A Casa Caiu

Bringing Down the House is a very funny movie and your bound to have a good time. Peter Sanderson (Steve Martin) is a lawyer who is having trouble getting his life back on track after his wife, Kate ( Jean Smart), divorces him; he's also adjusting to his new status as a single father. Peter tries an internet dating site and virtually meets "lawyer-girl," an attractive and single fellow attorney. Peter makes a date with her, but the woman who arrives at his door turns out to be Charlene Morton (Queen Latifah), who not only isn't a lawyer, she turns out to be an escaped convict. Charlene explains to Peter that she's strung him along because she's innocent of the crime for which she was convicted, and she needs a top-notch attorney to help prove her case. After some persuasion, Peter agrees to help Charlene out. Though the plot sounds stupid, the execution turned out to be really funny. The story is a little weak though and they could have worked a little more on that. The movie isn't very realistic so you shouldn't go in expecting one. The cast is great and they make this somewhat old material funny. The funniest person is Eugene Levy and he is finally getting the recognition he deserves. Steve Martin returns for his first wide release film in four years. He doesn't disappoint and gives a very funny performance. Queen Latifah is also funny, but she also starts getting annoying by the end of the movie. Jean Smart plays the ex wife of Peter and she's pretty good. The rest of the supporting cast includes Kimberly J. Brown, Joan Plowright, Betty White and Missi Pyle. Adam Shankman directs and this is a large improvement over A Walk to Remember. The racist jokes in the film are a little outdated and sometimes this film does go over the top. I still laughed though as some of the dialog in this film is very funny. While this isn't he funniest film of 2003, its still worth watching. Its 105 minutes long and it starts getting a little boring since they add some unnecessary things. Another good thing about this film is that they didn't use all the jokes in the preview. In the end, this film is worth watching even if its not very memorable. Rating 7.4/10, a funny comedy that's worth checking out.

Steve Martin and Queen Latifah (and Eugene Levy) are an odd combo, but certainly a funny one! Coming out in 2003, "Bringing Down the House" was a movie about two different worlds coming together; probably not the first, and the result is some hilarity! Steve Martin plays a divorced lawyer trying to juggle his work-life and spending time with his two kids, and Queen Latifah is an escaped prisoner (as you probably already know). The plot of Martin's lawyer trying to find love and unexpectedly running into Latifah's straight-up "sister" personality results in a pretty hilarious film! Add in Eugene Levy's "down white guy" persona, and you have the makings of some very funny moments! Some may argue that this film relies too much on typical plot lines, "been-there-done-that" routines, and stereotypes, but that's not the case.

This movie is a very funny and enjoyable romp. Meaningless fun. A laugh out loud. Don't get me wrong, Steve Martin does shine especially in the scene where his daughter is relaying the events of a party that a dad just doesn't want to hear. Following Latifa's character's advice to stay cool to gain her trust, he bites his tongue and instead of going mad, says, "That was some party"! Overall, 'Bringing Down The House' is funny and very entertaining film that you will not regret watching, although it could have been a little better with a better script, the acting was brilliant all round, and it does work pretty well, especially with Steve Martin as the main character who is very funny as usual.

Overall rating: 7 out of 10.

This is pretty much another one of those typical culture clash comedies where a streetsmart character meets the classy rich character, there's conflict and then the conflict is resolved and friendship blossoms, then there's another conflict but that too is resolved by the end. The story has been told x number of times. But what makes 'Bringing Down The House' likable is Queen Latifah, Steve Martin and Joan Plowright. These three provide some laugh-out-loud moments some including Martin and Latifah's dance number, Martin dressing and talking 'black', Queen Latifah and Missy Pyle's catfight and doing a break-dance, Plowright's pompous and stuck up character getting stoned, Peter's neighbour catching him and Charlene in a compromising position. The chemistry between Latifah and Martin is convincing and both have a good comic timing. Thus, even though the story has nothing new to offer, the funny moments make 'Bringing Down The House' fun to watch.

OK, so the white-yuppie-and-black-ghetto-person-joining-up idea has been used a number of times in movies, but the dialog between Steve Martin and Queen Latifah makes this one worthwhile. Probably the best scenes are Betty White's nasty comments, Queen Latifah teaching Missi Pyle a lesson, Steve Martin dressed - and attempting to talk - like a rapper (especially because of what Joan Plowright ends up doing in that scene), and of course, Eugene Levy's statements ending with "Boo". "Bringing Down the House" really does bring down the house. Completely silly, but fun nevertheless.

Who ever would have imagined Joan Plowright (aka Laurence Olivier's widow) doing what she did and saying what she said in the rapper scene?

`Bringing Down the House' is the latest variation on that old comic chestnut in which a wisecracking, free-spirit type from `the lower social orders' invades the life of an uptight stuffed-shirt type - not only getting him to loosen up that collar and shed his inhibitions but also showing him a thing or two about what really matters in life. This is, basically, a primer for a Culture Clash Comedy 101 course, with a couple of veteran comic professors on hand to teach us all how it's done.

In this case, Steve Martin plays the uptight lawyer who is so obsessed with his career that he has already lost his wife over the issue and appears on the road to alienating his children as well. When Peter meets what he believes is a potential love interest in an internet chat room, he figures his life just might be turning around for the better. Peter is all set for a romantic evening – champagne, dim lights, `A Man and a Woman' playing softly in the background – when, at his door, who should appear but that Big Bad Mama, Queen Latifah, as Charlene Morton, an ex-convict who wants Peter to help her expunge from her record the crime she swears she did not commit. Peter is at first reluctant to accept this strange woman into his house and life, but Charlene is nothing if not persistent and she manages to horn her way in anyway.

The Jason Filardi screenplay pretty much plays it all by rote. We know, despite their tremendous differences in culture, background and personality, that these two comic titans will end up as great pals by the story's end. Nothing about `Bringing Down the House' surprises us, yet there is a certain amount of comfort to be derived from familiarity and predictability. It's an old formula but one that works fairly well here, thanks, primarily, to the assured, high-energy performances of Martin and Latifah in the starring roles. These two comic masters achieve a real chemistry working together, enough to compensate for the broad stereotyping that permeates the film. Filardi does achieve some moments of genuine hilarity by mixing slapstick and social satire in roughly equal measure. The satire isn't on a very high level of sophistication but it is good enough for a mass audience venture such as this one.

Director Adam Shankman is also blessed with a strong supporting cast that includes Eugene Levy as a nerdish - but `freaky' - business associate obsessed with wild black women like Charlene; Joan Plowright as a snooty, eccentric matron whose account Peter is determined to win for his firm; and Bette White as Peter's bigoted next door neighbor who is eyeing askance all the strange goings-on at the lawyer's house.

`Bringing Down the House' is at its best when it simply lets itself go, forgets about the plot, and allows its performers to dazzle us with their sheer likeability, i.e., Martin and Latifah dancing up a storm at an L.A. bistro, Martin breaking out into a spontaneous break dance routine while infiltrating an all-black nightclub. It is at its worst in the final scenes when the heavy-handed plot mechanics threaten to torpedo the whole project. Luckily, we have Martin and Latifah to help keep the thing afloat. The vehicle itself may creak at times, but the stars never do.