Representa as últimas doze horas da vida de Jesus de Nazaré, no dia da sua crucificação em JerusalémRepresenta as últimas doze horas da vida de Jesus de Nazaré, no dia da sua crucificação em JerusalémRepresenta as últimas doze horas da vida de Jesus de Nazaré, no dia da sua crucificação em Jerusalém
- Direção
- Roteiristas
- Artistas
- Indicado a 3 Oscars
- 30 vitórias e 24 indicações no total
Christo Jivkov
- John
- (as Hristo Jivkov)
Hristo Shopov
- Pontius Pilate
- (as Hristo Naumov Shopov)
Aleksander Mincer
- Nicodemus
- (as Olek Mincer)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Having avoided this film during its cinema release - partially thru fear as to whether I would be able to handle the violence etc I did eventually catch this on DVD. Bye the way - I write this as a non-religious person. The film was very watchable, never boring and Caviezel was superb in the main role. Your heart really went out to him - even as a "non-believer". I have to say that after all the acres of print I had read about the violence and bloodshed in the film, I actually felt it was rather less nasty than I may have feared. Certainly more visceral than, King of Kings, Greatest Story ever Told etc, a lot of the worst scenes took place in slow motion, off camera etc which somehow did make things easier to stomach. I can imagine if Mike Leigh or Ken Loach had made this it would have been far more unpleasant!
Powerful, moving, even if you don't actually "buy" the central storyline. Jim C truly looks as if he has gone thru hell. Respect is due - to him and all.
I think that the final few moments, segueing into the closing credits would have been quite something to experience in a full cinema!
Powerful, moving, even if you don't actually "buy" the central storyline. Jim C truly looks as if he has gone thru hell. Respect is due - to him and all.
I think that the final few moments, segueing into the closing credits would have been quite something to experience in a full cinema!
I watched first time at a special premiere for my church. We got to see it before anyone else since we saw it two days before it premiered nationwide.. To watch the reactions of my fellow church members was amazing. Many sat in stun silence, while others just bawled openly.
Now, all these years later, I can say this film is still probably the most powerful, and brutally honest film that I have ever seen. If you are a Christian as I am, this film shows everything that we ever need to see about Jesus's last 12 hours, but even if you are an atheist, this film is just plain powerful in the way it was made, and created.
Mel Gibson did as a Director in this film something I doubt that the great Martin Scorsese or Francis Ford Coppola, or Quentin Tarantino could never do.
From the cast, to the direction, to the sets, to the costumes, I believe this is al near perfect a film as you will ever see.
Now, all these years later, I can say this film is still probably the most powerful, and brutally honest film that I have ever seen. If you are a Christian as I am, this film shows everything that we ever need to see about Jesus's last 12 hours, but even if you are an atheist, this film is just plain powerful in the way it was made, and created.
Mel Gibson did as a Director in this film something I doubt that the great Martin Scorsese or Francis Ford Coppola, or Quentin Tarantino could never do.
From the cast, to the direction, to the sets, to the costumes, I believe this is al near perfect a film as you will ever see.
10diddykv
I've seen a lot o people talking trash about this movie - even a lot of christians -, and I find it hard to understand why. Philosopher Peter Kreeft called it the "most beautiful movie ever made", and when I think about it in the light of the Christian faith, it's hard to disagree.
First of all, passion means suffering, and for all those people that complain about the violence in the movie, I think it's because they don't get Christ's Passion at all. The emphasis on violence is fundamental, as it's what reveals how much God suffered because of what I did. So I, the spectator, am experiencing with all my emotions what I can only imagine and reflect about when reading the Gospels. And I'm not the kind of person that reads about Jesus crucified and direct relates it to all the bad things I did to contribute to that moment, and even when I do, it's more like in a lucid, almost indifferent way, while the movie forces me to feel the burden that I've put on My Lord's shoulder.
This is of course from my Christian perspective, and I wouldn't even try to talk about what's great in the movie from a secular perspective. The lens through which one watches it it's what define its greatness. And that lens is faith. So I really don't think it's a big deal if an atheist doesn't like it; but if a catholic doesn't like it I'll be confused.
