AVALIAÇÃO DA IMDb
6,0/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA woman trying to cope with the recent disappearance of her husband finds that the event uncovers some dark secrets. Subtitled.A woman trying to cope with the recent disappearance of her husband finds that the event uncovers some dark secrets. Subtitled.A woman trying to cope with the recent disappearance of her husband finds that the event uncovers some dark secrets. Subtitled.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
Carlos Torrestorija
- Hombre en el cine
- (as Carlos Torrestorrija)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Cecilia Roth (Almodovar's All About My Mother, Dark Habits) is an older woman whose husband mysteriously disappears in an airport when they are travelling to Rio. She finds he has 20 million pesos in his safe deposit box to pay ransom.
With Felix (Carlos Álvarez-Nóvoa) at her side, she manages to try and find out what happened to her husband. She also enlists the aid of young Adrian (Kuno Becker) in the adventure. The three of them are certainly worth watching.
Felix is an old leftist who is handy with a gun, and Adrian is looking for some fun with a woman almost twice his age. She definitely doesn't look bad for that age either! It would be helpful to be more versed in Mexican politics to enjoy this.
With Felix (Carlos Álvarez-Nóvoa) at her side, she manages to try and find out what happened to her husband. She also enlists the aid of young Adrian (Kuno Becker) in the adventure. The three of them are certainly worth watching.
Felix is an old leftist who is handy with a gun, and Adrian is looking for some fun with a woman almost twice his age. She definitely doesn't look bad for that age either! It would be helpful to be more versed in Mexican politics to enjoy this.
I avoided seeing this movie for a long time, simply because I was tired of being let down by bad mexican cinema. After seeing the huge marketing campaign behind it and noticing that it had the same director/writer of Sexo, Pudor Y Lagrimas, I decided to give it a shot. Big mistake, this is a mess of a movie, the plot, the dialogue, the paper thin characters. Not one of the elements that made Sexo, Pudor Y lagrimas translated, the only thing that remained were the preachy monologues and overall pretentiousness.
If you expect the plot in this Mexican pseudo-thriller to make sense, or be suspenseful, you are bound to be disappointed. The crux of this movie are the relationships and mid-life recentering that go on in Lucia's (Cecilia Roth) life. Her husband disappears, and she rushes to find him. Along the way she is befriended by an old ex-rebel communist and a young man who falls in love with her despite her wishes otherwise. These two friends come to take precedence in her life as she realized she doesn't really like her husband, and wants to live her own life. When she eventually tracks down her husband, she wishes him well and they go their separate ways. I didn't dislike the film even despite its weakness. I was interested to see how Lucia discovered herself and grew closer to and pushed away those around her.
This movie is like a veggie burger with eggplant in place of beef, covered in lettuce and tomatoes and sauce. When you first bite in, the first thing you taste is the bun and the lettuce. Then as you chew, you see that there is sauce, tomato and eggplant, but no meat. Try as you might, it's just not the same without meat. It might be not be disappointing if it were packaged a salad between bread, but as a substitute for a burger, it just doesn't satisfy. 5/10
http://blog.myspace.com/locoformovies
This movie is like a veggie burger with eggplant in place of beef, covered in lettuce and tomatoes and sauce. When you first bite in, the first thing you taste is the bun and the lettuce. Then as you chew, you see that there is sauce, tomato and eggplant, but no meat. Try as you might, it's just not the same without meat. It might be not be disappointing if it were packaged a salad between bread, but as a substitute for a burger, it just doesn't satisfy. 5/10
http://blog.myspace.com/locoformovies
I just finished watching the movie, I saw it at the blockbuster store and didn't want to rent it because I thought it was really bad, however, I just rented it anyways.... I am not going to tell you what this movie is about, but what I think about the movie (I have never studied cinema or anything, so, please tae this just as a comment from an excentric person)
This movie has the lost mexican touch from the seventies, with the political yell from this decade (2000-2009). Funny indeed, but also dramatical and
superficial, with the magical mexican touch of surrealism (which Jodorowsky
excelled in his films, shooted in Mexico, like El Topo and Holy Mountain)
The political yell I am referring here is the one that has come out in cinema in mexico this decade, in movies that include: La ley de Herodes (Herodes' Law)
among others. It is NOT a Hollywood movie, so please do not expect a huge budget movie
with huge SFX, instead a more tight budget movie, with a nice story to tell
This movie is once again the reflection of the mexican society:
First of all: The magic and beauty of the unbeauty that comes from surrealism, which is the same as Mexico and it's people, how they live and think, which is a surreal way of thinking, and as most of us think surrealistic, the mexican culture and society tend to be more surreal (giving you a fantastic photography of the horrible but beautiful)
Secondly: The political yell; this is because of the oppression and corruption mexican people had to suffer all these years, where they just work oppressively receiving nothing but LESS buying power and MORE frustration (this is related once again to surrealism), where only a few are priviliged (this is a lot more notable when you go south of America) Political screams is an escape valve to that oppression, and this movie is one of that kind
