Quarta-Feira de Cinzas

I first watched this a number of years ago, stumbling in from the pub after a few too many, and I seem to recall rather enjoying it. As is often the case however, on re-viewing it a second time, stone cold sober, I've completely changed my mind…

First, let's talk about the good things. The photography was excellent, the direction was good, and the casting was inspired in some cases: Malachi McCourt (younger brother of Frank McCourt, of Angela's Ashes fame) as Whitey, and James Handy as the parish priest were both noteworthy, in relatively small parts, but that same casting was monumentally awful in the case of Elijah Wood… If ever an actor was born not to play his part, he is that man… This was even worse than his miscast in 'Green Street', which was so bad it was almost watchable… I thought Rosario Dawson was good in a diluted, under-used sort of way, and looked most delicious in heavy makeup (this is set in the early 80's, remember), and even the man himself, Edward Byrne was believable in places (BTW, note to others-always refer to him as 'Edward'-Ed Byrne is an Irish comedian, which when reviewing this film could get very confusing)… The only really obvious fault here was the woeful waste of Oliver Platt-if you can book talent like him, then you really should use him!..

I had no problem with the linearity of the plot-after all, the whole film takes place over less than 24 hours, so keeping it simple was probably the best thing to do-and if you watched shaking your head in disbelief at the asinine stupidity of some of the characters, watch 'State of Grace'-an infinitely better film, also set in the criminal underbelly of Hell's Kitchen, the consensus is that these are stupid people doing stupid things…

Now the bad bit-and it's simply so bad it lets down the whole film, taking it from what could have been a decent pot-boiler into a risible farce-it's the dialogue-Edward Byrne is credited as the only writer, and it soon becomes obvious that this is simply not his field. The whole film sounds like it's been written by a 12 year-old… I know these are supposed to be 'stupid Mick immigrants of different generations', but really-people (adult people) just don't talk like that!.. It's not the swearing (although God knows, there's enough of it), it's the complete lack of subtlety, double-entendres, jokes & banter-all the things that make up daily conversations… When it's missing, you really notice it… The only really believable conversations are those that Pat McNamara (the barman, Murph) has with his customers-and those may seem more realistic simply because they were ad-libbed… Michael Leydon Campbell as Jimmy Burke was funny, but his were just comments and interjections-no-one really engaged with him… The rest is just too awful for words (pun intended)… And this makes the thing difficult to watch-you'll end up shouting at the screen , losing your temper, and not enjoying the film… It's a shame, because it should have been such an easy thing to fix…

So, I'm afraid my advice is this… If you see 'Ash Wednesday' advertised in your listings, and you've never seen it-give it a go by all means, but don't say I didn't warn you-personally, I'll be watching 'State of Grace' or 'Road to Perdition' instead

This is a film about an ex mafia leader getting into trouble with gangs because his dead brother reappeared in the neighbourhood.

The film is initially boring because of poor character development. The film does not tell people what is happening very well, and only towards the middle do people get an idea what on earth was in fact happening. Elijah Wood is obviously miscast. Elijah Wood is very unconvincing as Edward Burns' younger brother, in fact he looks more like the son of Edward Burns. Looks, height, age and physique wise they are too different from each other. This makes the film a lot less credible than it should have been. Otherwise, the plot is not bad, the direction is good, and the sets are nicely done.

"Ash Wednesday" is a 2002 film written, directed by, and starring Ed Burns. The story concerns one day, Ash Wednesday, and the events that happen on that day to two Irish-American brothers, Francis (Burns) and Sean (Elijah Wood).

Three years earlier, Sean, while tending bar, overheard two thugs plan to kill Francis over money he owed, so Sean took them out. In order to keep him from being killed, Francis, a neighborhood priest, and a mobster fake Sean's death while he goes to Texas to hide out.

Unfortunately, on the evening before this particular Ash Wednesday, Sean, who has returned to his brother's apartment, decides to go to a neighborhood bar for a drink. There he's spotted by several people, including an ex-girlfriend of Francis' who wants to get even with Sean's brother for dumping her.

