Adicionar um enredo no seu idiomaFollows the stories of the four men of the Kirby family. As Alex's marriage breaks apart, Toby tries desperately to start a family, and Marty tries to kick-start his faded music career as we... Ler tudoFollows the stories of the four men of the Kirby family. As Alex's marriage breaks apart, Toby tries desperately to start a family, and Marty tries to kick-start his faded music career as well as find a meaningful relationship with someone his own age, all three must come to term... Ler tudoFollows the stories of the four men of the Kirby family. As Alex's marriage breaks apart, Toby tries desperately to start a family, and Marty tries to kick-start his faded music career as well as find a meaningful relationship with someone his own age, all three must come to terms with their father's mental state. Cliff, suffering from Alzheimer's disease, is reliving... Ler tudo
- Prêmios
- 6 vitórias e 7 indicações no total
- Ken
- (as Aiden Fennessey)
Avaliações em destaque
It's a deep and complex analysis of three brothers, and the effect that their father had on their lives - a warts and all production portraying humanity in its raw form.
Perhaps it spoke to me because I'm sharing the same stage of my own lifecycle with one of these people (guzzling from the corporate trough with my own young family) - but colleagues felt similarly, and its definitely worth a look...
As for the original 194 minutes edition of "After the Deluge", it richly delineates the conflict and reconciliation among the family members of the Kirby's through a lot of overwhelming episodes such as traumatic memories of war, memories of a beloved woman, the onset of geriatric Alzheimer's Disease, infertility, grief of sinking into oblivion, breakdown as a family man and a business man, and something like Oedipus complex. These are so skillfully interwoven beyond time and place that all of them are indispensable to lead to the finale that is rather bitter but serene and merciful.
FYI, it was the original edition that won several Australian Film Institute Awards in 2003. Hope that it will be fully released worldwide and immerse us in brilliant flood of emotion with its quality of a universal theme, an elaborate and elegant plot, beautiful music, and wonderful ensembles of performers.
I've just watched this made for TV mini series for the third time, gaining something new from each screening, and I think it will stand up to many further viewings too, because of the depth of the work. It may have been edited down (perhaps "distilled" would be a kinder way of putting it) from a much longer piece, but believe me it still works extremely well. What a truly excellent piece of creative TV, beautifully written, convincingly acted and genuinely moving. I just wish TV of this caliber were more widely available where I live on the American west coast.
The story revolves around an elderly father and his three adult sons who have all, in their own ways, failed to live up to the expectations of those around them. Cliff, the father, now vanishing into the fog of Alzheimer's, survived trauma and near death in WW2, but after losing the love of his life, he gave up on the promising musical career he should have had and became instead a bitter and bullying dad, arguably betraying the people who sacrificed so that he might live. We see his life in flashback as he retreats mentally into the past, and it's as good a portrayal of Alzheimer's as you are likely to see anywhere soon. Alex, with a high achieving career and two kids he hardly sees, has sleepwalked into the failure of his marriage, Toby doesn't have the children he and his wife so much long for, and Marty can't readjust to the demise of his life as a rock and roll star, and has lapsed into cynical dissolution.
They each have good reason to dislike their father, Marty the most. The story follows their individual struggles with the disappointments of their own lives, while also trying to sort out their relationship with each other and their father. It's not a feel good movie, but the resolutions are real and satisfying.
It's really unfair to pick out any one performance as they are all excellent, without exception, a great cast. But I really enjoyed Hugo Weaving's turn as the old rocker and Rachel Griffiths as the woman he falls for. David Wenham shone as Alex, showing realistic emotions and frustrations as he tries to come to terms with his marriage disintegrating, and Samuel Johnson was wonderful as nice-guy Toby. But for me the greatest pleasure was to see Ray Barrett as old Cliff. Here is an actor I remember from my childhood, playing an oilman in The Troubleshooters and, of course, Tracy Senior in Thunderbirds! How wonderful to see him working still. I wish I could find the full length version of this series.
Addendum: I just revisited this film after some months. That's something I like to do with favorite pieces. My membership of that excellent online DVD rental service is almost equally divided between watching stuff I missed on cinema release, and revisiting old friends. This time around it was even more compelling, and I picked up nuamces I missed before. Hugo Weaving continues to impress me with his range since I watched V for Vendetta. And each time I watch it, David Wenham's performance here looks better and better. It's very subtle. I think he is really at his best portraying ordinary blokes coping with unexpected circumstances. Nothing flashy or over the top. Just real.
The World War II narrative is juxtaposed with the story of the three sons making their way through today's society - all the tension, tragedy and humor of family, birth, death, marriage and aging are dealt with with finesse and power. The way this movie truly captures and explores dementia startled me like no other movie has.
A daring and challenging story is pulled off flawlessly - without any faff, irrelevancies, clichés or Hollywood pap. Brilliant cast, brilliantly directed - this utterly unknown and completely underrated movie is a gem.
Special Features include director commentary, featurettes on making of, set design, costume and interviews.
Você sabia?
- Erros de gravaçãoWhen Ray Barret plays the violin near the start, he is obviously not playing - the bow doesn't touch the strings and his fingers move where there are no note changes.
- Citações
Marty Kirby: If you're going to smoke crap like that, you could at least do it without your clothes on.