25 Watts

The DVD case likens this to "a Spanish language SLACKER" which isn't entirely off, but it reminded me more of CLERKS or STRANGER THAN PARADISE. The thing is, I don't like any of the films I just mentioned. Rudderless youths hanging around, whoop-de-friggin-do. Watching TV, being bored, meeting mildly oddball characters, smoking pot, talking about their girl troubles, blah blah blah. Fortunately, I did kind of like these three guys. They have a fun rapport, busting each other's balls and so forth. Some of the situations and conversations are fairly amusing... but others aren't. The raw black & white cinematography is a familiar route for this milieu, and it services the film well enough. But Rebello and Stoll indulge in a number of stylistic choices that I found more annoying than clever: 360-degree camera spins, quick cutaways, interior monologues. It's the sort of thing that screams "directorial debut". There were parts of the film I enjoyed, but not enough to give it a very strong recommendation.

I'm from Uruguay and movies here are not so good. But this year five uruguayan films have been made. One of them beat a record in the box-office. But the best of that five films, was "25 Watts". With only 200.000 dollars, Rabella and Stoll (writers and directors of the film) wrote an exellent screenplay and direct the movie in a memorable way.

The story is about three boys that dont do nothing but they have lot problems in the job, with studies, and other things like that. The result is an exellent "opera-prima", a first prize in the Rotterdam Festival, a first prize of best opera-prima in the Coral Awards and a pre-nomination to the Goyas Awards.

For me the best uruguayan film of the year and the history.

I'm from Ecuador, Quito. This movie is just one of the best movies ever made in Latin America and for sure in the world. This is not a problem about "what is more intellectual or what is more Hollywood style" this movie is simply a tribute of creativity and cinematography. The camera work, the acting way, all the aesthetic decisions are coherent with the script and with our social reality. In my point of view, this is a non common way to say very political things and find a very personal route in movie language.

I'm sure this movie is NOW a reference for young filmmakers and for all artists in the ambient.

This film depicts an average day in the life of three young men in Montevideo (Uruguay) in a very funny way.

The adventures of these guys are bound to entertain you even though, or more likely because they are adventures on a tragically small scale. Even when our heroes are bored a few laughs are just around the corner. The array of sympathetic, hilarious and strange characters that crosses the screen is so colorful I almost forgot that I was watching a film in black and white.

And besides that, the realism that comes to your screen is a refreshment in the Hollywood-dominated world of film.

I hope this film will be the first of a large number of pictures. Making pictures is not common in Uruguay, and filming it in black and white is less common. This film show you how our country is, but without showing you the typical things, the touristic part (beaches, squares and so on), something that appears in almost all the uruguayan films. I recommend it, it´s one of the best films I have ever seen.