Movido pela Honra

Once again a substantial literary work (3 novels) has been shoehorned into 200 minutes or so of television but this time without the gross omissions that usually occur in exercises of this kind. Partly this is because of the fair amount of action which takes up a lot of literary space but which can be economically depicted on the screen.

Evelyn Waugh had a pretty scrappy Second World War, but he used his illegally kept diary to good effect. His semi-autobiographical hero, Guy Crouchback goes into what he thinks is a God - ordained crusade against evil, only to discover that the war is the ideal environment for liars, cheats, cowards and phonies of all varieties. His egregious acquaintance Trimmer becomes a war hero by accident and is promoted to Colonel. The evil Corporal Ludovic who murders his C O gets commissioned while good men die everywhere. Every attempted noble act by Guy misfires, and only at the end does he finally achieve some nobility as the putative father of Trimmer's child.

Guy's position is not helped by the fact that his once and later wife Virginia (Megan Dodds) is a vain little tramp who uses men so obviously it's a wonder they are taken in. Guy's emotional IQ is so low he manages to fall for her twice. Well, perhaps the second time around he was after some nice redeeming suffering - he did have some insight - but in retrospect Virginia's demise seems a blessed relief.

Generally though, this was a decent effort. Highlights included the Crete and Croatian sequences and the great portrayals of Ludovic, Major Hound and Brigadier Ritchie-Hook the truly crazy brave military idiot, who was at least able to admit that he enjoyed all that killing'n stuff. Daniel Craig's Guy is also a very measured performance. He has a face on which one can read inner suffering like one reads a weather dial. It was also nice to see that perennial lightweight Leslie Phillips (of 'Carry On' fame) bringing some gravitas to the role of Guy's aristocratic father.

I haven't read the books in this case, but if the portrayal of Mrs Stitch, the society grand dame in the production is anything like that in the trilogy it's a wonder Lady Diana Cooper, who was still alive when they were published, didn't sue. Lady Diana is thought to be the real-life model for the character, who cheats on her absent husband with a young war hero, destroys Guy's mail and pulls strings to get him transferred back to England so he can't blow the gaff on what her 'hero' really did in Crete (desertion).

Anyway, I am now inspired to read the books, which on previous experience should be no hardship. Evelyn Waugh was an intriguing character who started out as an angry young literary man in the 1920s and finished up a reactionary old fart in the 1960s, his time long gone. Yet he was one of the greatest English literary stylists of the 20th century, equally adept at satire ('Decline and Fall', 'Scoop') and serious work ('Brideshead Revisited', Sword of Honour'). This production suitably honours his memory and isn't a bad bit of television in its own right.

I was unaware of this film adaptation of Waugh's trilogy until today's showing on British freeview TV, and missing the first half hour, also missed the chance to record it to DVD. Drat. Until I saw it. Very pretty production by Channel 4 TV and Talkback, made some 8 years back, before Daniel Craig became a superstar.

I've read and reread a lot of Waugh but believed Sword of Honour to be an inexplicably stolid, inaccessibly unreadable work, so big, so long, so dull. Brideshead was the beginning of the end, the trilogy was the end writ large.

Until I found the BBC radio adaptation from 1974, over 11 hours rather than this film's 4. After a few hours I began to see the early Waugh wrapped inside the less obviously satirical wrappings, his humour and gravity. The genius, in short.

They don't make them like Waugh any more, nor do they make the people; the 1974 recording was made in time to catch many authentic sounding voices from the era, and some very fine acting. A gem which I recommend to any Waugh fans.

This film seems to be, probably, a rather adroit shot at a script which condenses a huge tome to a few hours, but the vowels are comprehensive school, Craig is hopelessly wrong, and there are but a few flashes of sharp observation and very little wit. But the audio version is available on the internet, and of course the pictures are better.

How a scintillating trilogy like this could be transformed into a lifeless parody of itself by filmmakers is a complete mystery. It is lugubrious, slow and mistakes slapstick for wit. Waugh would have been appalled by this work. He was a nasty man in private life--a friend of Randolph Churchill whose boorish behavior was legendary--but he had high literary standards. Daniel Craig, incidentally, does not do humor well. The first review on this site must have been written by the movie publicist. The actress who plays his first wife is as wooden as Craig himself -- zero chemistry there -- and there is a supporting cast who clearly didn't have their heart in any of this. A total waste of time, so don't bother. I hope I have made myself clear in padding this out to the full 10 lines required. Left to me, I would have kissed it off with a simple, "No, don't think so. Take your dog for a walk instead."

'Sword of Honour' can be seen as an update of the Boultings' 'Pilgrim's Progress' - an anachronistic idealist fights in World War Two for reasons of chivalric honour, only to see the world overrun by liars, cheats, murderers, cowards and lunatics; where decency is pointless, even dangerous.

William Boyd's restructuring of Waugh's war trilogy is a miracle of adaptation - his leavening of verbal humour with slapstick; his capturing of Waugh's elliptical tone; his creation of haunting visual patterns acting as counterpoint to the horrific satire that is the war. There is one haunting sequence amid so much disintegration, the false bomb warning during Virginia's post-natal party, that magically hints at forces beyond man's self-defeating endeavour, while also rescuing a character Waugh was rather hard on. In the moral sense.

Worth watching for the solid character and moral challenges ( bad luck if you no longer believe we have them ) even though for many, the caricature and patheticness of the big boys and girls in the play make us less than warm to them in the film version.

Waugh has taken on the tough job of telling the truth from the inside and its not nice, good or even very inspiring. Unfortunately that's what we are like .Ultimately its these truths , not fantasy ,that sets us free .

The son ,father and growing men figures whose bouts of courage to do the right thing, give the play a gritty guts that make this drive through the sordid and mad mess of war really worthwhile . Because its so punchy, and even funny, if you a boy yourself , about stupid men, it should be shown in all public schools.