If you have had the chance to see mexican cinema, this is a nice example (not the best, though) to watch it. I may just dare to say this movie is a lot like the french cinema, only with less introspectiveness (as the french cinema tends to be [not all of it of course, but it's a cultural thing, which gives a flavor to each cinema of the world])
Well... all in all this movie is a Superb, with brilliant direction and photography, however, not very appreciated by some critics..... ...by the way, I almost forgot to tell you, I loved the way the movie begins
This movie has the lost mexican touch from the seventies, with the political yell from this decade (2000-2009). Funny indeed, but also dramatical and
superficial, with the magical mexican touch of surrealism (which Jodorowsky
excelled in his films, shooted in Mexico, like El Topo and Holy Mountain)
The political yell I am referring here is the one that has come out in cinema in mexico this decade, in movies that include: La ley de Herodes (Herodes' Law)
among others. It is NOT a Hollywood movie, so please do not expect a huge budget movie
with huge SFX, instead a more tight budget movie, with a nice story to tell
This movie is once again the reflection of the mexican society:
First of all: The magic and beauty of the unbeauty that comes from surrealism, which is the same as Mexico and it's people, how they live and think, which is a surreal way of thinking, and as most of us think surrealistic, the mexican culture and society tend to be more surreal (giving you a fantastic photography of the horrible but beautiful)
Secondly: The political yell; this is because of the oppression and corruption mexican people had to suffer all these years, where they just work oppressively receiving nothing but LESS buying power and MORE frustration (this is related once again to surrealism), where only a few are priviliged (this is a lot more notable when you go south of America) Political screams is an escape valve to that oppression, and this movie is one of that kind
If you have had the chance to see mexican cinema, this is a nice example (not the best, though) to watch it. I may just dare to say this movie is a lot like the french cinema, only with less introspectiveness (as the french cinema tends to be [not all of it of course, but it's a cultural thing, which gives a flavor to each cinema of the world])
Well... all in all this movie is a Superb, with brilliant direction and photography, however, not very appreciated by some critics..... ...by the way, I almost forgot to tell you, I loved the way the movie begins
Antonio Serrano has to be commended in bringing this film to the screen. Unfortunately, the finished product leaves a lot to be desired. The script based on Rosa Montero's novel, The Daughter of the Cannibal, turns out to be an enigma with a lot of questions not being answered.
Cecilia Roth makes this film comes alive. She is the only thing going for this strange tale of deceit that, at times, doesn't make a lot of sense. Ms Roth is the only excuse for seeing this uneven movie.
The underlying theme is how greed affects innocent people. Also, how Lucia's marriage of more than ten years has been a sham. Ramon, her missing husband, obviously, can't perform in the sack. Cecilia is a very unfulfilled woman until the 'hunky' Felix comes into the picture and is able to get some life out this woman. Felix awakes feelings within Lucia she didn'n know she had, but alas, it's too late for her to undergo another relationship, with Felix, or anyone else.
This film kept reminding this viewer of another, and better Mexican film, "Y tu mama tambien", in that there's is a trio embarked in a quest along the Mexican highways. Lucia, Lucia, never achieves the magic of that other picture, but it's a very nice effort, which keeps the viewer hoping it will get there as well.
Cecilia Roth makes this film comes alive. She is the only thing going for this strange tale of deceit that, at times, doesn't make a lot of sense. Ms Roth is the only excuse for seeing this uneven movie.
The underlying theme is how greed affects innocent people. Also, how Lucia's marriage of more than ten years has been a sham. Ramon, her missing husband, obviously, can't perform in the sack. Cecilia is a very unfulfilled woman until the 'hunky' Felix comes into the picture and is able to get some life out this woman. Felix awakes feelings within Lucia she didn'n know she had, but alas, it's too late for her to undergo another relationship, with Felix, or anyone else.
This film kept reminding this viewer of another, and better Mexican film, "Y tu mama tambien", in that there's is a trio embarked in a quest along the Mexican highways. Lucia, Lucia, never achieves the magic of that other picture, but it's a very nice effort, which keeps the viewer hoping it will get there as well.
Você sabia?
- Erros de gravaçãoAt the end of the movie, when Lucía is typing on an indigo Macintosh iBook, the "Capitals Lock" is on (as you can tell by the green LED) although close up shots of the screen show text being typed in lowercase letters.
- Trilhas sonorasCanibal
Performed by Kinky
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Lucía, Lucía
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 3.300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 269.586
- Fim de semana de estreia nos EUA e Canadá
- US$ 70.773
- 27 de jul. de 2003
- Faturamento bruto mundial
- US$ 3.653.588
- Tempo de duração1 hora 50 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was Aos Olhos de Uma Mulher (2003) officially released in Canada in English?
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