The way Jim Caviezel plays Jesus is so powerful. He seems very humble, very vulnerable, very soft, yet very strong and confident. When he talks to the people, you feel so much goodness in his tone; when he is accused of blasphemy you can feel his innocence even if nothing is spoken. When he is carrying the cross and falls, Mary runs to him and it's such a symbolic scene of how much she loves her Son, and how much she wants His suffering to end, even though she accepts the will of God.
Mel Gibson did a great job with all the symbolism in the movie: Mary's obedience; Judas' desperation; all the people shocked by Jesus' mere presence. There's so much of it, and it feels so natural.
I can only assume that christians that don't like The Passion of the Christ are those that didn't actually take their time to think about the Passion of Christ. The movie is a chance to do so. It's ugly and repulsive? Yes, but only for a moment. When you realize that it captures the essence of God's love for humanity, it becomes eternally beautiful. Jesus didn't have to do that. He did because of me, because of you; because He is the good shepherd that lays his life for the sheep.
So what if the reality of the Passion is full of gore and tears and injustice? We are the cause of that, and sometimes we better realize it by having it thrown on our faces, however hurt we may end up feeling. Just remember that our pain is nothing compared to our Lord's pain. I can only speak for myself when I say that my love for my Savior is very small; but I know very well that He loves me with a heart that is ready to bleed without hesitation, even though I'm not worth it.
First of all, passion means suffering, and for all those people that complain about the violence in the movie, I think it's because they don't get Christ's Passion at all. The emphasis on violence is fundamental, as it's what reveals how much God suffered because of what I did. So I, the spectator, am experiencing with all my emotions what I can only imagine and reflect about when reading the Gospels. And I'm not the kind of person that reads about Jesus crucified and direct relates it to all the bad things I did to contribute to that moment, and even when I do, it's more like in a lucid, almost indifferent way, while the movie forces me to feel the burden that I've put on My Lord's shoulder.
This is of course from my Christian perspective, and I wouldn't even try to talk about what's great in the movie from a secular perspective. The lens through which one watches it it's what define its greatness. And that lens is faith. So I really don't think it's a big deal if an atheist doesn't like it; but if a catholic doesn't like it I'll be confused.
The way Jim Caviezel plays Jesus is so powerful. He seems very humble, very vulnerable, very soft, yet very strong and confident. When he talks to the people, you feel so much goodness in his tone; when he is accused of blasphemy you can feel his innocence even if nothing is spoken. When he is carrying the cross and falls, Mary runs to him and it's such a symbolic scene of how much she loves her Son, and how much she wants His suffering to end, even though she accepts the will of God.
Mel Gibson did a great job with all the symbolism in the movie: Mary's obedience; Judas' desperation; all the people shocked by Jesus' mere presence. There's so much of it, and it feels so natural.
I can only assume that christians that don't like The Passion of the Christ are those that didn't actually take their time to think about the Passion of Christ. The movie is a chance to do so. It's ugly and repulsive? Yes, but only for a moment. When you realize that it captures the essence of God's love for humanity, it becomes eternally beautiful. Jesus didn't have to do that. He did because of me, because of you; because He is the good shepherd that lays his life for the sheep.
So what if the reality of the Passion is full of gore and tears and injustice? We are the cause of that, and sometimes we better realize it by having it thrown on our faces, however hurt we may end up feeling. Just remember that our pain is nothing compared to our Lord's pain. I can only speak for myself when I say that my love for my Savior is very small; but I know very well that He loves me with a heart that is ready to bleed without hesitation, even though I'm not worth it.
Mel Gibson has done the impossible. He has created a tale of the Christ that works on three separate levels.
As a spiritual message, the film is overwhelming, bringing tears of renewal to the believers in the audience. Even if you are not a believer, though, I still think there is something in this for you.
