Sweeney Todd: The Demon Barber of Fleet Street in Concert

Of all the various performances, this is my favorite one. The chorus moves while singing in the manner of ancient Greek classics. The lighting is very, very effective. But of course it is the music and the singing that makes this the best one yet. Friends who have never heard of Sweeny Todd have enjoyed this - as well as people who did not like the stage presentation. Watch it and fall in love with this classic.

I love Sweeney Todd, but I did not love this concert version. I did not care for Patti LuPone and I really abhorred the way it was taped. During the Judge's Song (Johanna), the camera kept panning back and forth from Johanna to the Judge. Towards the middle of the song, there were brief and idiotic shots of Johanna's chest, hands, and face that were timed with crescendi in the music. Cornball! It took away a lot from Timothy Nolen's wonderful performance because the viewer becomes too aware of the camera. The director is saying: "Look at how the camera moves! Aren't I ever so clever?" Aside from that, I did enjoy the extras on the DVD: a short documentary on the genesis and making of the concert versions of Sweeney Todd, plus interviews with Sondheim, George Hearn, Timothy Nolen, Victoria Clarke, Lisa Vroman, Neil Patrick Harris, Patti LuPone (blech) and unfortunately, the execrable Lonny Price (good stage direction; bad TV direction). If you love Sweeney Todd, you'll want to see this no matter how badly the camera is directed.

You either love Sondheim or you hate him (although few of the arguments for hating him hold water, In My Anything But Humble Opinion). Certainly his darkest work and arguably his best, Sweeney Todd is an exploration of the depths to which a man will sink to wreak vengeance on those who have wronged him.

With all respect to Len Cariou, who created the role in the original production, George Hearn is and always will be the definitive Sweeney Todd. There are things he does that I don't even think he's consciously aware of anymore, but are absolutely chilling to watch. Patti Lupone has the thankless task of trying to follow the immortal Angela Lansbury as Mrs. Lovett; she carries it off by making almost completely different dramatic choices and playing her strengths (like Meryl Streep, she's got one of the best deadpans in the business, and lines that Lansbury played for laughs, Lupone plays straight--we still laugh, but for different reasons). The rest of the cast acquit themselves beautifully, particularly Davis Gaines as the lovestruck Anthony Hope and Victoria Clark as the crazed Beggar Woman.

But the real surprise of the cast is Neil Patrick Harris as the innocent, waiflike Tobias Ragg. Having played the part myself, I have a bad habit of holding other actors to impossible standards--and Harris not only meets them, he flattens them. Instead of watching him and thinking, "I could have done that," I found myself watching him and saying "I wish I'd done that"--something I've never been able to say in any other production.

The score is as close to grand opera as Sondheim gets, and the gems--"A Little Priest", "Not While I'm Around", "Johanna", "Wait," and the act II quartet sparkle as brightly as I've ever heard them.

Grade A.

For me, Sweeney Todd is not just Stephen Sondheim's best musical but also one of the greatest musicals full-stop. Of the 1982 production, the 2007 film and this 2001 concert production, it is difficult to say which is my favourite of the three as all three have so many great merits to them. There is not much to fault at all with here, and it does the score and musical justice. The camera work is choppy in places and while Davis Gaines characterises beautifully and gets much better later on- I do think generally that he has a beautiful and rich voice- he starts very off-pitch(not just slight, this is can't hear the music sort of quality), which wasn't pleasant on the ears, he is also too old I agree for Anthony but that wasn't big enough an issue. The costumes and sets are hugely effective to the atmosphere and the lighting is wholly appropriate to the dark, minimalist look to the visuals. The stage direction has the ability to be witty and harrowing, nothing about it came across as dull and distasteful to me, the chorus are directed quite interestingly but not in a way that jars. The orchestral playing is superb throughout, giving the magnificent score its full impact(Epiphany just made me go wow!), while the chorus are well-blended and involved in the drama. George Hearn is a complete revelation as Sweeney, his voice has lost none of the power it had nineteen years earlier, which helps give Epiphany the power it has, and he is both sympathetic and chilling. Patti Lupone's Mrs Lovett compared to Angela Lansbury is broader and played with a straight deadpan approach, which considering it was Lupone playing to her strengths worked, she doesn't have the best voice- like Gaines she has moments where she is pitchy- but still sings with terrific gusto and character. Timothy Nolen's Judge Turpin is creepy and sinister with a very strong voice, thank goodness that Johanna was included because it adds so much to the character and is just hair-raising here and in any production I imagine that includes it. Neil Patrick Harris is very charming and sings with a very pleasant tone as Toby, while the Johanna of Lisa Vroman is a vast improvement over that of her 1982 counterpart(especially in Green Finch and Linnett Bird, a very difficult song to get right), instead of shrill and strident her voice is clear and vibrant. Victoria Clark is also great as the beggar woman. So overall, a terrific concert production of a musical masterpiece. 9/10 Bethany Cox

This is a wonderful representation of this brilliant musical. The performances are all at peek energy and perfect characterization. Patti LuPone's voice and new spin on the classic character of Mrs. Lovett is the highlight of this concert, for me. She is moving, hysterical, coy, and her voice is always beautiful. George Hearn gives a wonderful reprise performance of the role he played so many years ago. All other performances are wonderfully acted and beautifully sung by both Broadway and opera singers. Lonny Price's new vision and direction for this concert is just about perfection. He uses minimal set, props and costumes, but still creates the atmosphere of the show. Also, the opera ensemble and symphonic orchestra only adds to the magnitude and beauty of the piece. This is a must-have for any Sweeney fan!