Na Era Vitoriana de uma linha temporal alternativa, um grupo de heróis vindos das páginas da literatura são reunidos pela Coroa para deter os planos de um terrorista que usa tecnologia avanç... Ler tudoNa Era Vitoriana de uma linha temporal alternativa, um grupo de heróis vindos das páginas da literatura são reunidos pela Coroa para deter os planos de um terrorista que usa tecnologia avançada para ameaçar a ordem do Império Britânico.Na Era Vitoriana de uma linha temporal alternativa, um grupo de heróis vindos das páginas da literatura são reunidos pela Coroa para deter os planos de um terrorista que usa tecnologia avançada para ameaçar a ordem do Império Britânico.
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- 12 indicações no total
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I don't believe that one can compare anything written by Alan Moore to what ends up on the screen being ostensibly "based on the graphic novel". (The same applies to FROM HELL, which is another one most people pan, and one which I think is under-appreciated even though the style is breathtaking. I don't even want to think about the reaction that will ensue once THE WATCHMEN comes out!)
What seems to have been missed by most people is that this movie is about style as opposed to substance. It's based on a graphic novel. That's a fancy way of saying it's based on a comic book. On that level, the film succeeds admirably. The characters are archetypes of their literary forbears. They aren't supposed to be, strictly speaking, human. Of course the plot is grandiose, impractical, and over-the-top. Hello? Aren't most comic books like that? Good heavens, isn't most of STAR WARS?
I don't claim that this is a masterpiece. I do claim that's it's fun to watch if one approaches it with a willing suspension of disbelief. For a couple of bucks shelled out at the DVD rental shop, it takes one to a different world for close to two hours. On that level, it's worth a rental. It's also worth a rental, once one watches the movie, to listen to the commentary from various actors and to realize just how well these so-called "unknowns" do assorted accents that aren't even close to their own. Plus the golfing anecdotes are amusing. (And I don't even like golfing.)
This ain't CASABLANCA. Nor is it TITANIC, for which I eternally thank the gods. (Now, THERE was an overhyped piece of inaccurate trash that pretended to be history, but I digress.) But it's kind of fun, anyway, as long as one doesn't take it too seriously.
I liked Sean Connery very much in this movie, it was a tall feat for him to stand out and not to get completely overwhelmed by all the CGI and action sequences (I would really like to see him in an action movie that is actually worthy of his participation!) I also liked the art/production design of the movie, with its sort-of-alternate history 1800's look. Even though there is too much of it, the CGI is not too bad either, with many large and ominous looking locales. It didn't bother me that Tom Sawyer was a character in this movie, this was the sort of movie where a little 'goofiness' like that fits right in anyways.
I didn't read the graphic novel, but if I had I might have been disappointed at the failure of the movie to really live up to the promise of its source material (judging by how many reviewers here talk about it.)
But watching it today, after we've all been educated by the Marvel Cinematic Universe, The Umbrella Academy, The Boys, and more, this movie makes sense. It's unfortunate that in this sense the movie came out at the wrong time.
Because 20 years later, after all we know and love in current movies, this movie fits very well. Sure, some elements are dated, they didn't quite know how to define a "universe", and the VFX leaves a lot to be desired, so it wouldn't have been made just as it is today. But overall, I found it enjoyable.
I would watch a reboot if they keep the same spirit, but now there's the reverse problem - it could arrive too late to the party.
Você sabia?
- CuriosidadesAt one point, Peta Wilson does a humourous impersonation of Sir Sean Connery's voice. According to Wilson, this was a last-minute addition to the scene, and she felt nervous doing it, since Connery impersonations were considered a no-no on the set. Before the shoot, she called Connery and offered not to do the accent, but he insisted she should. Afterwards, she asked him what he thought. He replied, "You were great!" She was taken aback and asked if he really meant it. He said, "Yeah, it's terrible! It's the worst impersonation I have ever heard, and it's perfect."
- Erros de gravaçãoNemo introduces his invention as an "automobile." Later in Venice, Quatermain tells Sawyer to take the "car." The word "car" (from Latin "carrum" for chariot) has been used in English to mean any wheeled vehicle since at least 1350.
- Citações
Mina Harker: You're sweet... and you're young. Neither are traits that I hold in high regard.
- Cenas durante ou pós-créditosThe 20th Century Fox logo fades into a sign on the London skyline.
- Versões alternativasFor the Swedish release, approximately 33 seconds were cut from various violent scenes in order to receive an 11 certification.
- ConexõesEdited into 2003 MLB All-Star Game (2003)
- Trilhas sonorasSon of Africa
Score lyrics written by Joseph Shabalala
Score vocal performance by Ladysmith Black Mambazo
Ladysmith Black Mambazo appears courtesy of Gallo Records Company
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- Também conhecido como
- La liga extraordinaria
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Bilheteria
- Orçamento
- US$ 78.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 66.465.204
- Fim de semana de estreia nos EUA e Canadá
- US$ 23.075.892
- 13 de jul. de 2003
- Faturamento bruto mundial
- US$ 179.265.204
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1