As an historical observation, the film is brilliant, depicting the social and political dynamics of the Romans and Sanhedrin with clarity and accessibility. This is the most believable interpretation of what happened to Christ, and although I knew the story going in, I found myself getting caught in the narrative, hoping someone would realize that this was an innocent man and that the persecution would stop.
Finally, as a work of art, this film is unparalleled. Mel borrows from the works of Caravaggio, Puntarmo, Michelangelo and Leonardo et. al., as well as the Medieval Passion Plays. As one who was made to study this in college, it all came back to me in a graphic context, with production design so amazing that it felt like I was going back in time, that I was seeing Jesus and Pilate and Peter and Mary.
This film will rock your world, and that's an understatement. One of the most beautiful films I have seen.
As a spiritual message, the film is overwhelming, bringing tears of renewal to the believers in the audience. Even if you are not a believer, though, I still think there is something in this for you.
As an historical observation, the film is brilliant, depicting the social and political dynamics of the Romans and Sanhedrin with clarity and accessibility. This is the most believable interpretation of what happened to Christ, and although I knew the story going in, I found myself getting caught in the narrative, hoping someone would realize that this was an innocent man and that the persecution would stop.
Finally, as a work of art, this film is unparalleled. Mel borrows from the works of Caravaggio, Puntarmo, Michelangelo and Leonardo et. al., as well as the Medieval Passion Plays. As one who was made to study this in college, it all came back to me in a graphic context, with production design so amazing that it felt like I was going back in time, that I was seeing Jesus and Pilate and Peter and Mary.
This film will rock your world, and that's an understatement. One of the most beautiful films I have seen.
Director Mel Gibson brings the last day of Jesus (Jim Caviezel) to the screen. It is after the last supper and Judas betrays Jesus to the authorities for 30 pieces of silver. Jesus is arrested, beaten, convicted of blasphemy and sentenced to death. Roman Governor Pontius Pilate sends him to King Herod. Herod sees Jesus as a fool and releases him back to Pilate. Fearing a revolt, Pilate offers a choice to the crowd between Jesus and Barabbas.
This is a relatively literal interpretation of the passion play. Mel even uses Aramaic. It is expertly made and delivers the material. There is a vein of anti-semitic bend while Pilate is excused with more humanity. I don't think the film can force modern values on the 2000 year old text. For true believers, this is heaven. Every whip mark is felt. For non-believers, this is a good representation of the text.
This is a relatively literal interpretation of the passion play. Mel even uses Aramaic. It is expertly made and delivers the material. There is a vein of anti-semitic bend while Pilate is excused with more humanity. I don't think the film can force modern values on the 2000 year old text. For true believers, this is heaven. Every whip mark is felt. For non-believers, this is a good representation of the text.
Você sabia?
- CuriosidadesJim Caviezel experienced a shoulder separation when the 150-pound cross dropped on his shoulder. The scene is still in the movie.
- Erros de gravaçãoSatan moves through the crowd while Jesus is being beaten. Jesus is the only one who is supposed to be able to see Satan. However, one man in the crowd follows Satan with his eyes as Satan moves past him.
- Cenas durante ou pós-créditosThe movie doesn't begin with credits, but only with a verse from the Bible: "He was wounded for our transgressions, crushed for our iniquities; by His wounds we are healed." Isaiah 53; 700 B.C.
- Versões alternativasIn January 2005, Mel Gibson announced that a slightly (5-6 minutes) shorter version would be released to theaters in March 2005 (just in time for Easter), under the title "The Passion Recut". The new version features no new scenes, but trimming of the most graphic scenes, particularly the scourging.
- ConexõesEdited into The Arrivals (2008)
- Trilhas sonorasAzeri
Written and Performed by Göksel Baktagir (as Goksel Baktagir) and Yurdal Tokcan
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- La pasión de Cristo
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 370.782.930
- Fim de semana de estreia nos EUA e Canadá
- US$ 83.848.082
- 29 de fev. de 2004
- Faturamento bruto mundial
- US$ 610.063.438
- Tempo de duração
- 2 h 7 min(127 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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