much of the anime to come in later years.

If you like existential series, you'll enjoy this as well.

At first glance, FLCL seems like a foolish attempt at putting too much randomness into an anime. Indeed, it's impossible to summarize the show without making it sound completely stupid: "It's about an alien woman who hits a boy with a guitar, and robots start popping out of his head." Yeah, that's gonna make people want to see it (not). But then again, it's also one of the most artistically perfect pieces of work ever.

The best short summary I can come up with it is that it's a coming-of-age story about a wacky woman who takes advantage of a 12 year old boy. But that doesn't explain half of it. It perfectly molds hidden themes into a beautiful story. The style of this anime is incredibly unique. It completely departs from the classic realistic anime style, and seems to emulate more American cartoons by not letting the characters show very exaggerated characteristics at times.

While it indeed is filled with craziness, there is an obvious and very strong structure to the plot. Every scene is intimately connected to every other scene, and it works perfectly. There are inherent themes about love, friendship, jealousy, and the discovery of all those as one grows up. I've read someone write that watching FLCL is like falling in love for the first time again, and it's a great description. After all, as a coming-of-age story, those are the feelings that the main character Naota is going through himself.

The music is simply the best in anime, period. Every major sequence has rock music by The Pillows in the background, and every time, it seems to fit perfectly with the scene. While the music is excellent by itself, it strengthens the emotions that FLCL is trying to deliver in those scenes.

At just 6 episodes, it's short. But because of its shortness, the plot structure is incredibly tight, allowing it to have such great connections within. FLCL is simply an excellent work of art. Don't look at it as the best anime ever created. Look at it as a beautiful piece of art that chose anime as the medium to deliver itself in.

FLCL (short for "Furi Kuri", although I really have no clue how or why) is a highly stylized show. It's light-speed flow of dialog train-wrecks with the multitude of visual accompaniments in a strange combination of storytelling and all-out madness. There's no denying it, Furi Kuri will almost assuredly make you say "What the **** did I just watch?" I won't try to convince you of anything but that fact, nor do I feel anyone should. The show was made to warp minds while telling a tale - yes, there IS a plot underneath all this insanity - and cover as many genres, as many styles and subjects and tastes as possible. It is madcap entertainment, that's for sure.

Any attempts to cover the storyline for this series feel as if they'll ultimately end in failure, primarily because saying too much would spoil the plot...and you can't tread very far without toeing that line. Therefore, I'll make an attempt at telling what I can, trying not to spoil anything.

::takes a deep breath::

Naota is a sarcastic, smart-alec 12-year-old with a distaste for bitter drinks and sports a baseball bat at all times. He lives with his father and grandfather, and has a strange friendship with his older-brothers' girlfriend, Mamimi. Naota generally finds life boring in his town, a run-of-the-mill city with nothing out of the ordinary ever happening (despite the fact that there is a giant factory at the edge of town, a factory in the shape of a giant iron). This dull life changes when, for no apparent reason, a pink-haired girl named Haruko shows up on a moped...and proceeds to plow right into Naota, sending headlong into an adventure he would most likely prefer to avoid. With the entrance of Haruko into Naota's life, everything - not just his everyday life, but everything else around the entire city - seems to become even stranger and stranger. Naruko apparently has some strange obsession with Naota, one that requires the occasional beating with a guitar (aw, heck...she does that to everyone).

That's a fairly loose run-down of the series. However, the focus seems to be very, VERY far removed from such down-to-earth elements as "Following a steady plot" or "developing characters"; instead, Furi Kuri seems to lampoon anything and everything it can, from basic elements of life and society to American Television (yes, there is a South Park section in the series). It flows so quickly you feel as if you're being overwhelmed, yet at times the show appears to slow down, just enough to let the poor audience barely catch up...and then speed off again, taunting the viewers with its very appearance.

How can a show be so cruel in its simple execution? Imagine a fairly normal scene of Naota reminiscing about his older brother (whom has gone to America to play Baseball). Naota then proceeds to walk into his kitchen, discovering Haruko has appeared at his house. Without any warning the show shifts into hyperdrive, transforming into a moving manga (Japanese black-and-white comic), telling the next few scenes with crazed voice acting and rapid camera movement, mimicking a person reading such a publication. There are moments when the show will shift to cliched Anime moments (the "gun-fight" camera, with characters flying about and spraying bullets) back to normal time simply because it WANTS to. The show is driven by a madman, driving to make madmen of us all. ...and yet somehow the show is comprehensible after a few viewings, subtle moments once misunderstood now coming in clear(er). You get the feeling of several layers of meaning coming from all angles, several topics being touched upon, the show proving that it is more than just a crazy attempt at randomness in entertainment. The last episode, while lacking any true "tying up of loose ends" at least brings all events of the past to a pseudo-close, bringing an understanding to the basest wackiness exhibited.

Usually, I find myself enjoying shows that are able to combine elements into powerful scenes - Cowboy Bebop is a good example of this, splicing wonderful jazz and rock with the action pacing of each section of the series. Furi Kuri, however, throws this concept right out the window, apparently making the attempt at clashing anything and everything they can without wholly losing its sanity in the process. The music, performed by J-Pop (J-Rock?) group "The Pillows" has a rock/punk edge to it, yet feels easygoing and fun to listen to. This music almost seems out of place when taken in conjunction with the wild action and oddities that are viewed; large fights take place with simple guitar-riffs in the background, appearing as an attempt to downplay the action as nothing more than a childs' imagination.

One could probably get away with calling this show a visual representation of a childs' imagination, actually. It only has boundaries where it sees fit, it plays whatever music it wants to whenever it wants to, and it jumps from topic to topic as if it suffers from ADHD and has ingested a few bowls of sugar. The people may stay the same (for the most part), but everything else defies logic, reality, and reason. Despite its extremely varied existence, I enjoyed the series immensely, and suggest it to anyone who wants to experience...well, anything. It doesn't single out certain topics - like love, friendship, actions, self-depricating humor - instead opting to tackle them all and mush them together into 20-minutes of super-phrenic television. If you don't enjoy the absolute craziness of FLCL, then you should at least respect it for its ability to throw caution (and most everything else) to the wind and go with whatever it feels like doing. Hey, since when has 6 episodes of dementia been this fun?