Crazy as Hell

This movie is so twisted, what I l ♥ v e about it is that it's not your typical Hollywood American movie, the concept is different too. This movie is twisted and it makes you want to watch all over again to get all the clues. Eric la salle is very creative with his perspective also how every little detail from the first line is a clue. The plot is so, CRAZY! Eric la salle deserves P R O P S for this movie especially with such a budget and the amount of time he was given to put together this thriller think about the circumstances. now I'm not going to spoil the ending for you but the summary says it all crazy as hell crazy thrill! I ---L ♥ V E D--- this movie!

CRAZY AS HELL takes the good old JACOB'S LADDER approach in a novel direction. A famed psychiatrist (the always likable Michael Beach) arrives at a state mental hospital, called Sedah. He has a different approach to treating the mentally ill: He talks to them, which puts him at odds with hospital director Ronny Cox, who believes strongly in medicating and if necessary restraining them. At first, Beach seems to have some success with his approach. Then a new patient (director Eric La Salle) arrives, calling himself Satan. It's all downhill from there. While all this is playing out, a film crew is filming a documentary on the famed shrink. At one point, they catch him talking to himself when he thinks he is talking to someone, and this is a major tipoff as to what is actually going on, and what's to come. Think of the hospital's name in reverse, and you'll get it. Hell, think of the movie's title and you're bound to get it. The ending is inevitable and a real downer, sort of like a Twilight Zone episode. And a lot like JACOB'S LADDER and CARNIVAL OF SOULS. But don't let this put you off from watching it. CRAZY AS HELL is that rare gem: a TV movie worth watching. It is well acted and directed, occasionally suspenseful, and La Salle keeps things moving along at a decent clip.

"Crazy As Hell" is ER's Eriq LaSalle's directorial debut and it is a good one to watch. Although the movie did not receive much credits,I personally thought it was quite insightful entering the daunting world of a mental institution. Eric did a good job directing this rather uncomfortable topic and kept it up reasonably well as a provokative thriller.

The uncomfortable topic was how do we cure mental illness? It is generally accepted by the scientific world of today,that mental illness is a body of chemical imbalances. One cures it with medication-and lots of it(to be read as...keep the insane as sedated as the Law will permit you to!) How can we say anyone is cured,if they depend on chemicals by the hour? What happens if they missed a dosage-whether accidentally or purposely???

Crazy As Hell argues that other non-medicinal approaches may actually be the solution if we view mental illness as the imbalance of perspectives. Which means,therapy is the better permanent solution. Problem is,(you really have to see this movie for yourself)to be reminded of just how insane and derange most of the patients in a mental institution are. They are simply impossible to talk to,much less to be given therapy. The ones whom you can actually converse with,are so in their psychosis,before you can remotely attempt to cure them they will drive you nuts first! Because there is a good chance that anyone of us could lose a big chunk of our mental capacity is very frightening cause you'll never know what to expect(especially when dealing with mental patients in a funny farm,much less the faculty that works there too).

Only this movie and two others that had come this close to studies of mental patients,"Shock Corridor"(1963);"One Flew Over The Cuckcoo's Nest"-Oscar winner(1975),"Sybil"(1977)-Emmy winner,and most recently; "Girl Interrupted"-Oscar winner(2001)---this one gives a long hard look at goes on inside the minds of certain individuals,especially if they had the capacity to snap at any second.

The first thing that struck me about this film was how trite and over-simplified much of the subject matter was. At first it bothered me; the characters were pretty two-dimensional and the patients in the mental ward seemed very unrealistic. The whole movie took on a superficial and untrue feel that left me uninvolved and failed to suspend my disbelief. However, as the film goes on, you realize this may be on purpose. The film takes on a Lynch-ian feel that culminates in an ending that clearly explains why everything was so simple, shallow, and "perfect". I appreciate Eriq for not shoving the ending down our throat. He is obviously talented and deserves recognition for following through with a film that failed to get support from Hollywood because it isn't a cookie-cutter re-make of the films that Black film-makers continue to crank out. On the other hand, the story wasn't particularly unique either. It very much reminded me of a low-budget "Jacob's Ladder" with a simpler story-line and much more limited production resources. Eriq LaSalle is a great human being with enormous talent and, more importantly, a great perspective on what is important in life. He isn't quite willing to play into the Hollywood system, and although you couldn't tell from this film, he seems to understand the powerful role his artform can play in lifting up (or keeping down) his people. I respect him immensely and I expect great things from him in the future.

After reading the blurb and checking out the poster on Amazon Prime I quickly stuck this on my watchlist. It looked like it could be an interesting horror flick... except it's not exactly a horror flick. What you get is an enjoyably creepy psychological ghost story, Even though it wasn't what I was expecting, it is well worth a watch, especially on a cold, wet, and windy winter afternoon: After all, there are a lot of good things about this film - the story, the direction, and the acting.

This is the story of a troubled psychiatrist who is suffering from the loss of his wife and child. He doesn't fully believe in medicating the mentally ill. He considers they could help most of them in a less intrusive way, through talk and actions. A stance that is more widely accepted today. What writer, Jeremy Levin, gives the audience is a well-structured argument for both methods. He doesn't condone one or the other. Add to this the mysterious patient named "Satan" and his belief to be the one and only Old Nick, Lucifer, Scratch... the devil himself, then you have interest, intrigue, and a splash of creepiness.

Eriq La Salle shows off his directing skills and they are strong. This is a well lit and nicely composed story. The lighting effects work to create the mood of the piece. I especially liked the dreamlike impression he delivers when Dr Adams meets Cheryl for the first time. This gives you the feeling of peace, which suddenly disappears when he enters the room and her illness takes control. The sex scene is another perfectly crafted sequence. Structured just right with the subdued light, close-up shots, and sound effects and music - the rhythmic drumbeat is perfection. All of this kept me interested and drew me further into the story.

That said, there are a few scenes that come across as average; they could remove these to make a stronger film. However, these are few and shouldn't hurt your enjoyment of the film and story.

However, it was La Salle's acting that made this movie so watchable. The way he keeps his character, Satan, light and breezy, even in his evil periods, is brilliant. He verbally skips his way through the film and this with the juxtaposition of Dr Adams makes their thrusts and parries more mesmerising. There are times you wonder who is being evaluated.

Though this is truly La Salle's film, the rest of the cast is also well above par... except for Sinbad. I liked Mr Johnson, the orderly who is forever trying to have "a word" with Dr Adams. Though the character comes off a little too bland, and that is something Sinbad is not. He portrays his character well, it's just that I was expecting somebody a smidgen more enlivened.

This is for all of you who like the paranormal and the mysterious. If you have Amazon Prime, then take a look, it is free. Those without, if you see a copy going cheap anywhere, then grab it, watch it and pass it on. This is a "one watch film". Though I enjoyed it and highly recommend it, I won't be rushing to watch it again.

Skip on over and check on my Chiller Thriller Killer and Dramatisation Of Life lists to see where this little flick charted.