In the Catholic church and in several other religions, Ash Wednesday marks the beginning of Lent, the period of time preceding Easter. People go to church and receive a cross in ashes on their forehead to remind them of death, of the sorrow they should feel for their sins, and of the necessity of changing their lives.

Normally during Lent people make some sort of sacrifice. Francis, who with his father was a hit man, is surrounded by death and under constant threat of it. The sacrifice he makes is somewhat drastic.

This was an interesting movie with some good performances, particularly by Burns. The Irish atmosphere, with the dimly lit bar, the beer-drinking, the Catholocism, and the sense of family, is right on. Elijah Wood, however, is absurd casting. He is too childlike and seems terribly out of place.

My problem with this film is that it's based on a ridiculous premise. Why, when you know you're supposed to be dead in order to risk being killed, would you after only 3 years walk into a neighborhood bar and have a drink?

I can understand coming back and contacting your family - from somewhere else - and going out for a drink in another area. But the plot for me is built on a moronic idea that this guy was in his brother's apartment above the bar - dangerous enough - and then just for the helluva it went out. I just didn't buy it.

This is a dark film about sad people with sad lives. Much of what happened on Ash Wednesday could have been avoided if Sean had just stayed hidden. Certainly the script could have been written to make the plot more believable, to in a sense force Sean to return - finding out he had a child, learning his wife was sick, his mother was dying, whatever. Given the way it was done, the film did not work for me. I don't recommend it unless you want to be depressed and frustrated.

Regardless of how you feel about gangster movies, its nice to see a new star come and and take it on his own to make the movie he wanted to make. Edward burns did that here with "Ash Wednesday". With a story-line that might be a little more interesting for catholics and Newyorkers, the movie moves along like a great story with no concern for the lead up that most big hollywood movies have to include. Its nice to a see a person leaving to go meet a character everyone in the audience thinks is going to really reveal the climax of the movie and then get swept away in the "real life like" sidetracks that run us through everyday. Without giving away any of the story here, Id like to say i applaud Burns' obvious conviction to the movie, at times it seems as if he doesnt care if the viewer is comfortable with unfolding events or not. A good suspense mob movie is supposed to do just that, like that first time you watched "Goodfellas" and went crazy when Loraine Bracco and Deniro go for that walk that she realizes will certainly end her life. "Ash Wednesday" doesn't do it as well as "Goodfellas" did but when you are digging around at the video store and cant decide whether to see "Miller's crossing" for the umpteenth time or take a chance; I say Chance AWAY!

Ash Wednesday so titled because the action takes place on that day of repentance in the Catholic faith and into Lent. Leading character Edward Burns who directed as well keeps the ash cross on his forehead until almost the end of the film. Almost as if he was looking for protection. He and brother Elijah Wood sure needed it.

They play the Sullivan brothers at one time sons of a prominent Irish mobster. Seems as though the Wood killed a pair of Italian hoodlums and their relations are looking for payback.

Burns and local priest James Handy have created a fiction that Wood is dead and spirited him out of town where he's lived in Texas for 3 years. Now Wood is back to get his wife Rosario Dawson who has thought her husband was dead, part of the plan to make the death story believable.

Burns is well out of the rackets, but in his effort to protect his brother he's being dragged back in. Wood doesn't make it easy for him either.

Ash Wednesday is a nice if cheaply made film about family loyalty and sacrifice in a working class Irish American family. Note that this is set in the early 80s when Hell's Kitchen still had some working class blocks. It's pretty yuppified now, so Brooklyn's Greenpoint neighborhood stands in. This was the same setting for the Sean Connery/Dustin Hoffman/Matthew Broderick film Family Business which was done in the late 80s and also about family as well.

The characters are well drawn with no stereotyping at all. James Handy is not a typical priest by any means. No comparison to him and Bing Crosby as Father O'Malley in another film which also was set in Hell's Kitchen when it really was Irish working class.

Burns and Wood have good chemistry as brothers. Ash Wednesday has some fine characterizations done by some talented players.